Villa Elsa. Stuart Oliver Henry

Villa Elsa - Stuart Oliver Henry


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the Bucher wall was too high for her to hang over in her languishing ardors, she hung over her gate to offer a book or a tiger lily to Gard as he passed. Several times when the pachydermatous Tekla banged her way upstairs with an armful of utensils in her work, a bouncing compote or other unabashed delicacy would be tumbling about on a dustpan or a slop basin, bound for the attic room by the linden tree. Twice a belabored missive accompanied these little couriers, anxiously quoting some anguishing sentimentality from one of the household poets writhing amid the pages of the affecting Gartenlaube.

      It was at first so bothersome that Gard contemplated leaving the neighborhood. Even the Buchers, truest of prosy Germans, could grasp the ridiculousness of this situation, and it was the one item of noisy fun they could fall back upon when they wished to be especially entertaining.

      "Mein Gott!" the Frau would cry out when going over her troubles and arduous occupations. "And I've got to get a husband for the Wasserhaus yet!" The Herr often went into a deafening rage about it.

      "Is there no way to keep that lachrymose female out of my house with her belated calf-love? She annoys the good Herr Kirtley." And he would toddle out, slamming the door like a clap of thunder.

      The family assumed a very self-conscious behavior when the lorn maiden was mentioned, and were anxious Gard should know that, while unfortunately she was their neighbor, she was not at all of their stratum.

      "Poor girl!" Gard mused. There were nearly half again as many women as men in Saxony.

      At last he came to know there seemed to be a mystery about Fräulein Elsa—something which was hidden from him. And a new and deeper interest was summoned forth from within his breast. Occasionally at table she was silent as a mile stone. Some days she did not appear to his sight at all. And then, when he did see her, she evidently wanted to avoid him. Very true it was that she often pored over the little volume of Heine in her room without a word to anyone. But, of a sudden, she would become frankly in evidence again—a floral and quite superb girl, resolutely "making good," as was her wont.

      "What is it?" Gard wondered.

      None of the family ever referred to it. Even in his intimate talks with her mother, whom Gard now and then practiced his German upon as she was plying her needle, nothing was divulged. There was no young German coming to the house with regularity. Consequently, could it be love difficulties? Yet something was wrong. It lent respect to Elsa, threw enhancement about her.

      Gard concluded that the roughness of the Bucher family life mortified her. It was often well-nigh outlandish. How could she have so ardently studied the beautiful in music and colors without realizing this?

      But he had not been long enough in Germany to be advised that knowledge is not expected there to enter into the inner life. What one is has little in common with what one knows or can dexterously do. Study does not pass into character. The German, with all his acquirements, does not look for moral or esthetic effect upon the heart or soul.

      German women esteem the strong fighter, the rugged accomplisher the boisterous enthusiast, among their men. Whether these are atheistic, immoral, boorish, cruel, are considerations of secondary importance. The daughters marry them with little hesitation. Men are men, supreme, to be adored. Women are to be tolerated, stepped on, sat upon. Man is the master, woman is the willing servant.

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       Table of Contents

      GARD'S experience in perfecting himself in German met with another rebuff. Under the prompting of his parental friends in Villa Elsa he concluded at length to attend a course of lectures given by a celebrated professor who was, however, known to be of an exceptionally cantankerous disposition. Kirtley had become aware of the querulous restrictions and exactions attending the most peaceful German activities and made sure of his ground at the class room, whither he went one morning with encouraging expectations. He asked the janitor if the hearings were free and public. They were.

      It was the usual amphitheater and Gard entered to find only a few regular students down in the front rows. He decided on a seat alone in the center. Herr Professor, be-spectacled, soon clambered up on the rostrum and squatted dumpily. Blear-eyed he scanned the place and blurted out:

      "There is a stranger in the room. The lecture will not proceed until he departs." Gard, having been assured by the janitor, could not imagine that he himself was meant. The man of prodigious learning shouted angrily, throwing out his arm toward Kirtley:

      "Must I repeat that there is a foreigner in the audience? I shall not begin until his presence has been removed."

      Gard went away, incensed. Surely, he swore to himself, Teuton erudition acts so often like a mad bear ready to claw away at men and things. He never attended another day lecture.

      But he had to get on with his German. He decided to put an advertisement for an instructor in the Dresden Nachrichten. At its bureau he ran counter to a lot of ifs and ands at the hands of a surly young clerk. A German, naturally gruff, only needs a small position to increase his acerbity. His newspapers display, likewise, a disagreeable officiousness, being nearly always, to some extent, bureaucratic organs. They are lords, not servants, of the public. They do not appear to want your business, your money.

      Gard's imperfect German balked him, too. After he had been back and forth to the little window three or four times, trying to alter his "ad" to suit the rasping individual whose face Gard could scarcely catch a glimpse of by stooping down to the aperture, an American stepped forward. He was a steel gray man of about sixty and was inserting a notice. He said he was familiar with all the rigors of such a proceeding, being a correspondent for the Chicago Gazette.

      "Perhaps I can help," volunteered Miles Anderson. "After having had scraps and fights about this sort of thing around this country for seven years—though the Germans won't fight—I've finally got the hang of it. You can save three or four words by a different jargon. I can see you are an American because you take up more room about this than necessary. German economy, you must remember."

      Gard was glad to find a friend of his race. And after the advertisement was disposed of, they repaired to a neighboring beer hall to refresh and relieve their feelings. Anderson was smooth-shaven, with piercing gray eyes under bushy eyebrows, his head presenting the appearance of just having been in a barber's chair. With the insistent curiosity of a practiced interviewer he wanted to know why Kirtley had come to this godless land; where he was hanging out; and all about the Buchers.

      A bachelor, Anderson had become toughened by hotel and pension. He thought Kirtley very fortunate in getting right into a family where the veritable German bloom had not been rubbed off by foreigners, by boarders. It would be a most fragrant experience. Here Kirtley would see on the native heath the genuine German of the great middle class that makes up the might of the nation.

      "Can you read German comfortably?" asked Anderson. "What do you make of it? I've been studying it for seven years and sometimes it seems as if I hadn't got much further than the verb to hate."

      "You can't give me any short cuts about it, then?" laughed Gard.

      "Yes, I can—yes, I can. Here's a little compilation and analysis of the irregular verbs," explained his new acquaintance, pulling a green brochure from his pocket. "Only costs a mark. You can get a second-hand one at the book stalls by the Augustus bridge. I always carry it with me and con it over and over. Good for the pronunciation. If you get the irregular verbs of a language well fed into your system, you've got the language by the windpipe.

      "Then buy Simplicissimus. You'll pick up a good deal from that—the popular expressions, the phrases and exclamations that are going. If you learn to


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