Notes of a Son and Brother. Генри Джеймс
or at the worst of a certain small bourgeois circumspection. The dread in the Genevese of having definitely to "know" strangers and thereby be at costs for any sort of hospitality to them comes back to me as written clear; not less than their being of two sorts or societies, sons of the townspeople pure and simple and sons of the local aristocracy perched in certain of the fine old houses of the Cité and enjoying a background of sturdily-seated lakeside villas and deeply umbrageous campagnes. I remember thinking the difference of type, complexion and general allure between these groups more marked, to all the senses, than any "social distinction" I had yet encountered. But the great thing was that I could so simplify our enclosing scene itself, round it in and make it compose—the dark, the dreary Institution, squeezed into a tall, dim, stony-faced and stony-hearted house at the very top of the Cité and directly in the rear of the Cathedral, portions of the apse of which seem to me to have straggled above or protruded toward it, with other odd extraneous masses than itself pressing still nearer. This simplification, quite luxuriously for my young mind, was to mere mean blackness of an old-world sordid order. I recognised rich blackness in other connections, but this was somehow of a harsh tradition and a tragic economy; sordid and strong was what I had from the first felt the place, though urging myself always to rub off history from its stones, and suffering thus, after a fashion, by the fact that with history it ought to be interesting and that I ought to know just how and why it was. For that, I think, was ever both the burden and the joy—the complication, I mean, of interest, and the sense, in the midst of the ugly and the melancholy, that queer crooked silent corners behind cathedrals wrought in their way for one, did something, while one haunted them, to the imagination and the taste; and that so, once more, since the generalisation had become a habit with me, I couldn't, seeing and feeling these things, really believe I had picked up nothing.
When I sat in a dusky upper chamber and read "French literature" with blighted M. Toeppfer, son of a happier sire, as I was sure the charming writer and caricaturist, in spite of cumbrous cares, must have been; or when, a couple of times a week and in the same eternal twilight (we groped almost lampless through the winter days, and our glimmering tapers, when they sparsely appeared, smelt of a past age), I worried out Virgil and Tite-Live with M. Verchère, or Schiller and Lessing with the ruddy noisy little professor of German, who sat always, the lesson long, in a light brown talma, the sides of which he caused violently to flap for emphasis like agitated wings, I was almost conscious of the breath of culture as I modestly aspired to culture, and was at any rate safe for the time from a summons to the blackboard at the hands of awful little M. Galopin, that dispenser of the paralysing chalk who most affected me. Extremely diminutive and wearing for the most part a thin inscrutable smile, the ghost of a tribute to awkwardness happily carried off, he found in our barren interviews, I believed, a charm to curiosity, bending afresh each time as over the handful of specimen dust, unprecedented product at its finest, extracted from the scratched soil of my intelligence. With M. Toeppfer I was almost happy; with each of these instructors my hour was unshared, my exploits unwitnessed, by others; but M. Toeppfer became a friend, shewed himself a causeur, brightened our lesson with memories of his time in Paris, where, if I am not mistaken, he had made, with great animation, his baccalauréat, and whence it was my possibly presumptuous impression he had brought back a state of health, apparently much impaired, which represented contrition for youthful spirits. He had haunted the parterre of the Théâtre Français, and when we read Racine his vision of Rachel, whom he had seen there as often as possible, revived; he was able to say at moments how she had spoken and moved, and I recall in particular his telling me that on her entrance as Phèdre, borne down, in her languorous passion, by the weight of her royal robes—"Que ces vains ornemens, que ces voiles me pèsent!"—the long lapse of time before she spoke and while she sank upon a seat filled itself extraordinarily with her visible woe. But where he most gave me comfort was in bringing home to me that the house commemorated, immortalised, as we call it, in the first of his father's Nouvelles Genevoises, La Bibliothèque de mon Oncle, was none other than the structure facing us where we sat and which so impinged and leaned on the cathedral walls that he had but to indicate to me certain points from the window of our room to reconstitute thrillingly the scenery, the drollery, the whimsical action of the tale. There was a demonstration I could feel important, votary and victim of the "scene," the scene and the "atmosphere" only, that I had been formed to be. That I called interesting lore—called it so at least to myself, though feeling it at the same time of course so little directly producible that I could perhaps even then have fronted this actually remote circumstance of my never having produced it till this moment. There abode in me, I may add, a sense that on any subject that did appeal and that so found me ready—such subjects being indeed as yet vague, but immensely suggestive of number—I should have grasped the confident chalk, welcomed the very biggest piece, not in the least have feared the blackboard. They were inscribed, alas for me, in no recognised course. I put my hand straight on another of them, none the less, if not on a whole group of others, in my ascent, each morning of the spring or the early summer sémestre, of the admirable old Rue de la Tour de Boël, pronounced Boisl, which, dusky, steep and tortuous, formed a short cut to that part of the Grand' Rue in which the Academy was then seated.
