The Mysteries of Udolpho. Анна Радклиф
of a melancholy imagination, which her father's situation, and a consideration of her own circumstances, had made sensible to every impression.
They passed slowly on, for they were now almost in darkness, which, together with the unevenness of the ground, and the frequent roots of old trees, that shot up above the soil, made it necessary to proceed with caution. On a sudden Michael stopped the carriage; and, as St. Aubert looked from the window to enquire the cause, he perceived a figure at some distance moving up the avenue. The dusk would not permit him to distinguish what it was, but he bade Michael go on.
'This seems a wild place,' said Michael; 'there is no house hereabout, don't your honour think we had better turn back?'
'Go a little farther, and if we see no house then, we will return to the road,' replied St. Aubert.
Michael proceeded with reluctance, and the extreme slowness of his pace made St. Aubert look again from the window to hasten him, when again he saw the same figure. He was somewhat startled: probably the gloominess of the spot made him more liable to alarm than usual; however this might be, he now stopped Michael, and bade him call to the person in the avenue.
'Please your honour, he may be a robber,' said Michael. 'It does not please me,' replied St. Aubert, who could not forbear smiling at the simplicity of his phrase, 'and we will, therefore, return to the road, for I see no probability of meeting here with what we seek.'
Michael turned about immediately, and was retracing his way with alacrity, when a voice was heard from among the trees on the left. It was not the voice of command, or distress, but a deep hollow tone, which seemed to be scarcely human. The man whipped his mules till they went as fast as possible, regardless of the darkness, the broken ground, and the necks of the whole party, nor once stopped till he reached the gate, which opened from the avenue into the high-road, where he went into a more moderate pace.
'I am very ill,' said St. Aubert, taking his daughter's hand. 'You are worse, then, sir!' said Emily, extremely alarmed by his manner, 'you are worse, and here is no assistance. Good God! what is to be done!' He leaned his head on her shoulder, while she endeavoured to support him with her arm, and Michael was again ordered to stop. When the rattling of the wheels had ceased, music was heard on their air; it was to Emily the voice of Hope. 'Oh! we are near some human habitation!' said she, 'help may soon be had.'
She listened anxiously; the sounds were distant, and seemed to come from a remote part of the woods that bordered the road; and, as she looked towards the spot whence they issued, she perceived in the faint moon-light something like a chateau. It was difficult, however, to reach this; St. Aubert was now too ill to bear the motion of the carriage; Michael could not quit his mules; and Emily, who still supported her father, feared to leave him, and also feared to venture alone to such a distance, she knew not whither, or to whom. Something, however, it was necessary to determine upon immediately; St. Aubert, therefore, told Michael to proceed slowly; but they had not gone far, when he fainted, and the carriage was again stopped. He lay quite senseless.—'My dear, dear father!' cried Emily in great agony, who began to fear that he was dying, 'speak, if it is only one word to let me hear the sound of your voice!' But no voice spoke in reply. In the agony of terror she bade Michael bring water from the rivulet, that flowed along the road; and, having received some in the man's hat, with trembling hands she sprinkled it over her father's face, which, as the moon's rays now fell upon it, seemed to bear the impression of death. Every emotion of selfish fear now gave way to a stronger influence, and, committing St. Aubert to the care of Michael, who refused to go far from his mules, she stepped from the carriage in search of the chateau she had seen at a distance. It was a still moon-light night, and the music, which yet sounded on the air, directed her steps from the high road, up a shadowy lane, that led to the woods. Her mind was for some time so entirely occupied by anxiety and terror for her father, that she felt none for herself, till the deepening gloom of the overhanging foliage, which now wholly excluded the moon-light, and the wildness of the place, recalled her to a sense of her adventurous situation. The music had ceased, and she had no guide but chance. For a moment she paused in terrified perplexity, till a sense of her father's condition again overcoming every consideration for herself, she proceeded. The lane terminated in the woods, but she looked round in vain for a house, or a human being, and as vainly listened for a sound to guide her. She hurried on, however, not knowing whither, avoiding the recesses of the woods, and endeavouring to keep along their margin, till a rude kind of avenue, which opened upon a moon-light spot, arrested her attention. The wildness of this avenue brought to her recollection the one leading to the turreted chateau, and she was inclined to believe, that this was a part of the same domain, and probably led to the same point. While she hesitated, whether to follow it or not, a sound of many voices in loud merriment burst upon her ear. It seemed not the laugh of cheerfulness, but of riot, and she stood appalled. While she paused, she heard a distant voice, calling from the way she had come, and not doubting but it was that of Michael, her first impulse was to hasten back; but a second thought changed her purpose; she believed that nothing less than the last extremity could have prevailed with Michael to quit his mules, and fearing that her father was now dying, she rushed forward, with a feeble hope of obtaining assistance from the people in the woods. Her heart beat with fearful expectation, as she drew near the spot whence the voices issued, and she often startled when her steps disturbed the fallen leaves. The sounds led her towards the moon-light glade she had before noticed; at a little distance from which she stopped, and saw, between the boles of the trees, a small circular level of green turf, surrounded by the woods, on which appeared a group of figures. On drawing nearer, she distinguished these, by their dress, to be peasants, and perceived several cottages scattered round the edge of the woods, which waved loftily over this spot. While she gazed, and endeavoured to overcome the apprehensions that withheld her steps, several peasant girls came out of a cottage; music instantly struck up, and the dance began. It was the joyous music of the vintage! the same she had before heard upon the air. Her heart, occupied with terror for her father, could not feel the contrast, which this gay scene offered to her own distress; she stepped hastily forward towards a group of elder peasants, who were seated at the door of a cottage, and, having explained her situation, entreated their assistance. Several of them rose with alacrity, and, offering any service in their power, followed Emily, who seemed to move on the wind, as fast as they could towards the road.
When she reached the carriage she found St. Aubert restored to animation. On the recovery of his senses, having heard from Michael whither his daughter was gone, anxiety for her overcame every regard for himself, and he had sent him in search of her. He was, however, still languid, and, perceiving himself unable to travel much farther, he renewed his enquiries for an inn, and concerning the chateau in the woods. 'The chateau cannot accommodate you, sir,' said a venerable peasant who had followed Emily from the woods, 'it is scarcely inhabited; but, if you will do me the honour to visit my cottage, you shall be welcome to the best bed it affords.'
St. Aubert was himself a Frenchman; he therefore was not surprised at French courtesy; but, ill as he was, he felt the value of the offer enhanced by the manner which accompanied it. He had too much delicacy to apologize, or to appear to hesitate about availing himself of the peasant's hospitality, but immediately accepted it with the same frankness with which it was offered.
The carriage again moved slowly on; Michael following the peasants up the lane, which Emily had just quitted, till they came to the moon-light glade. St. Aubert's spirits were so far restored by the courtesy of his host, and the near prospect of repose, that he looked with a sweet complacency upon the moon-light scene, surrounded by the shadowy woods, through which, here and there, an opening admitted the streaming splendour, discovering a cottage, or a sparkling rivulet. He listened, with no painful emotion, to the merry notes of the guitar and tamborine; and, though tears came to his eyes, when he saw the debonnaire dance of the peasants, they were not merely tears of mournful regret. With Emily it was otherwise; immediate terror for her father had now subsided into a gentle melancholy, which every note of joy, by awakening comparison, served to heighten.
The dance ceased on the approach of the carriage, which was a phenomenon in these sequestered woods, and the peasantry flocked round it with eager curiosity. On learning that it brought a sick stranger, several girls ran across the turf, and returned with wine and baskets of grapes, which they presented to the travellers,