Tess of the Storm Country. Grace Miller White

Tess of the Storm Country - Grace Miller White


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breast and a Daddy, a dear stooping old Daddy. She slipped open the shanty door, lighted a candle and looked around. The frying pan lay bottom up on the floor where she had dropped it. The tea pail was on the table; a cut loaf of bread lay beside it, covered with a host of small red ants. All this was familiar to Tess. She kicked the pan from her path with her bare foot, and sat down on the three legged stool which her father used at his meals. Portions of fish and plenty of bones were spread about upon the floor, but the littered shanty did not distress her newly found notions of cleanliness.

      Daddy might go away to the black place where they had taken the Canadian Indian, who had killed his squaw. Tess remembered hearing how he had been carried to prison, twelve men had found him guilty of the crime and at last—Tessibel started up with a groan—the Canadian Indian had been carried to the place where the rope was.

      Daddy Skinner and the Canadian Indian. Tess dared think no longer. She caught a glimpse of herself in the cracked mirror which Skinner used when he plied the pinchers to his beard—and her wild eyed bronzeness caused her to give a startled ejaculation. Daddy was gone; and Frederick the toad, was her all. The thought of the reptile she loved brought her quickly to her feet. Frederick should sleep in the shanty while Daddy was away. Tessibel halted apprehensively in the open doorway.

      From the shore willows, hoot owls pierced the inky night with their sonorous cries—while in throaty discord, a million marsh frogs bellowed farewell to summer. The lake shores caught the unceasing waves in eternal laps, the rhythm soothing the ears of the squatter girl as her unfathomable gaze pierced the midnight gloom. But the weight of sorrow and longing on the strong nature, untried by emotion, strangled the rising fear, and Tessibel advanced a step to the pebbly path. Once outside in the darkness, she lifted her voice and repeated as of yore,

       "Rescue the perishin'

       Care for the dyin'."

      Never before had the words roused her as now—Daddy Skinner needed that refrain.

      She darted around the corner of the mud cellar, and shoving her hand into the familiar hole in the log, Tessibel drew Frederick quickly out. She dropped him into her blouse and retraced her steps to the shanty. She could never be lonely and quite without hope if Frederick were with her. Hadn't she loved him for four long months, and daily fed him his portion of flies? She took him from her bosom, where many times he had sunk into toad dream-land, and without looking at him placed him on the floor.

      "It air a bad night for us, Frederick," she said out loud, "it air. But you'll not sleep in the log to-night, but in Daddy's bed. And I'll just pretend ye air Daddy, and when ye croak with the daylight ye can have all the flies lightin' on the sugar, and then we air goin' after Daddy and bring him home to the shanty, Frederick."

      Tessibel turned her head and glanced at Frederick. Generally when she spoke he would give an answering grunt. She gazed at him but dared not venture closer. Had she lost her mind like Jake Brewer's sister, when they brought home the body of her drowned husband? Tessibel lighted another candle and then the third—the match burned low between her fingers as she touched it to the fourth. Once more she looked upon the horrid sight—terror striving and struggling for some outlet in her torn young soul. Frederick blinked a pair of beady eyes, filmed with death—he moved a mutilated body with painful jerks, but there was nothing to show the girl that he felt her presence. The silent awful pulsating of the toad manifested its dumb suffering. A candle flickered as she sought to solve the problem. The night wind flapped the dirty curtain and Tessibel turned her head slowly toward it. A bird's cry from somewhere in the weeping willow, came in through the window. With silent intensity, she dragged her body slowly across the floor toward the flattened reptile—above him she squatted—the gorgeous hair sweeping the filth strewn floor. Tess could mark the places where the beloved warts had been—she knew how many there were even to the tiny ones. With the halting precision of the ignorant, she had counted them singly every day. But the severest heart wrench of all was to come to Tess. The great squat hind legs, which had been her pride, when Frederick jumped through her rounded arms—curled to make a hoop—were gone, and the movements of Frederick's body left a tiny trail of dark blood upon the shanty floor. She couldn't touch that dying thing. In her vehement desire to relieve him of his pain, she burst into song which went upward and outward, ringing over the lake, returning again, only to be sent further and further into the heavens.

      "Rescue the perishin'

       Care for the dyin'."

      This was all Tessibel knew of the hymn—over and over she sang it, fearfully watching the toad move grotesquely in the candlelight. Time after time the blinking eyes closed and flew open—again and again Tessibel sent her importunate prayer into the heart of the Great Unknown.

      Frederick gave a great deep sob, his fat sides lifted and fell twice, and as the petitionate lips of the girl sent the song once more into the night, he flopped over on his back, straightened out the little wounded stumps, and died.

      Daddy Skinner, the Canadian Indian, and Frederick! Tess couldn't separate the three—the prayerful mood died with the toad. She opened her lips and uttered two great piercing shrieks, which sounded and resounded through the rafters of the shanty, out into the darkness and up to the ragged rocks. It was the cry of a wounded human thing, amounting to but little in the great whirling universe. The dying of the scream brought words from her lips.

      "Daddy Skinner, Daddy Skinner."

      Then twice in equally shrill longing, resounded the name of her dead friend.

      "Frederick, aw, aw Frederick!"

      Both cries followed the prayer, echoing their agony out through the window—the flapping curtain with its tatters offering no impediment for its outgoing.

      Suddenly Tessibel staggered to her feet, for back to her through the window, from somewhere near the mud cellar, came an answering voice, deep-toned and vibrant—

      "What? What?"

      Frederick, the student, stood in the door of the dirty shanty, looking upon an unkempt, copper-eyed girl, and a great squat, dead, wartless toad.

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      "You called me?"

      A silence.

      "You called me?"

      The student repeated the words twice, so satisfied was he that his name had been called out in tones of great insistence.

      Tessibel was deaf to his words. His presence had filled her completely. Leaning against the post of Daddy's bed, she glued her eyes upon the student's face, the fringed lids sprung to their fullest capacity. The extreme fascination in her gaze held the boy spellbound—then the eyelids quivered and it was over.

      Frederick glanced hurriedly about the room, the untidiness of it all striking his sensitiveness. He noted the pungent smell of fried fish mixed with inferior grease, the ant-covered bread, the confusion of ragged bed-clothes, and lastly of all, the other Frederick. Tessibel gasped as the newcomer looked longest upon her dead. She thought she saw him shiver as he stepped back a little.

      This brought her grief vividly back to her. The pain, as acute and sharp as the knife which had ended the life of Frederick, entered her already riven soul. The instant before a mingled sensation of shame and embarrassment had swept over her because of the appearance of the hut, and her own bare legs and feet; but the helpless dead sent even that from her.

      "He air gone," she said chokingly, coming forward with a totter.

      Disgust rested paramount upon the student's face. Surprise followed this as Tessibel threw herself in limp unconcern beside the other Frederick and gathered the stiffened toad into her arms. She rocked to and fro as a mother might who had suddenly discovered that the great White Mystery had robbed her of her child. Tessibel's maternal instinct was being strongly developed in her agony of the hour, and the identity of Frederick the student, was lost in Frederick, the toad,


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