The Cows: The bold, brilliant and hilarious Sunday Times Top Ten bestseller. Dawn O’Porter
much time with a boyfriend was this simple.
‘I’m not sure I’d call it perfect,’ I say, playing down the massively imperfect situation that is my existence.
‘Well it seems pretty good to me. You have a boyfriend, security. You’ll get married, have kids. A proper family. I’ll probably die alone in my studio after being knocked over the head by a falling tripod, or something equally as pathetic.’
He looks aimlessly across the studio, blue eyes still sparkling, despite his ageing, weathered face. Normally, we skirt around the personal details of our lives but there’s something about writing this book that is making him relook at everything around him, including me.
‘Actually, I’m jealous of you,’ I say, gently, finding a little voice in the back of my head that feels the need to be heard. ‘You get to create, and people are excited by that. You take photographs that change the way people think. Look at them,’ I say, gesturing to the studio walls, where huge prints of his work keep me entertained every day. Portraits so detailed, it’s as though the subjects’ thoughts are written across their faces. ‘You capture moments that we’d all miss if it wasn’t for you showing them to us. And now you’re writing a book. Something that will live even longer than you. A physical piece of evidence that proves you existed. Maybe fifty years from now, someone will be sitting in a hotel, or waiting at an airport, or going through bookshelves at a friend’s house, and they will see a copy of your book. And they’ll see your pictures and read your words and they’ll wonder who the brilliant person was, who captured such stories. And they’ll turn back to the front cover, where they’ll see your name. And they will read aloud “Jason Scott” and they’ll think about how clever you were, and how grateful they are for you inspiring them, and helping them pass that time. And then they’ll put the book down and someone else will come along and they will love it too. That’s your legacy. The great work, that you produced. You’re the lucky one.’
There is a long pause as Jason looks at me quite intensely. He’s so sexy, sometimes I have to imagine him on the toilet to get that out of my head.
‘That sounded like a speech you’ve been rehearsing for weeks,’ he says, having never heard anything so profound come out of my mouth. I’m quite militant, usually, I suppose. It’s what he employed me for. He’s a scatty artist who needs organising, and I like organising other people’s things because it distracts me from the chaos in my own mind.
‘I just think you should be proud of what you’ve achieved, even though it’s hard work sometimes,’ I continue, opening his computer as if to close the conversation.
‘You’re right. I should,’ he says, watching me for a moment as I search for the Internet-blocking software and start to download it.
‘You’re good with words. Maybe you should write my book?’ he winks, playfully. He’s only half joking. ‘Up to anything tonight?’
‘Actually, it’s my birthday. So just a small dinner with Phil and some friends,’ I say, as unexcited by the prospect as I sound.
‘Bloody hell, Stella, you should have said, I’d have got you something. Where are you going?’
‘Oh, nowhere glamorous. A nice tapas place on Bermondsey Street, Pizarro. Very chilled.’
‘Is it a big one? Your sixtieth or something?’ he says, finding himself pretty funny.
‘Oi, watch it. No, I’m just plain old twenty-nine. Nothing special, no big deal.’
‘OK, well, have fun. Get really drunk and do crazy stuff. I’ll see you Monday.’
‘See you Monday,’ I repeat, watching him leave.
When the door closes, I push his computer aside and get back on mine. For a few moments I stare at the little green dot, willing it to do anything that shows me Alice is really there. Of course, it never will. I click onto her page and write, Happy Birthday, sis. I miss you x
I pack up my things, and leave.
Tara
I rarely get to pick Annie up from school, so on Fridays, when she has dance class and comes out at four p.m., I always make sure I’m there. It means leaving work even earlier, but I grin and bear the guilt trips from my colleagues, because they’re no contest for the mothers’ guilt I suffer if I don’t do it. Being a single working mum usually means that someone somewhere isn’t happy with me. Whether it’s work or my daughter, I’m usually having to apologise to one of them for not giving them enough of my time. This feeling of never being fully enough for anyone worries me a lot. Would I earn more and be better at my job if I didn’t leave at five? Would my daughter be happier if I always left at four? Who knows what the answer is to getting all of this right; I don’t, but I can’t help but think the other mums at the school gate think I’m awful.
I’ve convinced myself they all judge me for my situation and therefore I make no effort to connect with them. This means they make little effort to connect with me either. They all stand around chatting like old friends, and I wait for Annie while answering emails on my phone, barely looking up to say hi. I’m sure they think I’m really full of myself or rude. I suppose I am rude; my lack of interest is deliberate, but if they made more effort with me I’d make more effort with them. Don’t they think, ‘Hey, she’s alone. Raising a child by herself. Let’s go over, make her feel part of the gang?’ No, they don’t. They just crack on talking among themselves, casually judging me because Annie doesn’t have a dad and my mother does most of the childcare. Mum says I’m paranoid and they chat to her just fine, so it’s obviously just that they have an issue with me. Well, who are they to judge? Is being a stay-at-home mum any better than working as much as I do? Are they happier than me? Who knows, and who cares. I was never able to just bond with other women purely on the basis that we both had kids. All of those classes for mums and babies where we were supposed to be open and share our feelings, offer advice, take help; I hated it. I felt like a beacon of controversy glowing in a room full of what everyone else considered normal. I quit the classes within weeks of starting them. Annie and my mum were all I needed. When you go at life alone you learn quickly to rely on as few people as possible. My village was small but indestructible. I was so happy in the comfort of my own decisions.
Five years later, here at the school gate, I still can’t slot into this world. It’s hard to know how to connect when you’ve spent the day squeezing information out of a sex pest and they’ve probably spent the day freezing individual portions of lasagna into zip-lock bags. I find it hard to stand around talking about parenting with people who do nothing but parent, they’re a different breed. Come on Annie, hurry up and come outside!
‘Tara!’ shouts a friendly voice that throws me off guard. As I turn around I realise it’s Vicky Thomson. Her daughter Hannah is in Annie’s class. She’s a bored housewife who is desperate to go back to work and thinks she could get a job in TV, despite having no experience. She relentlessly pitches show ideas to me like I’m Simon Cowell and have the power to change her life. Annoyingly, some of her ideas are quite good.
‘I’ve been hoping to see you,’ she says, hurrying up to me. ‘I’ve been working on the idea I told you about,’ she says, presuming I remember. ‘I thought maybe you could take it further by trying to matchmake the gay people at the end?’
‘OK, sorry, what?’ I say, a little short. She’s one of those people where if I give her too much feedback she won’t leave me alone. She does nothing for my trying to be inconspicuous.
‘My idea, “Take My Gay Away”. The TV show idea about gay people whose parents won’t allow it so they send them to a camp in America to get “un-gayed”. You said you liked it, so I’ve been working on it more. Maybe we can pitch it to your company? I’m so ready to get back into work, three kids in six years, whoa. I need to think about something else now they’re all in school, you know?’
‘It’s