It was a foul and malodorous way—I sniff again, during the tepid weeks, its warm close air and that near presence of rank cheese which was in those days almost everywhere, for the nostril, the note of urban Switzerland; these things blessed me as I passed, for I passed straight to freedom and away from M. Galopin; they mixed with the benediction of the exquisite spring and the rapture, constantly renewed, though for too short a period, of my now substituting literary, or in other words romantic, studies for the pursuits of the Institution Rochette. I viewed them as literary, these new branches of research, though in truth they were loose enough and followed on loose terms. My dear parents, as if to make up to me, characteristically, for my recent absurd strain to no purpose, allowed me now the happiest freedom, left me to attend such lectures as I preferred, only desiring that I should attend several a week, and content—cherished memory that it makes of their forms with me—that these should involve neither examinations nor reports. The Academic authorities, good-natured in the extreme and accustomed to the alien amateur, appear to have been equally content, and I was but too delighted, on such lines, to attend anything or everything. My whole impression now, with my self-respect re-established, was of something exquisite: I was put to the proof about nothing; I deeply enjoyed the confidence shown in my taste, not to say in my honour, and I sat out lecture after lecture as I might have sat out drama, alternate tragedy and comedy, beautifully performed—the professor in each case figuring the hero, and the undergraduates, much more numerous, though not in general maturer than those of the Institution, where I had been, to my perception, every one's junior, partaking in an odd fashion of the nature at once of troupe and spectators. The scientific subjects, in a large suggestive way, figured tragedy, I seemed to feel, and I pushed this form to the point of my following, for conscience' sake, though not with the last regularity, lurid demonstrations, as they affected me, on anatomy and physiology; these in turn leading to my earnest view, at the Medical School, of the dissection of a magnifique gendarme—which ordeal brought me to a stand. It was by the literary and even by the philosophic leçons that the office of bright comedy was discharged, on the same liberal lines; at the same time that I blush to remember with how base a blankness I must have several times listened to H. F. Amiel, admirable writer, analyst, moralist. His name and the fact of his having been then a mild grave oracle of the shrine are all that remain with me (I was fit to be coupled with my cousin Anne King, named in another place, who, on the same Genevese scene, had had early lessons from the young Victor Cherbuliez, then with all his music in him, and was to live to mention to me that he had been for her "like any one else"); the shrine, not to say the temple itself, shining for me truly, all that season, with a mere confounding blur of light. Was it an effect of my intensity of reaction from what I had hated? was it to a great extent the beguiling beauty of a wonderful Swiss spring, into which all things else soothingly melted, becoming together a harmony without parts?—whatever the cause, I owed it to some accident only to be described, I think, as happy, that I moved, those three months, in an acutely enjoying and yet, as would at present appear, a but scantly comparing or distinguishing maze of the senses and the fancy. So at least, to cover this so thin report of my intelligence and my sum of acquisition and retention, I am reduced to supposing.
What essentially most operated,