Fairy Fingers. Anna Cora Ogden Mowatt Ritchie

Fairy Fingers - Anna Cora Ogden Mowatt Ritchie


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rel="nofollow" href="#ulink_fd85884f-c6fe-5afd-a4fa-ad25ccde7eda">413 BROADWAY, CORNER OF LISPENARD STREET.

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      They were seated in the drawing-room of an ancient château in Brittany—the Countess Dowager de Gramont and Count Tristan, her only son—a mansion lacking none of the ponderous quaintness that usually characterizes ancestral dwellings in that locality. The edifice could still boast of imposing grandeur, especially if classed among "fine ruins." Within and without were harmoniously dilapidated, and a large portion of the interior was uninhabitable. The limited resources of the count precluded even an apologetic semblance of repairs.

      The house was surrounded by spacious parks and pleasure-grounds, in a similarly neglected condition. Their natural beauty was striking, and the rich soil yielded fruits and flowers in abundance, though its only culture was received from the hands of old Baptiste, who made his appearance as gardener in the morning, but, with a total change of costume, was metamorphosed into butler after the sun passed the meridian. In his button-hole a flower, which he could never be induced to forego, betrayed his preference for the former vocation.

      The discussion between mother and son was unmistakably tempestuous. A thunder-cloud lowered on the noble lady's brow; her eyes shot forth electric flashes, and her voice, usually subdued to aristocratic softness, was raised to storm-pitch.

      "Count Tristan de Gramont, you have taken leave of your senses!"

      A favorite declaration of persons thoroughly convinced of their own unassailable mental equilibrium, when their convictions encounter the sudden check of opposition.

      As the assertion, unfortunately, is one that cannot be disproved by denial, the count sank resignedly behind the shield of silence. His mother returned to the attack.

      "Do you mean me to understand that, in your right mind, you would condescend to mingle with men of business?—that you would actually degrade yourself into becoming a shareholder, or manager, or director, or whatever you please to term it, in a railway company?—you, Count Tristan de Gramont! The very proposal is a humiliation; to entertain it would be an absurdity—to consent, an impossibility. I repeat it, you have taken leave of your senses!"

      "But, my dear mother," answered the count, with marked deference, "you are forgetting that this railway company chances to be an American association; my connection with it, or, rather, its very existence, is not likely to be known here in Brittany—therefore, my dignity will not be compromised. The only valuable property left us is the transatlantic estate which my roving brother purchased during his wanderings in the New World, and bequeathed to my son, Maurice, for whom it is held in trust by an American gentleman. The members of the association, who desire to interest me in their speculation, assert that the proposed railroad may pass directly through this very tract of land. Should that be the case, its value will be greatly increased. At the present moment the estate yields us nothing; but the advent of this railroad must insure an immense profit. We estimate that, by judicious management, the land may be made to bring in"—

      His mother interrupted him with a haughty gesture. "'Speculation!' 'yield!' 'profit!' 'bring in!' What language to grow familiar to the lips of a son of mine! You talk like a tradesman already! My son, give up all idea of this plebeian enterprise!"

      The count did not answer immediately. He seemed puzzled to determine what degree of confidence it was necessary to repose in his stately mother. After a brief pause, he renewed the conversation with evident embarrassment.

      "It is very difficult to make a lady, especially a lady of your rank, education, and mode of life, understand these matters, and the necessity"—

      "It ought to be equally difficult to make the nobleman, my son, comprehend them," answered the countess, freezingly.

      The count rejoined, as though driven to extremity, "It is the very fact of my being a nobleman, that has made these people, Americans as they are, and despisers of titles as they profess to be, seek me with eagerness. The prestige of my title, and the promise of obtaining some privileges respecting Maurice's Maryland estate, are all that I can contribute toward the success of their undertaking. It is true I am a nobleman; but even rank, my dear mother, must have the means of sustaining its existence, to say nothing of preserving its dignity. Even rank is subject to the common, vulgar need of food and raiment and shelter, not to mention the necessity of keeping horses, carriages, domestics, and securing other indispensable but money-consuming luxuries. Our narrow income is no longer sufficient to meet even our limited expenditures. The education of Maurice at the University of Paris, and your own charities, have not merely drained our purse, but involved us in debt. I hail the offer made me by this American company, because it may extricate us from some very serious difficulties. I am much mortified at your resolute disapproval of the step I contemplate."

      Count Tristan de Gramont was a widower, the father of but one child. It must not be supposed that, although he seriously purposed embarking in a business enterprise, he had failed to appropriate a goodly share of that pride which had both descended by inheritance, and been liberally instilled into his mind by education. His character was strongly stamped with the Breton traits of obstinacy and perseverance, and he was gifted with an unaristocratic amount of energy. When an idea once took possession of his brain, he patiently and diligently brought the embryo thought to fruition, in spite of all disheartening obstacles. He was narrow-minded and selfish when any interests save his own and those of his mother and son were at stake. These were the only two beings whom he loved, and he only loved them because they were his—a portion of himself; and it was merely himself that he loved through them. In a certain sense, he was a devoted son. His education had rendered him punctilious, to the highest degree, in the observance of all those forms that betoken filial veneration. He always treated his august mother with the most profound reverence. He paid her the most courteous attentions—opened the doors when she desired to pass, placed footstools for her feet, knelt promptly to pick up the handkerchief or glove she dropped, was ever ready to offer her his arm for her support, and seldom combated her opinions.

      The first time he had openly ventured to oppose her views was in the conversation we have just related.

      She looked so regal, as she sat before him in a richly carved antique chair, which she occupied as though it had been a throne, that, in spite of the blind obstinacy with which she refused to see her own interests and his, Count Tristan could not help regarding her with admiration.

      She was still strikingly handsome, notwithstanding the sixty winters which had bleached her raven locks to the most uncompromising white. Those snowy tresses fell in soft and glossy curls about her scarcely furrowed countenance. Her forehead was somewhat low and narrow; the face, a decided oval; the nose, almost straight; the eyes almond-shaped, and of a jetty blackness, flashing out from beneath brows that were remarkable for the fine, dark line that designated their arch. The mouth was the least pleasing feature—it was too small, and unsuggestive of varied expression; the lips not only lacked fulness, but wore a supercilious curl that had become habitual.

      Her form was considerably above the medium height, and added to the sense of grandeur conveyed by her presence. Her carriage was erect to the verge of stiffness, and her step too firm to be quite soundless. Advancing years had not produced any unseemly embonpoint, nor had her figure fallen into the opposite extreme, and sharpened into meagre angularity; its outline retained sufficient roundness not to lose the curves or grace.

      She had made no reply to her son's last remark, which forced him to begin anew. He thought it politic, however, to change the subject.

      "You remember, my mother, that some seven of our friends are engaged to dine with us to-morrow. I trust you will not disapprove of my having invited


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