The Woman In The Lake: Can she escape the shadows of the past?. Nicola Cornick

The Woman In The Lake: Can she escape the shadows of the past? - Nicola  Cornick


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cuckold and a weakling if it hurts her. I wish I could hurt her more but she is beyond my reach now, more is the pity.

      There are those who call me a wicked man. They are wrong. True evil requires intent and I never had the will or the cunning to be truly wicked. Only once was I tempted to commit murder and even then it was not my fault, for I swear I was possessed. It was the golden gown that moved me to evil and the gown that led to that most terrible mistake.

      I remember the horror of it to this day. I still see the scene so clear before my eyes. She was walking ahead of me, through the dappled moonlight, and I recognised the gown and hastened my step. I swear I had no fixed intention, no thought of murder, not at that moment. I wanted to talk, to reason with her. Then, on the path by the mill, she seemed to stumble and fall and all of a sudden I was seized by the thought that this was my chance to be rid of the threat for ever. I could not bring myself to touch her directly so I nudged her body with my boot and she rolled gently, so gently, over the edge and into the pool.

      I see it all again: the silver moon swimming beneath the water and the golden gown billowing out about her like a shroud slowly unfurling. I needed to claim that gown but my fear made me clumsy and I ripped it from her body when it would not yield to my hands. And then…

      I break out into a cold sweat whenever I remember. Everything is so vivid. The sweet scent of lime blossom mingled with the stink of dank weed from the millpond, the endless roar of the water over the sluice like the rush to bedlam.

      And then… The body rolled over in the water and I saw her properly for the first time in the moon’s reflected glow. It was not the face of my nemesis. I stood there with the gown dripping in my hands and then I was sick; sick with revulsion, sick with fear, sick with disappointment.

      Binks came upon me as I knelt there, retching up my guts.

      ‘I will attend to this, Lord Gerard,’ he said, as though he were my butler tidying away a glass of spilt wine. ‘You should have left it with me, as we agreed.’

      Binks was a damned impertinent fellow but a useful one and I was not going to argue with him. I took my carriage back to Lydiard House and I sat here in my study and drank more than I had ever taken before. I was out cold for three days.

      When I came to my senses the first thing I saw was the golden gown draped across the end of my bed like a reproachful ghost. I wanted to be rid of it, to burn it, rip it to shreds or give it to the first beggar woman I saw but at the same time I was too afraid; afraid that somehow, some day, it would return to haunt me. My only safety lay in keeping it close to me. Wherever I went the gown came with me, wrapped up tightly, hidden away to contain its poison, but with me all the same. And that is how it haunted me for ever after. That is how it has possessed me, in mind and body.

      I have no notion what happened after I left Binks to do the work that I dared not do. I heard reports of the tragedy of course, for the servants were full of the story and it was in all the local newspapers. It was a famous scandal that respected Swindon banker and businessman Samuel Lawrence had drowned his wife in the millpond and then apparently taken his own life, following her down into those dark waters.

      In time I almost came to believe those stories myself.

      Except that for as long as the gown is with me, I will remember the truth. I will remember Binks, who disappeared like a will-o’-the-wisp once the deed was done, and I will remember Binks’s men, the Moonrakers, hard men, smugglers, criminals. I have lived in fear of them these past twenty years for I know they hate me for killing one of their own. My life is so much more precious, infinitely more important than theirs, and yet I live in fear of a gang of felons.

      From the drawing room window I can see the lake here at Lydiard Park glittering in the morning sun. On the days when I am too drink-sodden and addled to walk, the steward places me here, telling me that it will raise my spirits to see the world outside. Little does he know that nothing could cause me more pain than to look upon the shining water. Or perhaps he does know it, and places me here to torment me. Perhaps he hates me too.

      The Moonrakers will come for me soon. This morning I received a token from their leader. It was such a beautiful gift, an inlaid box. I unwrapped it with greedy excitement until I saw the tiepin inside with the design of a hanged man, the word ‘remember’, and the initials C. L. Then I dropped it and it went skittering away across the floor propelled by my revulsion.

      She need have no fear. I shall never forget that day. The gown will remind me. It will possess me to my last breath.

      The sun swims under the rippling water and the day turns dark. The Moonrakers are ready. Ready to fish for their fortunes again, ready for time to repeat itself, ready for the secrets to be told.

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      Fenella

      2004

      She could never forget the day she stole the gown.

      Twenty-three of them visited Lydiard Park that day. It should have been twenty-five but Emily Dunn had chickenpox and Lauren Featherstone’s parents had taken her on holiday to Greece despite the fact that it was still term time, and Mrs Holmes, the headmistress, disapproved. Mr Featherstone paid the fees, though, so Mrs Holmes kept quiet.

      There were three teachers as well, not that many to keep them all under control. Two of them looked harassed – Miss Littlejohn always looked harassed, and Mr Cash didn’t really like children much – they all knew it even though he never said so – but Miss French was all relaxed and smiley. Miss French was cool, more like a big sister than a teacher.

      ‘Just one more room to visit, girls,’ she coaxed, when they all started to drag their heels due to heat and tiredness and endless stately home corridors, ‘and then we can go to the tearoom and the shop.’

      Fen didn’t have any money to spend in the shop because her grandmother had forgotten again. She wasn’t sure if anyone remembered to pay her school fees either but until someone said something she was stuck at St Hilda’s and that was fine. She’d been to worse schools, plenty of them, some of them boarding, some not. She made friends quickly and easily because she’d learned how. It was either that or forever be the loner, the outsider, the one who came and went without leaving a trace.

      ‘Fen,’ Jessie, her best friend, all brown curls and bossiness, was pulling on her sleeve. ‘Come on.’

      But Fen lingered in the state bedroom as the gaggle of schoolgirls in their red and white summer dresses and red blazers went chattering through the doorway into the drawing room. As soon as they were gone the silence swept back in like a tide, cutting her off. It was odd, as though a thick door had slammed somewhere separating her from the rest of the world. She could hear her own breathing, feel the sun on her face as it fell through the high windows to speckle the wooden floor.

      It wasn’t a room that appealed to her at all. Her bedroom in her grandmother Sarah’s house in West Swindon was quite small, painted pale green and had an accumulation of vintage bits of china and glass and other small pieces that Sarah had encouraged her to buy on their trips to the flea markets and car boot sales. This huge space with its flock wallpaper, soaring white pillars and four poster bed with its embroidered hangings seemed completely lifeless. It was no one’s room, merely a museum. The whole place felt empty to her and a bit creepy; the other rooms held waxwork figures in period dress that had made her shudder. The other girls had giggled over them but Fen had imagined them as zombies or automatons come to life, stalking the corridors of the old house.

      There was a door in the corner and beyond it a room that looked to be full of light. It beckoned to her. Fen peeped inside. It was small, oval-shaped, painted in blue and white like the Wedgwood vases that her grandmother collected. What caught her eye, though, was the stained glass window with its tiny little painted panels depicting colourful pictures of fruit, flowers, animals – was that an elephant? – something that looked half-man half-goat, a ship to sail away in, a mermaid… The window enchanted her.

      She stretched


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