The Fire Child: The 2017 gripping psychological thriller from the bestselling author of The Ice Twins. S.K. Tremayne
sent me to boarding school, Rachel, at eight years old. And there was no reason to send me away, Mummy wasn’t working. It was simply his choice. He had one son, one child – and he sent me away.’
‘Why?’
‘That’s the worst of it, I don’t really fucking know. Because he was jealous of the bond between my mother and me? Because he was bored with having me around? Mummy wanted me to stay, and there are plenty of good day schools in Cornwall. Perhaps he did it to hurt her. A pure act of sadism. And now he’s dead. So I will never know.’ He hesitates, but not for long. ‘I sometimes think the best thing a parent can do is live long enough for the children to grow up, so the kids are old enough to ask their parents, How the fuck could you get it so wrong?’
Another strawberry. Another stalk, hurled into the grass. The sun is dipping its chin in the west, turning rags of cloud to purpled gold. Some of those clouds look ominous, anvil-shaped: a summer storm, perhaps. Storms come so fast in West Cornwall, summer idylls to brutal squalls in bare minutes.
‘On clear days you can see the Scilly Isles from here,’ David says. ‘I must take you there one day. They’re beautiful, the light is marvellous. The Islands of the Blest. The pagan afterworld.’
‘I’d love that.’
He eats half of the last strawberry, then turns, and gives it to me, lifting it to my mouth. A strawberry taken from his hand. I eat the strawberry, taste its lurid sweetness. Then he says, ‘One day, perhaps, you could tell me about your childhood?’
I try not to flinch at this.
He goes on, ‘I know you’ve told me a bit of it. You’ve told me about your father, the way he treated your mother, but you haven’t told me much more.’ He looks at me, unblinking, perhaps seeing the anxiety in my expression. ‘Sorry. Talking about my past – it made me think of yours. You don’t have to tell me anything, darling, if you don’t want.’
I look at him, also unblinking. And I feel a huge desire to yield, and confess. Yet I am blocked, as always. Can’t tell, mustn’t tell. If I do tell everything, he might shun me. Won’t he?
David strokes my face. ‘Sorry, sweetheart. I shouldn’t have asked.’
‘No.’ I stand up, brushing grass from myself. ‘Don’t be sorry. You should want to know, you’re my husband. And one day I will tell you.’
I want this to be true. I so want this to be true. I want to tell him everything, from my tainted entrance into university to the dissolving of my family. I will tell everything.
One day. But not today, I don’t think. Not here and now.
Does David detect my sadness? Apparently not. Brisk and confident, he gets to his feet, and tilts his head to the west. To those darkening clouds, busily turning blue to black. ‘Come on, we’d better get going, before the rains kick in. I told Alex I’d have a quick drink with him at the Gurnard’s, last chance before I go back to work. You can drop me off.’
Afternoon
I do as I am told.
We climb in the car and I drive through the stiffening wind, and then the sharpening rain, to the clifftop pub, the Gurnard’s Head, where David leaps out of the car, and shouts through the weather: Don’t worry, I’ll get a taxi. Then he runs, sheltering under his rucksack, into the pub. Off to see Alex Lockwood. A banker, I think. He’s certainly another one of those wealthy friends of David’s, those tall guys who smile politely at me in yachty bars, like I am a quaint but passing curiosity, after which they turn and talk to David.
Pulling away from the pub, I accelerate down the road – hoping I can get to the house before the lightning starts. Because this is definitely a big, late summer storm, racing in from the Atlantic.
By the time I reach the final miles to Carnhallow the rain is so heavy it is defeating the wipers. A proper cloudburst. I have to slow to five, four, three miles per hour.
I could be overtaken by a cow.
At last I make the gate to the Kerthen estate and the long treacherous lane down Carnhallow Valley, through the rowans and the oaks. I dislike this winding track during the day and it is seriously dark now: storm clouds making night from day. I’ve got the headlights on, to help me through the murk, but the car is skidding, accelerating on the wet and fractured concrete, it’s almost out of control.
What’s this?
Something runs out into my lights. It is a blur through the rainy windscreen, a grey smear of movement – then a swerve of my wheel, and a queasy thump.
Jerking the car to a stop, the wind is salty and loud as I open the door, as I run up the track, heedless of the rain, to see what I hit.
A rabbit is lying in the grass, lit by my headlamps. The pulsing body is shattered, there are red gashes in its flanks, showing muscles, and too much blood. Way too much blood.
Worst is the head. The skull is half-crushed, yet one living eye is bright in its socket, staring regretfully, as I cradle the broken form. A milky tear trickles down, and the animal shudders and then, as I crouch here on the grass, it dies in my arms.
Filled with self-reproach, I gently drop the body to the ground, where it lolls, lifeless. Then I look at my hands.
They are covered in blood.
And then I look at the animal. I take a long frightening look at its sleek, distinctive, velvety ears. It’s not a rabbit. It’s a hare.
Lunchtime
I’m lying to my husband.
‘I told you, I’m going shopping. We need some food.’
His sceptical voice fills the car, disembodied. Calling me from London. ‘Shopping in St Just? St Just in Penwith?’
‘Why not?’
He laughs. ‘Darling. You know what they say, the seagulls in St Just fly upside down because there’s nothing worth crapping on.’
I chuckle, briefly. I’m still lying, though. I’m not telling him why I’m shopping, not yet. Not until I know.
‘What’s the weather like down there?’
I gaze through my windscreen as the car rolls along the coastal road. The stunted church tower of St Just is a grey silhouette on a grey horizon. ‘Looks like it’s going to rain. Bit chilly, too.’
He sighs. ‘Yes, the summer’s pretty much over. But it was good, wasn’t it?’ His pause is earnest. Hopeful. ‘Everything is OK now, everything is getting better, with Jamie, you’re feeling better.’
‘Yes,’ I say, and again I lie, and this lie is probably more important. I am certainly not feeling better: I am still thinking of the hare I killed. I haven’t mentioned it, to anyone. As soon as the accident happened, I cleaned the car and quickly disposed of the body,I wiped the blood from my hands, and then I tried to wipe the event from my mind. My first reaction had been to call David, tell him, share the story. But a minute’s thought told me that, no matter how trivially disturbing, it was probably better to stay silent. The moment I broached the subject, even as a passing and frivolous remark – oh your son said this and then it really happened, how funny, it could appear, to David, that I actually believe his son can foresee events, is clairvoyant, is a Kerthen from the legend. My remarks could make me sound mad. And I must not sound mad. Because I am not mad.
I don’t believe that Jamie has any power. The accident was an uncanny coincidence: animals die on the narrow, rural, zigzagging Penwith roads all the time – badgers, foxes, pheasants, and hares. I’ve seen dead hares before, they