Книга Знаний. Book of Knowledge. 1. Игра в Иную Реальность. 1. Playing Another Reality (Билингва Rus/Eng). Александра Крючкова
MWWN suddenly called me and said the following. His fingers were tired of typing messages for me. That someone else’s magic wand was nothing. It turned out that he had bought a magic ring to me, which, having forgotten to gift me last time, just as happily gave to someone else. He didn’t have His own photo, because He didn’t appear in them. He didn’t see me as anything, thought nothing about me and didn’t care at all whether I had demons inside or not. He didn’t care if I went with Him to that haunted place, and even, perhaps, I would do the right thing going to the library and not to the haunted place, because, according to His own experience, which He was ready to share with me (!!!), amazing encounters with people of the opposite sex sometimes took place exactly in libraries. Then He dictated the address of the basement. I was about to exclaim «Bravo!», but kept silent, since He wouldn’t appreciate it. I remembered the phrase of a great woman, «If you need to explain something, there is no need any more to explain anything.»
I was often invited to cast spells, but most of all I liked reading to children. Children are such small people who have not yet acquired a shell. Light predominates in them, so they feel Another Reality. A little and very vulnerable girl who has no shell still lives inside me. When I cast spells to children, no matter how old they are, they look not at me, my appearance, clothes, but through, and see that little girl who is close and understandable to them. Children are fond of asking questions. Their questions are much smarter, deeper and more interesting than adults’ questions, so I like answering them. Many children write too, but often secretly, because they are afraid of being hurt, because they have no shell yet. I tell them the story of the beginning of my Path. I was ten years old when suddenly and in large quantities I began to write both poetry and stories. It was not that my mother didn’t want me to become a spell-caster, she was categorically against it, being very scared that if I didn’t give up such activity, a hard destiny awaited me, like all those who cast. Mom gave me examples of the great spell-casters of the Silver Age: poverty, unhappy love, loneliness, death of their loved ones and, in conclusion, their own, and tragic! I was offended and tore my notebook, but… half an hour later I collected the small pieces and glued them together with adhesive tape. Mom didn’t talk to me for a long time, but she secretly took my creations to her office and read them to her employees. Since then, I have been writing something down almost constantly. Without setting a goal to get on the list of officially recognized spell-casters, I followed the dictates of the Soul, step by step approaching the day when some of my works were published in the White Book, as Nonna predicted, and six months later I was accepted into the Most Important Society of Spell-casters of our Kingdom.
Mom, are you proud of me?
We met, me and the Man Who Was Not, and headed to the haunted basement. I didn’t feel like reading. I wanted to stay close to Him. However, as soon as we went inside, He grabbed me like a kitten by the scruff of the neck and threw me onto the stage saying, «You are a spell-caster, aren’t you? So cast!»
All people who say that they write poetry are divided into poets and spell-casters. Poets write poetry. They write and exactly poems. Poems can be good or not so good. With a beautiful or terrible rhyme, or without it at all, even where there is no need for its absence. Poems can be kept in a strict rhythm, or they can limp. All poets want to write poetry. Many people first retire to a proper place, take a notebook, a pen, sit in a chair and decide to write something. Some write with difficulty, being exhausted by every line or even word, in their opinion, such is the fate of a real poet. Others write, without straining at all, about everything in a row, not missing anything that comes under their feet and in their hands, happens in front of their eyes and even behind their backs, because they believe that the amount of writing will make them spell-casters.
Spell-casters, as a rule, write down or record poetry. And often, unlike poets, they don’t feel like writing at all. They feel a surge of vibrations in a certain rhythm, the Soul starts vibrating to the beat, and the words fall on their heads like an avalanche, sometimes at the wrong time, in the wrong place, when there is nowhere and nothing with to record them. For example, at night, when you are almost asleep, or in the snow or pouring rain outside, or while you are driving and crossing space at a high speed. Poems torment the spell-caster until he deigns to give up everything to record them on an earthly data storage, or they get offended and leave, never returning. Sometimes they dictate too quickly, and one never knows what’s next, but there is no time to think – just to write everything down maybe, and only re-reading, one delves into the meanings. They don’t always dictate clearly, or rather, it’s not always audible, so after the dictation, in some places the spell-caster begins to rack the brains. Sometimes they prompt you how it should sound in the original, sometimes not. Sometimes you don’t know exactly the meaning of the dictated words, and you have to consult a dictionary to make sure that such word is appropriate in the context. However, it never happened in my practice that a word turned out to be inappropriate. Once I had to get the Gospel to clarify the description of a historical event. I read about it in all four Gospels in turn. When you read each of them from beginning to end, you don’t notice the difference in the description, but reading the same event described by all the Evangelists, you see it quite clearly. As a result, I had to replace two lines, since they touched on the place where the texts of the Gospels diverged.
It’s surprising that, on the one hand, the verses come from Above, and on the other hand, all of them, with some exceptions, are a reflection of yourself, your thoughts, feelings, of what is happening to you in the Earthly Reality.
The spell-casters’ poems always carry meaning, but they are as laconic as possible to convey it. Like the poets’ poems, spells can have rhyme or do without it. The works of the spell-casters carry the very vibrations that permeated the Soul at the time of their recording, therefore, being read aloud to other people, they produce the effect of a spell – listeners are immersed in that very state of the Soul when the Flow captures and takes you to the single Primary Source, Consciousness turns off and gives you the opportunity to feel Another Reality around you and inside. Ordinary poets don’t connect to the Flow, therefore their works don’t possess such heavenly power, they are earthly. Of course, spell-casters have also ordinary poems. Anyhow, quantity means absolutely nothing for spell-casters. There are periods when spell-casters don’t write anything down for years. The poems stop knocking on the invisible Door, or they knock, but the spell-casters don’t open it for some reasons known only to them.
Some people believe that spell-casters should write poetry from childhood. However, everyone starts writing at different age, and the quantity of years one writes doesn’t say anything at all. Everyone’s soul grows at its own pace. Many people think that they need to enter special institutes to learn to write good. You can learn to write perfect poetry. It’s impossible to learn to write spells. They are written in Another Reality. Its Great Power is present in them. Only the one to whom It provided the Key to the lock of the invisible Door, can become a spell-caster. Poems always belong to the Earthly Reality, as well as the poets themselves. However, there is absolutely nothing wrong with that.
I stood on a stage blinded by the light in the black-black basement. Yes, I am a spell-caster and do Magic. White Magic. The Magic of the Word. Every time I read, people looked at me as if I were a miracle, enjoying the flow of energies pouring into space, which I passed through myself and gave to them. They plunged into the lakes of Another Reality and, returning, didn’t remember what exactly I had read and in what sequence, but they talked about the magical state they had been during my reading. Their kind words used to warm me in return. However, there was a hungry flock of greedy vampires gathered in the black-black basement. I put my Soul into my words. I loved. He said I should take it as a game. Game with the Soul.
Returning home by metro, completely exhausted by vampires, I suddenly felt a colossal flow of energy beating to both palms. Good energy. I knew it as well as the opposite, negative one, which once used to enter me through my heels. Anyhow, I scanned the people opposite me and redirected the flow