The Complete Works. George Orwell
seven days a week, in many cafés. They are snobs, and they find the servile nature of their work rather congenial.
The plongeurs, again, have a different outlook. Theirs is a job which offers no prospects, is intensely exhausting, and at the same time has not a trace of skill or interest; the sort of job that would always be done by women if women were strong enough. All that is required of them is to be constantly on the run, and to put up with long hours and a stuffy atmosphere. They have no way of escaping from this life, for they cannot save a penny from their wages, and working from sixty to a hundred hours a week leaves them no time to train for anything else. The best they can hope is to find a slightly softer job as night-watchman or lavatory attendant.
And yet the plongeurs, low as they are, also have a kind of pride. It is the pride of the drudge—the man who is equal to no matter what quantity of work. At that level, the mere power to go on working like an ox is about the only virtue attainable. Débrouillard is what every plongeur wants to be called. A débrouillard is a man who, even when he is told to do the impossible, will se débrouiller—get it done somehow. One of the kitchen plongeurs at the Hôtel X., a German, was well known as a débrouillard. One night an English lord came to the hotel, and the waiters were in despair, for the lord had asked for peaches, and there were none in stock; it was late at night, and the shops would be shut. 'Leave it to me,' said the German. He went out, and in ten minutes he was back with four peaches. He had gone into a neighbouring restaurant and stolen them. That is what is meant by a débrouillard. The English lord paid for the peaches at twenty francs each.
Mario, who was in charge of the cafeterie, had the typical drudge mentality. All he thought of was getting through the 'boulot', and he defied you to give him too much of it. Fourteen years underground had left him with about as much natural laziness as a piston rod. 'Faut être un dur,' he used to say when anyone complained. You will often hear plongeurs boast, 'Je suis un dur'—as though they were soldiers, not male charwomen.
Thus everyone in the hotel had his sense of honour, and when the press of work came we were all ready for a grand concerted effort to get through it. The constant war between the different departments also made for efficiency, for everyone clung to his own privileges and tried to stop the others idling and pilfering.
This is the good side of hotel work. In a hotel a huge and complicated machine is kept running by an inadequate staff, because every man has a well-defined job and does it scrupulously. But there is a weak point, and it is this—that the job the staff are doing is not necessarily what the customer pays for. The customer pays, as he sees it, for good service; the employee is paid, as he sees it, for the boulot—meaning, as a rule, an imitation of good service. The result is that, though hotels are miracles of punctuality, they are worse than the worst private houses in the things that matter.
Take cleanliness, for example. The dirt in the Hôtel X., as soon as one penetrated into the service quarters, was revolting. Our cafeterie had year-old filth in all the dark corners, and the bread-bin was infested with cockroaches. Once I suggested killing these beasts to Mario. 'Why kill the poor animals?' he said reproachfully. The others laughed when I wanted to wash my hands before touching the butter. Yet we were clean where we recognized cleanliness as part of the boulot. We scrubbed the tables and polished the brasswork regularly, because we had orders to do that; but we had no orders to be genuinely clean, and in any case we had no time for it. We were simply carrying out our duties; and as our first duty was punctuality, we saved time by being dirty.
In the kitchen the dirt was worse. It is not a figure of speech, it is a mere statement of fact to say that a French cook will spit in the soup—that is, if he is not going to drink it himself. He is an artist, but his art is not cleanliness. To a certain extent he is even dirty because he is an artist, for food, to look smart, needs dirty treatment. When a steak, for instance, is brought up for the head cook's inspection, he does not handle it with a fork. He picks it up in his fingers and slaps it down, runs his thumb round the dish and licks it to taste the gravy, runs it round and licks it again, then steps back and contemplates the piece of meat like an artist judging a picture, then presses it lovingly into place with his fat, pink fingers, every one of which he has licked a hundred times that morning. When he is satisfied, he takes a cloth and wipes his fingerprints from the dish, and hands it to the waiter. And the waiter, of course, dips his fingers into the gravy—his nasty, greasy fingers which he is for ever running through his brilliantined hair. Whenever one pays more than, say, ten francs for a dish of meat in Paris, one may be certain that it has been fingered in this manner. In very cheap restaurants it is different; there, the same trouble is not taken over the food, and it is just forked out of the pan and flung onto a plate, without handling. Roughly speaking, the more one pays for food, the more sweat and spittle one is obliged to eat with it.
