Doing Field Projects. John Forrest

Doing Field Projects - John Forrest


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      Veiled sentiments: honor and poetry in a Bedouin society, by Lila Abu-Lughod. (University of California Press 1986).

      High Tech and High Heels: Women, Work, and Pink-Collar Identities in the Caribbean by Carla Freeman. (Duke University Press, 2000).

      Encounters with Aging: mythologies of menopause in Japan and North America. Margaret Lock. (University of California Press 1993)

      Citizen Outsider Children of North African Immigrants in France by Jean Beaman (University of California Press 2017)

      Burning at Europe’s Borders: An Ethnography on the African Migrant Experience in Morocco by Isabella Alexander-Nathani. (Oxford University Press 2021)

      Borders of Belonging: Struggle and Solidarity in Mixed-Status Immigrant Families by Heidi Catañeda. (Stanford University Press: 2019)

      Decolonizing Extinction: The Work of Care in Orangutan Rehabilitation by Juno Salazar Parreñas (Duke University Press 2018)

      Out of roughly 3,000 students I have taught fieldwork to (including some 400 anthropology majors), only 4 have pursued postgraduate training in anthropology. The rest are employed as social workers, activists, doctors, lawyers, and professionals of various stripes. But, nearly all retain a strong sense of the anthropological method, and look back to their fieldwork classes as turning points in their understanding of key concepts: how to listen well, how to attend to authentic voice, how to situate meaning in cultural context, and so forth.

      Many of my former students mentioned their experience with the various skills learned in fieldwork in job applications and interviews, and some of them continue to use these skills in their work environment. Qualitative research methods are poorly understood by the general public, as well as by employers. Nonetheless, savvy employers can be convinced of the benefits of hiring someone with field methods skills. I won’t go so far as to say that having field methods skills will land you a job, but having them is another arrow in your quiver.

      Most of the projects in this book are self-contained, but a few rely on methods developed in others, and, where this is the case, I cross-reference the projects. I will be giving examples of projects that my students developed to give you ideas; you might find some of them worth emulating. But I also encourage you to be creative in your choice of field situations. When I taught a methods course I always had one class per project that was a practicum in which I walked my students through an example project, and usually involved them in some form of observation and documentation so that they had a little practical experience of the method before they embarked on their own projects. From time to time in the project instructions in this book I discuss salient practicums I used as additional aids in your learning process. Your instructors will undoubtedly have experiences of their own to share with you in a similar vein. You should use their knowledge as you proceed, and be guided by their preferences for the precise execution of projects and their presentation. The projects proposed here may be used as is, or they can be tailored to various instructional needs. Fieldwork is, by nature, a disciplined process that, while rigorous, allows for spontaneous flexibility.

      Vocabulary and Writing

      Ethnographic writing is its own species of writing, and has come under critical scrutiny in recent decades for its capacity to mislead and misrepresent people. How you write about people is as important as what you say about them, and it is possible to offend the people you are writing about, or to give the wrong impression about them, by using inappropriate vocabulary or phrasing. This is a topic that you should discuss at length with your instructor; here I will simply point out a few cautions to bear in mind when presenting your data.

      Anthropologists have been sensitive for some time to the fact that groups of people are commonly identified in multiple ways – the term(s) that outsiders use to name them, and the term(s) they use to name themselves. “Eskimo,” for example, is an outsider term, whereas “Inuit” (and variants) is an insider term. In reasonably straightforward cases, anthropologists opt for using the insider term. But things are not always straightforward. Take the case of people from predominantly Spanish-speaking countries in North, Central, and South America (and the Caribbean) living in the United States. What do you call them as a group? Are they a definable group? Do they have an insider term?

      The problem with finding a collective term is that every one of them carries negative connotations for some or all of the people. “La Raza” had a currency for decades – originating in political struggles in Mexico in the 1920s. The problem is that “raza” is a loaded, potentially racial/racist, term that has, among other things, the implication not just of being non-white, but of being actively anti-white. In Argentina we have a specific classification, “rubio/a,” meaning something like the English term “white” and includes a substantial percentage of the population in urban areas. Rubios of Argentine origin (myself included) have major issues with being lumped into the general category of La Raza (which defaults in our minds to what we call “moreno/a” (brown) or “mestizo/a” (mixed) – also heavily loaded terms). In the 1960s, “Chicano” had widespread popularity among some groups but not with others. It had originally been a derogatory outsider term, but, as is quite common with such slurs, was picked up by insiders and used as a badge of honor. In turn, “Hispano/a,” “Latino/a,” etc. have all been adopted and discarded.

      One of the additional problems with Spanish is that many words have genders. The suffix “-o” is typically masculine, and the suffix -a is feminine When you have an unidentified group of people who could be male or female or both, the traditional linguistic convention has been to use the masculine plural. This usage is now changing. For example, “Latino/a” where gender is unclear or generic, or, more commonly nowadays, “Latinx” where the “x” indicates an undefined gender. In English, similar problems have been addressed in an analogous manner. At one time, the correct usage would have been to default to the masculine for pronouns, as in the sentence, “When a doctor is unsure of a diagnosis, he will …” Nowadays there are two choices to replace “he” in that sentence: one being the composite “s/he” (or he/she) and the other being to use the plural “they” – which is becoming more common usage. Gendered terms for occupations, such as “actress,” “poetess,” and “sculptress,” have all but disappeared from contemporary discourse.

      There are numerous adjectives and nouns in common use in English that can be classified as dead metaphors (that is, words that carry metaphorical meanings either etymologically or historically, but no longer do so in contemporary speech) which can be culturally offensive even though their historic meanings have long since passed away. Anthropologists try to err on the side of caution


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