Othmar. Ouida
a forest-tree or a field-flower? Not you; your daisy would become a gardenia, and your larch would be a lime on the boulevards.'
'Am I to understand, Madame, that you have suddenly become a patroness of nature? Then surely even I, poor creature of the boulevards though I be, need not despair of becoming natürlich?'
'You mistake,' said Nadine with a little sadness. 'I have lived in a hothouse, but I have always envied those who lived in the open air. Besides, I am not an artist; I am a mere mondaine. I was born in the world as an oyster is in its shallows. But an artist, if he be worthy the name, should abhor the world. He should live and work and think and dream in the open air, and in full contact with nature. Do you suppose Millet could have breathed an hour in your studio with its velvets and tapestries and lacquer work, with its draperies and screens and rugs, and carefully shaded windows? He would have been stifled. Why is nearly all modern work so valueless? Because it is nearly all of it studio-work; work done at high pressure and in an artificial light. Do you think that Michel Angelo could have endured to dwell in Cromwell Road? Or do you think that Murillo or Domenichino would have built themselves an hotel in the Avenue Villiers? Why is Basil Vereschaguin, with all his faults and deformities, original and in a way sublime? Because he works in the open air; in no light tempered otherwise than by the clouds as they pass, or by the leaves as they move.'
'For heaven's sake!' cried Loswa with a gesture of appeal.
She laughed a little.
'Ah, my poor Court poodle, with your pretty tricks and graces!—of course, the very name of our wolf of the forests is terrible to you. But I suppose the Court has made the poodle what he is; I suppose it is as much your duchesses' fault as your own.'
Then she turned away and left this favourite of fortune and great ladies to his own reflections. They were irritated and mortified; bitter with that bitterest of all earthly things, wounded vanity.
Good heavens! he thought, with a sharp stinging sense of a woman's base ingratitude, was it for this that he had painted her portrait in such wise that season after season each succeeding one had been the centre of all eyes in the Paris Salon? Was it for this that he had immortalised her face looking out from a cloud of shadow like a narcissus in the mists of March?—that he had drawn her in every attitude and every costume, from the loose white draperies of her hours of langour to the golden tissues and crowding jewels of her court-dress at imperial palaces? Was it for this that he had composed that divinest portrait of them all, in which, with a knot of stephanotis at her breast and a collar of pearls at her throat, she seemed to smile at all who looked on her that slight, amused, disdainful smile which had killed men as surely as any silver-hilted dagger lying in an ivory case, which once was steeped in aqua Tofana for Lucrezia or Bianca? Was it for this!—to be called opprobrious, derisive names, and have Basil Vereschaguin, the painter of death, of carnage, of horror, of brown Hindoos and hideous Tartars, vaunted before him as his master!
He hated Vereschaguin as a Sèvres vase, had it a mind and soul to hate, might hate the bronze statue of a gladiator; and his tormentor, in a moment of mercilessness and candour, had wounded him with a weapon whose use he never forgave.
'He is a coxcomb! Béthune is quite right,' she said of him when Melville hinted that she had been too cruel. 'He has marvellous talent and technique, but he dares to think that these two are genius. If he had not likened himself to Vandyke I might perhaps never have told him what I think of his place in art. He is a pretty painter, a very pretty painter, and his portraits of me are charming; but if they be looked at at all in the twentieth century they will hardly rank higher than we rank now the pastels of Rosalba; certainly not higher than we rank the portraits of Greuze.'
'If I were a painter I would be content to be Greuze,' said Melville with a smile.
'No you would not,' said Nadine; 'you would not be content to be a d'Estrées in your own profession, nor any other mere Court cardinal.'
CHAPTER VII.
The following morning Loris Loswa rose much earlier than his wont, and went out of the gilded gate of the pretty little villa which he had taken for the season at St. Raphael; a coquettish place with large gardens and trellised paths overhung with creepers; and down below, a small cutter ready for use in a nook of the bay where the aloes and the mimosa grew thickest. It all belonged to a friend of his, who was away in distant lands to escape his creditors, and by whose misfortunes Loswa had profited with that easy egotism which had been so advantageous to him throughout his life, and which looked so good-natured that no one resented it. He descended this morning to the shore by the winding cactus-lined path which led down to it, and asked the sailors if they knew of an island called Bonaventure. They knew nothing about it; they, however, consulted the admiralty maps and found it: a tiny dot some leagues to the south-westward.
A fisherman who was on the beach at the time told him more. He knew the island, everybody knew it; but nobody ever was allowed to land there; its owner was an odd man, morose and suspicious; the demoiselle was good and kind; the islet belonged to Jean Bérarde, who owned every inch of it. He would leave it to the girl of course. It was small, but of very considerable profit. Loswa listened with impatience, and told his skipper to make for the isle as fast as he could. He himself knew nothing of the sea, and hated it; but he was piqué au jeu. Melville had almost forbidden him to go thither, and the great lady who had ridiculed him had doubted his power to paint the picture of a peasant-girl. The irritation of antagonism had aroused all the obstinacy and all the capricious self-will of an undisciplined and vain nature.
'To Bonaventure!' he said with triumph, as in the glad and cloudless morning air his little vessel danced over the waves, the great seagulls wheeling and screaming in her wake. There were a buoyant sea and a favouring breeze.
Loswa detested both sea and country, and was never at heart content off the asphalte of the boulevards. But since it would have looked very vulgar to spend his whole winter in Paris, he selected the south coast usually for the colder months, because the world went with him there, because he saw so many faces that were familiar, and because on this shore so thickly set with châlets and villas, so artificially adorned, so trimmed, and trained, and levelled, and planted by architect and landscape gardener, it was possible for him to forget that he was not in Paris; the very sea itself, so blue, so tranquil, so idly basking in broad light and luminous horizons, seemed like the painted sea of an operetta by Lecocq.
Besides, though he had no pleasure in rural or maritime things, found no joy in solitude and no consolation in nature for the loss of the movement of the world, he could not have been the fine colourist he was without possessing a fine sense of colour, and the power to appreciate beautiful lines, and all the changeful effects of light and shade. He did not see Nature as Millet or Corot saw it, but as Lancret or Coypel saw it. It was only a background for a nymph or a goddess to him as to them; but he was not insensible to the forms which made up that background: the sunlit vapour, the blue mountain, the golden woodland, or the shadowy lake.
The sea was full of life: market-boats, fishing-boats, skiffs of all kinds, with striped curved lateen sails, were crossing each other on it. There were a few yachts, French, English, American, at anchor in the bays, in waiting for the cup-races; there were some merchant ships afar off, brown-canvased brigs bearing in from Genoa or Ajaccio, and the ugly black smoke of a big steamer here and there defaced the marvellous blue and rose of the air at the birth of day. The sea was buoyant but not rough, his light cutter few airily as a curlew over the azure plain. There were mists to the southward, lovely white mists, airy and suggestive as the veil of a bride, but they floated away before the sun, so rapidly as the day grew on, that the bold indented lines of Corsica became visible, bathed in a rosy and golden warmth. He had enough soul in him to feel the beauty of the morning though he had been playing baccarat at the club till an hour or two previously; to be conscious of the charm of this full clear sunrise which bathed the world of waters in its radiance, of the silver-shining wings of the white gulls dipping in the hollow of the wave, of the grandeur of the land as he looked back at it with its semicircles of snow-capped hills towering to the skies.