Slippy McGee, Sometimes Known as the Butterfly Man. Marie Conway Oemler

Slippy McGee, Sometimes Known as the Butterfly Man - Marie Conway Oemler


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Not for Slippy. I've kept my head clear, and that's how I've muddled theirs. They never get next to anything until I've cleaned up and dusted. Why, honest to God, I can open any box made, easy as easy, just like I can put it all over any bull alive! That is," a spasm twisted his face and into his voice crept the acute anguish of the artist deprived of all power to create, "that is, I could—until I made that last getaway on a freight, and this happened."

      "I am sorry," said I soothingly, "that you have lost your leg, of course. But better to lose your leg than your soul, my son. Why, how do you know—"

      He writhed. "Can it!" he implored. "Cut it out! Ain't I up against enough now, for God's sake? Down and out—and nothing to do but have my soul curry-combed and mashfed by a skypilot with both his legs and all his mouth on him! Ain't it hell, though? Say, you better send for the cops. I'd rather stand for the pen than the preaching. What'd you do with my bag, anyway?"

      "But I really have no idea of preaching to you; and I would rather not send for the police—afterwards, when you are better, you may do so if you choose. You are a free agent. As for your bag, why—it is—it is—in the keeping of the Church."

      "Huh!" said he, and twisted his mouth cynically. "Huh! Then it's good-bye tools, I suppose. I'm no churchmember, thank God, but I've heard that once the Church gets her clamps on anything worth while all hell can't pry her loose."

      Now I don't know why, but at that, suddenly and inexplicably, as if I had glimpsed a ray of light, I felt cheered.

      "Why, that's it exactly!" said I, smiling. "Once the Church gets real hold of a thing—or a man—worth while, she holds on so fast that all hell can't pry her loose. Won't you try to remember that, my son!"

      "If it's a joke, suck the marrow out of it yourself," said he sourly. "It don't listen so horrible funny to me. And you haven't peeped yet about what you're going to do. I'm waiting to hear. I'm real interested."

      "Why, I really don't know yet," said I, still cheerfully. "Suppose we wait and see? Here you are, safe and harmless enough for the present. And God is good; perhaps He knows that you and I may need each other more than you and the police need each other—who can tell? I should simply set myself strictly to the task of getting entirely well, if I were you—and let it go at that."

      He appeared to reflect; his forehead wrinkled painfully.

      "Devil-dodger," said he, after a pause, "are you just making a noise with your face, or is that on the level?"

      "That's on the level."

      His hard and suspicious eyes bored into me. And as I held his glance, a hint of wonder and amazement crept into his face.

      "God A'mighty! I believe him!" he gasped. And then, as if ashamed of that real feeling, he scowled.

      "Say, if you're really on the level, I guess you'd better not be flashing the name of Slippy McGee around promiscuous," he suggested presently. "It won't do either you or me any good, see? And say, parson—forget Percy and Algy. How was I to know you'd be so white? And look here: I did know a gink named John Flint, once. Only he was called Reddy, because he'd got such a blazing red head and whiskers. He's croaked, so he wouldn't mind me using his moniker, seeing it's not doing him any good now."

      "Let us agree upon John Flint," I decided.

      "Help yourself," he agreed, equably.

      Clélie, with wrath and disapproval written upon every stiffened line, brought him his broth, which he took with a better grace than I had yet witnessed. He even added a muttered word of thanks.

      "It's funny," he reflected, when the yellow woman had left the room with the empty bowl, "it's sure funny, but d'ye know, I'm lots easier in my mind, knowing you know, and not having to think up a hard-luck gag to hand out to you? I hate like hell to have to lie, except of course when I need a smooth spiel for the cops. I guess I'll snooze a bit now," he added, as I rose to leave the room. And as I reached the door:

      "Parson?"

      "Well?"

      "Why—er—come in a bit to-night, will you? That is, if you've got time. And look here: don't you get the notion in your bean I'm just some little old two-by-four guy of a yegg or some poor nut of a dip. I'm not. Why, I've been the whole show and manager besides. Yep, I'm Slippy McGee himself."

      He paused, to let this sink into my consciousness. I must confess that I was more profoundly impressed than even he had any idea of. And then, magnanimously, he added: "You're sure some white man, parson."

      "Thank you, John Flint," said I, with due modesty.

      Heaven knows why I should have been pleased and hopeful, but I was. My guest was a criminal; he hadn't shown the slightest sign of compunction or of shame; instead, he had betrayed a brazen pride. And yet—I felt hopeful. Although I knew I was tacitly concealing a burglar, my conscience remained clear and unclouded, and I had a calm intuitive assurance of right. So deeply did I feel this that when I went over to the church I placed before St. Stanislaus a small lamp full of purest olive oil, which is expensive. I felt that he deserved some compensation for hiding that package under his sheaf of lilies.

      The authorities of our small town knew, of course, that another forlorn wretch was being cared for at the Parish House. But had not the Parish House sheltered other such vagabonds? The sheriff saw no reason to give himself the least concern, beyond making the most casual inquiry. If I wanted the fellow, he was only too glad to let me keep him. And who, indeed, would look for a notorious criminal in a Parish House Guest Room? Who would connect that all too common occurrence, a tramp maimed by the railroad, with, the mysterious disappearance of the cracksman, Slippy McGee? So, for the present, I could feel sure that the man was safe.

      And in the meantime, in the orderly proceeding of everyday life, while he gained strength under my mother's wise and careful nursing and Westmoreland's wise and careful overseeing, there came to him those who were instruments for good—my mother first, whom, like Clélie, he never called anything but "Madame" and whom, like Clélie, he presently obeyed with unquestioning and childlike readiness. Now, Madame is a truly wonderful person when she deals with people like him. Never for a moment lowering her own natural and beautiful dignity, but without a hint of condescension, Madame manages to find the just level upon which both can stand as on common ground; then, without noise, she helps, and she conveys the impression that thus noiselessly to help is the only just, natural and beautiful thing for any decent person to do, unless, perhaps, it might be to receive in the like spirit.

      Judge Mayne's son, Laurence, full of a fresh and boyish enthusiasm, was such another instrument. He had a handsome, intelligent face, a straight and beautiful body, and the pleasantest voice in the world. His mother in her last years had been a fretful invalid, and to meet her constant demands the judge and his son had developed an angelic patience with weakness. They were both rather quiet and undemonstrative, this father and son; the older man, in fact had a stern visage at first glance, until one learned to know it as the face of a man trained to restraint and endurance. As for the boy, no one could long resist the shrewd, kind youngster, who could spend an hour with the most unlikely invalid and leave him all the better for it. I was unusually busy just then, Clélie frankly hated and feared the man upstairs, my mother had her hands full, and there were many heavy and lonesome hours which Laurence set himself the task of filling. I left this to the boy himself, offering no suggestions.

      "Padre," said the boy to me, some time later, "that chap upstairs is the hardest nut I ever tried to crack. There've been times when I felt tempted to crack him with a sledge-hammer, if you want the truth. You know, he always seemed to like me to read to him, but I've never been able to discover whether or not he liked what I read. He never asked me a single question, he never seemed interested enough to make a comment. But I think that I've made a dent in him at last."

      "A dent! In Flint? With what adamantine pick, oh hardiest of miners!"

      "With a book. Guess!"

      "I couldn't. I give up."

      "The Bible!" said Laurence.

      The


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