Divine by Mistake. P.C. Cast
God!” My own hand flew to my mouth to stifle my screech. I felt a sinking in the pit of my stomach, and all of a sudden it was again difficult to catch my breath. Because it wasn’t a tattoo or a jewel that decorated the back side of her hand. It was a scar. A scar from a third-degree burn. I knew because my right hand was “decorated” with the exact mark.
3
“Ladies and gentlemen, the auction will now begin. Please make your way to Lot #1, directly east of the fountain. We will open this afternoon with bedroom and living-room furnishings…”
I could hear the auctioneer droning in the background as opening bids were taken for Lot #1—Victorian reproduction oak six-piece bedroom set, but the pot captivated my attention. Along with other stragglers, I remained by the item of my choice, waiting for the auction to come to me. With a shaking hand I dug into the black depths of my purse and fished out a wadded-up, aged Kleenex. Slowly, I reached toward the pot and wiped off all the smudges left by the Receding Nerd. Maybe it was just a trick of sweat and the light. I blinked hard and looked back at the priestess’s hand. Then I looked at my own.
The familiar burn scar was, indeed, there—and had been since I was a four-year-old and had precociously thought I could help Grandma boil water for macaroni faster by shaking the handle of the pot. Of course, boiling water had painfully poured onto my little hand, leaving a funny-looking scar that resembled a star. Thirty-one years later the raised tissue still evoked comments from friends and strangers. And the lady on the pot had the same scar tissue?
Impossible. Especially in a reproduction of an ancient Celtic urn.
Yet there it was, in all of its hair-looks-like-mine-hand-has-my-scar-and-makes-me-feel-like-I’m-having-a-nervous-break-down glory.
“I need a drink.” Understatement of the year. A glance toward the auctioneer told me they were only on Lot #7 (reproduction of Louis XIV armoire—bidding was fast and furious). I had time to find the refreshment stand and get a grip on myself before they got near the artsy stuff. Needless to say, I wouldn’t be bidding on Lot #25; the cool dragon print would have to go home with someone else. The pot was where my money and my energy had to be focused.
Strangely enough, I noticed that as soon as I got away from the pottery table I began feeling normal again. No hot flashes, no trouble breathing, definitely no “time is suddenly freezing” moments. The makeshift refreshment stand was situated near the farm equipment. They had cold drinks, coffee and evillooking hot dogs for sale. I ordered a “diet anything” and took my time sipping, wandering slowly back toward the pottery.
I have always had a great imagination. I love fantasy and make-believe. Hell, I’m a friggin English teacher—I actually read. For pleasure, as shocking as that seems to be to some people. But I have always known the difference between fantasy and reality—even relished the difference.
So, what in the hell was going on with me today? What was up with the strange feelings? And why did the woman on that pot look like me?! I pinched myself, and it hurt. So I wasn’t having one of my ultravivid weird dreams that seem real.
I meandered back to the pottery area, and instantly my stomach tightened. It was utterly bizarre. I should buy the damn dragon print, get in my car, go home and drink a medicinal bottle of Merlot. All this ran through my mind as my legs carried me straight back to the pot.
“Friggin thing still looks like me.”
“It is rather odd, is it not, miss?” The skeletal guy from the entrance stood behind the pottery table. He reached out and let his hand slide slowly over the pot, pausing briefly on the priestess’s hair, then tracing the line of her arm with his finger.
“So you noticed it, too.” My eyes narrowed and he pulled his bony hand away from my pot.
“Yes, miss. I noticed your hair when you drove in. Quite a nice color to see today—too many young women seem to want to ruin their hair by dying it unnatural colors: burgundy, yellow, black. And cutting it short. So, yours stands out.” His tone was harmless enough, but his eyes had an intensity that suddenly made me feel uncomfortable. And even across the table I could smell his nasty breath.
“Well, it’s been a surprise for me, actually, kind of a shock.” I watched him. His attention kept leaving me and refocusing on the pot with an almost sexual intensity. And he kept touching it. A lot.
“Probably Fate telling you that you must buy it.” He turned that unnatural gaze back to me. “This urn must not go home with anyone else.”
That made me laugh. “I hope Fate knows to keep the bidding within a teacher’s price range.”
“She does.” With that cryptic remark he caressed the pot one last time and glided away.
Damn, that guy was strange. More like a talkative Lurch than Children of the Corn’s daddy, though.
The auction was moving quickly and the bidding was beginning for the statuettes. Seems several people were interested in “the boys.” Can’t say that I blamed them. I stepped into the group around the mobile auctioneer’s platform as it was being wheeled into position behind the table. Bidding began at fifty dollars for Zeus, but five people quickly raised that fifty to onefifty. Finally it sold to a solid-looking woman for one hundred seventy-five dollars. Not bad. The Syrian got more interest (must have been the muscles). Bidding quickly went from the opening bid of fifty dollars to three-fifty. I was beginning to worry about the price range.
The Syrian went for four hundred fifty dollars. A bad sign. I had budgeted two hundred dollars for my auction outing today. I could scrape together another fifty, but above that was beyond my limited means.
The skinny warrior went for four hundred dollars even.
My stomach clenched again as I drifted with the crowd over to the pottery table and listened to the auctioneer talk about what excellent museum-quality reproductions of Greco-Roman and Celtic pottery were exemplified in the next six lots. Couldn’t he please just shut up? I pushed through the crowd, ignoring the disconcerting feeling that being so close to the pot gave me. The bidding on Lot #20 opened at seventy-five dollars.
There were only three people who were seriously bidding on the pottery. I noticed that all three had the look of dealers. They had the little handheld notebooks, the glasses perched on their noses and the look of professional intensity casual auction-goers never wore. It was a whole different look than just falling in love with an estate piece and wanting to take it home. The dealer has a clinical attitude about his or her purchases, an “Oh, boy, I can’t wait to get this into my store and mark it up 150 percent” attitude. I was doomed.
Lot #20 went to the dealer with the frizzy blond hair (roots desperately needed a touch-up) for three hundred dollars.
Lot #21 went to the dealer who looked English. You know: proper, prim, smart, well-bred, but in need of a bath and some orthodontic attention. He paid five hundred dollars (and, sure enough, he had an accent) for the beautiful second—to fourth-Century Roman pot which the auctioneer described as made in the Moselkeramik style, which meant (he explained to us ignorant lay-folks) that it was of the highest quality and exquisite. The English guy looked smug with his purchase.
Lots #22, #23 and #24 went to the third dealer. Believe it or not, it was the Depression Era matron I had offended with my legs earlier. Great. Ms. Matron paid three hundred, four twenty-five and two hundred seventy-five dollars, respectively, for the pots.
“Now the last of our beautiful pottery pieces is Lot #25—Reproduction—Celtic vase, original stood over graves in an ancient Scottish cemetery—Scene in color represents supplications being made to High Priestess of the Horse Goddess Epona. It is interesting to note that Epona was the only Celtic deity adopted by the invading Romans, and she became their personal Goddess, protectress of their legendary legions.” His voice sounded stuck-up and proud, like he had created the pot and perhaps was a personal friend of Epona. I hated him. “Notice the exceptional use of color and contrast on the urn. Shall we open the bidding at seventy-five dollars?”
“Seventy-five.”