Sacred and Profane Love. Arnold Bennett
over our household—prim, regular, and perfect: my old aunt embroidering in the breakfast-room, and Rebecca and Lucy ironing in the impeachable kitchen, and not one of them with the least suspicion that Adam had not really waked up one morning minus a rib. I wandered in fancy all over the house—the attics, my aunt’s bedroom so miraculously neat, and mine so unkempt, and the dark places in the corridors where clocks ticked.
I had the sense of the curious compact organism of which my aunt was the head, and into which my soul had strayed by some caprice of fate. What I felt was that the organism was suspended in a sort of enchantment, lifelessly alive, unconsciously expectant of the magic touch which would break the spell, and I wondered how long I must wait before I began to live. I know now that I was happy in those serene preliminary years, but nevertheless I had the illusion of spiritual woe. I sighed grievously as I went back to the piano, and opened the volume of Mikuli’s Chopin.
Just as I was beginning to play, Rebecca came into the room. She was a maid of forty years, and stout; absolutely certain of a few things, and quite satisfied in her ignorance of all else; an important person in our house, and therefore an important person in the created universe, of which our house was for her the centre. She wore the white cap with distinction, and when an apron was suspended round her immense waist it ceased to be an apron, and became a symbol, like the apron of a Freemason.
‘Well, Rebecca?’ I said, without turning my head.
I guessed urgency, otherwise Rebecca would have delegated Lucy.
‘If you please, Miss Carlotta, your aunt is not feeling well, and she will not be able to go to the concert to-night.’
‘Not be able to go to the concert!’ I repeated mechanically.
‘No, miss.’
‘I will come downstairs.’
‘If I were you, I shouldn’t, miss. She’s dozing a bit just now.’
‘Very well.’
I went on playing. But Chopin, who was the chief factor in my emotional life; who had taught me nearly all I knew of grace, wit, and tenderness; who had discovered for me the beauty that lay in everything, in sensuous exaltation as well as in asceticism, in grief as well as in joy; who had shown me that each moment of life, no matter what its import, should be lived intensely and fully; who had carried me with him to the dizziest heights of which passion is capable; whose music I spiritually comprehended to a degree which I felt to be extraordinary—Chopin had almost no significance for me as I played then the most glorious of his compositions. His message was only a blurred sound in my ears. And gradually I perceived, as the soldier gradually perceives who has been hit by a bullet, that I was wounded.
The shock was of such severity that at first I had scarcely noticed it. What? My aunt not going to the concert? That meant that I could not go. But it was impossible that I should not go. I could not conceive my absence from the concert—the concert which I had been anticipating and preparing for during many weeks. We went out but little, Aunt Constance and I. An oratorio, an amateur operatic performance, a ballad concert in the Bursley Town Hall—no more than that; never the Hanbridge Theatre. And now Diaz was coming down to give a pianoforte recital in the Jubilee Hall at Hanbridge; Diaz, the darling of European capitals; Diaz, whose name in seven years had grown legendary; Diaz, the Liszt and the Rubenstein of my generation, and the greatest interpreter of Chopin since Chopin died—Diaz! Diaz! No such concert had ever been announced in the Five Towns, and I was to miss it! Our tickets had been taken, and they were not to be used! Unthinkable! A photograph of Diaz stood in a silver frame on the piano; I gazed at it fervently. I said: ‘I will hear you play the Fantasia this night, if I am cut in pieces for it to-morrow!’ Diaz represented for me, then, all that I desired of men. All my dreams of love and freedom crystallized suddenly into Diaz.
I ran downstairs to the breakfast-room.
‘You aren’t going to the concert, auntie?’ I almost sobbed.
She sat in her rocking-chair, and the gray woollen shawl thrown round her shoulders mingled with her gray hair. Her long, handsome face was a little pale, and her dark eyes darker than usual.
‘I don’t feel well enough,’ she replied calmly.
She had not observed the tremor in my voice.
‘But what’s the matter?’ I insisted.
‘Nothing in particular, my dear. I do not feel equal to the exertion.’
‘But, auntie—then I can’t go, either.’
‘I’m very sorry, dear,’ she said. ‘We will go to the next concert.’
‘Diaz will never come again!’ I exclaimed passionately. ‘And the tickets will be wasted.’
‘My dear,’ my Aunt Constance repeated, ‘I am not equal to it. And you cannot go alone.’
I was utterly selfish in that moment. I cared nothing whatever for my aunt’s indisposition. Indeed, I secretly accused her of maliciously choosing that night of all nights for her mysterious fatigue.
‘But, auntie,’ I said, controlling myself, ‘I must go, really. I shall send Lucy over with a note to Ethel Ryley to ask her to go with me.’
‘Do,’ said my aunt, after a considerable pause, ‘if you are bent on going.’
I have often thought since that during that pause, while we faced each other, my aunt had for the first time fully realized how little she knew of me; she must surely have detected in my glance a strangeness, a contemptuous indifference, an implacable obstinacy, which she had never seen in it before. And, indeed, these things were in my glance. Yet I loved my aunt with a deep affection. I had only one grievance against her. Although excessively proud, she would always, in conversation with men, admit her mental and imaginative inferiority, and that of her sex. She would admit, without being asked, that being a woman she could not see far, that her feminine brain could not carry an argument to the end, and that her feminine purpose was too infirm for any great enterprise. She seemed to find a morbid pleasure in such confessions. As regards herself, they were accurate enough; the dear creature was a singularly good judge of her own character. What I objected to was her assumption, so calm and gratuitous, that her individuality, with all its confessed limitations, was, of course, superior—stronger, wiser, subtler than mine. She never allowed me to argue with her; or if she did, she treated my remarks with a high, amused tolerance. ‘Wait till you grow older,’ she would observe, magnificently ignorant of the fact that my soul was already far older than hers. This attitude naturally made me secretive in all affairs of the mind, and most affairs of the heart.
We took in the county paper, the Staffordshire Recorder, and the Rock and the Quiver. With the help of these organs of thought, which I detested and despised, I was supposed to be able to keep discreetly and sufficiently abreast of the times. But I had other aids. I went to the Girls’ High School at Oldcastle till I was nearly eighteen. One of the mistresses there used to read continually a red book covered with brown paper. I knew it to be a red book because the paper was gone at the corners. I admired the woman immensely, and her extraordinary interest in the book—she would pick it up at every spare moment—excited in me an ardent curiosity. One day I got a chance to open it, and I read on the title-page, Introduction to the Study of Sociology, by Herbert Spencer. Turning the pages, I encountered some remarks on Napoleon that astonished and charmed me. I said: ‘Why are not our school histories like this?’ The owner of the book caught me. I asked her to lend it to me, but she would not, nor would she give me any reason for declining. Soon afterwards I left school. I persuaded my aunt to let me join the Free Library at the Wedgwood Institution. But the book was not in the catalogue. (How often, in exchanging volumes, did I not gaze into the reading-room, where men read the daily papers and the magazines, without daring to enter!) At length I audaciously decided to buy the book. I ordered it, not at our regular stationer’s in Oldcastle Street, but at a little shop of the same kind in Trafalgar Road. In three days it arrived. I called for it, and took it home secretly in a cardboard envelope-box. I went to bed early, and I began