Dirtiness is inherent in hotels and restaurants, because sound food is sacrificed to punctuality and smartness. The hotel employee is too busy getting food ready to remember that it is meant to be eaten. A meal is simply 'une commande' to him, just as a man dying of cancer is simply 'a case' to the doctor. A customer orders, for example, a piece of toast. Somebody, pressed with work in a cellar deep underground, has to prepare it. How can he stop and say to himself, 'This toast is to be eaten—I must make it eatable'? All he knows is that it must look right and must be ready in three minutes. Some large drops of sweat fall from his forehead onto the toast. Why should he worry? Presently the toast falls among the filthy sawdust on the floor. Why trouble to make a new piece? It is much quicker to wipe the sawdust off. On the way upstairs the toast falls again, butter side down. Another wipe is all it needs. And so with everything. The only food at the Hôtel X. which was ever prepared cleanly was the staff's, and the patron's. The maxim, repeated by everyone, was: 'Look out for the patron, and as for the clients, s'en fout pas mal!' Everywhere in the service quarters dirt festered—a secret vein of dirt, running through the great garish hotel like the intestines through a man's body.
Apart from the dirt, the patron swindled the customers wholeheartedly. For the most part the materials of the food were very bad, though the cooks knew how to serve it up in style. The meat was at best ordinary, and as to the vegetables, no good housekeeper would have looked at them in the market. The cream, by a standing order, was diluted with milk. The tea and coffee were of inferior sorts, and the jam was synthetic stuff out of vast unlabelled tins. All the cheaper wines, according to Boris, were corked vin ordinaire. There was a rule that employees must pay for anything they spoiled, and in consequence damaged things were seldom thrown away. Once the waiter on the third floor dropped a roast chicken down the shaft of our service lift, where it fell into a litter of broken bread, torn paper and so forth at the bottom. We simply wiped it with a cloth and sent it up again. Upstairs there were dirty tales of once-used sheets not being washed, but simply damped, ironed and put back on the beds. The patron was as mean to us as to the customers. Throughout that vast hotel there was not, for instance, such a thing as a brush and pan; one had to manage with a broom and a piece of cardboard. And the staff lavatory was worthy of Central Asia, and there was no place to wash one's hands, except the sinks used for washing crockery.
In spite of all this the Hôtel X. was one of the dozen most expensive hotels in Paris, and the customers paid startling prices. The ordinary charge for a night's lodging, not including breakfast, was two hundred francs. All wine and tobacco were sold at exactly double shop prices, though of course the patron bought at the wholesale price. If a customer had a title, or was reputed to be a millionaire, all his charges went up automatically. One morning on the fourth floor an American who was on diet wanted only salt and hot water for his breakfast. Valenti was furious. 'Jesus Christ!' he said, 'what about my ten per cent? Ten per cent of salt and water!' And he charged twenty-five francs for the breakfast. The customer paid without a murmur.
According to Boris, the same kind of thing went on in all Paris hotels, or at least in all the big, expensive ones. But I imagine that the customers at the Hôtel X. were especially easy to swindle, for they were mostly Americans, with a sprinkling of English—no French—and seemed to know nothing whatever about good food. They would stuff themselves with disgusting American 'cereals', and eat marmalade at tea, and drink vermouth after dinner, and order a poulet à la reine at a hundred francs and then souse it in Worcester sauce. One customer, from Pittsburg, dined every night in his bedroom on grape-nuts, scrambled eggs and cocoa. Perhaps it hardly matters whether such