Gargoyles. Ben Hecht
to be, vicious in their defense, unswerving in his efforts to inspire others with an appreciation of these pretenses.
His anger toward his mother ebbed as he noticed the doubt come into her manner. She had hesitated for a moment in face of significant facts, in accepting the ideal Basine. But her son's sincerity had convinced her as it convinced most people who knew him. The sincerity with which he defended the idealization of himself was easily to be mistaken for a sincerity inspired by an innocence of actual wrong-doing.
As soon as he felt certain he had re-established the ideal Basine in his mother's eyes, all thoughts of the facts passed from him. The admiring opinion of others was what his nature desired and what his energies worked for. Once obtained this admiration was a mirror in which he saw himself only as he had argued others into seeing him.
He looked at his friend Keegan with a smile. Keegan was still blushing. Keegan knew that he had lied and that the entire pose was a sham. But this only added another thrill to the fleeting self-satisfaction of having re-established himself in his family's eyes. He enjoyed the knowledge that Keegan was able to see what a successful liar he was and how adroitly he managed to deceive people. This enjoyment was not a part of the emotion of the ideal Basine. It was a purely human sensation felt by Basine, the creator.
There was a single flaw in his little triumph. This was, as usual, the attitude of his sister Doris. While the others were chattering Doris kept silent. She had dark eyes and black hair. She was entirely unlike anybody in the Basine family. Fanny was blonde and vivacious with a pout and full red lips. Before the death of her husband Mrs. Basine had summed up her daughter Doris as being aristocratic.
At fifteen Doris had been painfully shy. People smiled encouragingly at her because she seemed afraid of them. Four years later people ceased to smile at her. They looked at her out of the corners of their eyes and wondered what she was thinking about. Her silence was like a confusing argument. Had it not been for her beauty her silence could easily have been dismissed. But her dark eyes and dark hair, the slightly lowered pose of her oval face and the unvarying line of her fresh lips with the little sensual bulges at their corners, drew the attention of people. And their attention drawn, they waited to be told something. So merely because she told nothing they fancied she had a great deal to tell. They attributed to her silence all the doubts they had concerning themselves. Silence was to them always accusation.
Her brother's attitude toward Doris was typical. He detested her and yet was more pleased when she nodded at something he said than when others were loud with acclaim. He detested her because she made him feel she was his superior. In what way she was superior he didn't know and why he felt it he couldn't understand. But he sensed she was someone who had no respect for the ideal Basine and no particular love for his creator.
She had also a way of deflating him. He felt sometimes as a toy balloon might feel in the presence of a child with a pin. He never ignored her. He watched her always and studied her carefully. He did not desire to please her but he felt that until he had perfected the ideal Basine to a point where he would be acceptable to Doris, admired by Doris, his creation would be lacking in something vital.
As the breakfast came to an end her brother focused upon Doris. This was invariably the effect of her silence. She was as yet unconscious of it. Had you asked her why she spoke so little and why she neither smiled nor frowned at people she would have thought a while and then with a shrug replied, "Why, I hadn't noticed." Later when she was alone she would have continued thinking of the question and perhaps said to herself, "It must be because they don't interest me. They seem so silly and unreal."
"What are you doing today?" Basine asked her.
She answered, "Nothing." He noticed she failed to add, "Why?" He resented her lack of curiosity. Fanny would have said, "Nothing. Why do you ask?" But Fanny was a good fellow, a lively, amusing child.
"Mrs. Gilchrist and Aubrey are coming over later," Mrs. Basine announced.
"She makes me tired," Fanny smiled. "And somebody ought to pull dear Aubrey's nose just to see if he's really alive. He's too dignified."
Her brother nodded.
"Do you know him?" Fanny asked Keegan.
"Slightly," said Keegan. "I've read one or two of his books. They're very interesting." He paused, hoping that everyone agreed with him. Everyone did except Doris.
"What's the matter, Dorie? Don't you like Aubrey's works?" her brother asked. Doris smiled vaguely.
"I've never read anything he's written," she said. "I don't know."
Keegan looked at her uncomfortably. He felt he disliked her and he would have been pleased to ignore her. But the fact that she seemed to have anticipated him in this respect and to have ignored him first, piqued him.
"I think Judge Smith and Henrietta will be over later," Basine addressed his mother. Judge Smith was the august and senior partner of the law firm that had taken young Basine into its office.
"Yes, Aubrey told me," Mrs. Basine said casually. "I think they're engaged."
"Who, Henrietta?" from Fanny.
Her mother nodded. She stood up and the group sauntered into the living room. Keegan approached Fanny. Her freshness made him feel sad.
"Let's sit here," Fanny whispered as he drew near her. She employed the whisper frequently. It usually brought a gleam into the eyes of her vis â vis as if she had promised something.
To appear to promise something was Fanny's chief object in life. It was the basis of her growing popularity. The two sat down in a corner of the room secluded from the others. Keegan had interested her. At least his far-away, unappraising look had interested her. She preferred men more appraising and less far-away. Her object now was to reduce her brother's friend to an admirer. Admirers bored her. But the process of converting strangers, particularly far-away and unappraising strangers, into admirers was diverting.
Keegan had other plans. A desire to repent aloud had been growing in Keegan. The girl's bright face and virginal air had been inspiring him. He wanted to tell her how unclean he was and how ashamed of the things he had done. He wanted to denounce sin.
He felt tired. Fanny talked and he listened. He wanted to weep. He thought her fingers were beautiful and white. He would have liked to kneel beside her weeping, his head against her and her cool white fingers running over his face. It would be a sort of absolution—a maternal absolution. In the meantime his silence piqued her.
"You don't seem very interested in what I'm saying," she interrupted herself. She looked at him and instinct supplied her with a new attack.
"Where were you and George last night?" she asked. "Mother was furious about it."
Keegan looked sad. His blond face collapsed.
"Men are awful rotters," he answered, lowering his voice.
"Oh I don't know. Not all men."
"Yes. All men." Savagely.
"Why do you say that?"
"Because—" Keegan hesitated. Mysterious impulses were operating behind his talk. The night's debauch had sickened him. He was experiencing that depressing type of virtue which usually comes as a reaction from an orgy. His indignation at the bestiality of the male and the moral rotteness of life was a vindication of the temporary weakened state the night had induced in him. By denouncing sex he excused the disturbing absence of it in himself.
He was however not content to vindicate the absence in himself of sensual excitement. He would also make use of his lassitude by translating the enervation it produced into self-ennobling emotions, into purity, innate and triumphant. He experienced high-minded ideas and an exaltation of spirit.
"Because," he repeated, finding it difficult to choose words sufficiently emasculated to reflect the phenomenal purity of his mind, "well, if women knew, they would never talk to men. But women are so good, that is, decent women, that they simply don't understand and can't understand ... what it is."
"About