The Constant Princess. Philippa Gregory
given to Ferdinand and to Isabella.
Dressed in the gorgeous silks of their defeated enemy, turbaned, slippered, glorious as caliphs, the Spanish royal family, glittering with the spoils of Spain, took Granada. That afternoon Catalina, the Princess of Wales, walked with her parents up the winding, steep path through the shade of tall trees, to the most beautiful palace in Europe, slept that night in the brilliantly tiled harem and woke to the sound of rippling water in marble fountains, and thought herself a Moorish princess born to luxury and beauty, as well as a Princess of England.
And this is my life, from this day of victory. I had been born as a child of the camp, following the army from siege to battle, seeing things that perhaps no child should see, facing adult fears every day. I had marched past the bodies of dead soldiers rotting in the spring heat because there was no time to bury them, I had ridden behind mules whipped into staggering bloodstained corpses, pulling my father’s guns through the high passes of the Sierra. I saw my mother slap a man’s face for weeping with exhaustion. I heard children of my own age crying for their parents burned at the stake for heresy; but at this moment, when we dressed ourselves in embroidered silk and walked into the red fort of Granada and through the gates to the white pearl that is the Alhambra Palace, at this moment I became a princess for the first time.
I became a girl raised in the most beautiful palace in Christendom, protected by an impregnable fort, blessed by God among all others, I became a girl of immense, unshakeable confidence in the God that had brought us to victory, and in my destiny as His most favourite child and my mother’s most favourite daughter.
Alhambra proved to me, once and for all, that I was uniquely favoured by God, as my mother had been favoured by God. I was his chosen child, raised in the most beautiful palace in Christendom, and destined for the highest things.
The Spanish family with their officers ahead and the royal guard behind, glorious as Sultans, entered the fort through the enormous square tower known as the Justice Gate. As the shadow of the first arch of the tower fell on Isabella’s upturned face the trumpeters played a great shout of defiance, like Joshua before the walls of Jericho, as if they would frighten away the lingering devils of the infidel. At once there was an echo to the blast of sound, a shuddering sigh, from everyone gathered inside the gateway, pressed back against the golden walls, the women half-veiled in their robes, the men standing tall and proud and silent, watching, to see what the conquerors would do next. Catalina looked above the sea of heads and saw the flowing shapes of Arabic script engraved on the gleaming walls.
‘What does that say?’ she demanded of Madilla, her nursemaid.
Madilla squinted upwards. ‘I don’t know,’ she said crossly. She always denied her Moorish roots. She always tried to pretend that she knew nothing of the Moors or their lives though she had been born and bred a Moor herself and only converted – according to Juana – for convenience.
‘Tell us, or we’ll pinch you,’ Juana offered sweetly.
The young woman scowled at the two sisters. ‘It says: “May God allow the justice of Islam to prevail within.”’
Catalina hesitated for a moment, hearing the proud ring of certainty, a determination to match her own mother’s voice.
‘Well, He hasn’t,’ Juana said smartly. ‘Allah has deserted the Alhambra and Isabella has arrived. And if you Moors knew Isabella like we do, you would know that the greatest power is coming in and the lesser power going out.’
‘God save the queen,’ Madilla replied quickly. ‘I know Queen Isabella well enough.’
As she spoke the great doors before them, black wood studded with black nails, swung open on their black hammered hinges, and with another blast of trumpets the king and queen strode into the inner courtyard.
Like dancers rehearsed till they were step-perfect, the Spanish guard peeled off to right and left inside the town walls, checking that the place was safe, and no despairing soldiers were preparing a last ambush. The great fort of the Alcazaba, built like the prow of a ship, jutting out over the plain of Granada, was to their left, and the men poured into it, running across the parade square, ringing the walls, running up and down the towers. Finally, Isabella the queen looked up to the sky, shaded her eyes with her hand clinking with Moorish gold bracelets, and laughed aloud to see the sacred banner of St James and the silver cross of the crusade flying where the crescent had been.
Then she turned to see the domestic servants of the palace slowly approaching, their heads bowed. They were led by the Grand Vizier, his height emphasised by his flowing robes, his piercing black eyes meeting hers, scanning King Ferdinand at her side, and the royal family behind them: the prince and the four princesses. The king and the prince were dressed as richly as sultans, wearing rich, embroidered tunics over their trousers, the queen and the princesses were wearing the traditional kamiz tunics made from the finest silks, over white linen trousers, with veils falling from their heads held back by filets of gold.
‘Your Royal Highnesses, it is my honour and duty to welcome you to the Alhambra Palace,’ the Grand Vizier said, as if it were the most ordinary thing in the world to hand over the most beautiful palace in Christendom to armed invaders.
The queen and her husband exchanged one brief glance. ‘You can take us in,’ she said.
The Grand Vizier bowed and led the way. The queen glanced back at her children. ‘Come along, girls,’ she said and went ahead of them, through the gardens surrounding the palace, down some steps and into the discreet doorway.
‘This is the main entrance?’ She hesitated before the small door set in the unmarked wall.
The man bowed. ‘Your Highness, it is.’
Isabella said nothing but Catalina saw her raise her eyebrows as if she did not think much of it, and then they all went inside.
But the little doorway is like a keyhole to a treasure chest of boxes, the one opening out from another. The man leads us through them like a slave opening doors to a treasury. Their very names are a poem: the Golden Chamber, the Courtyard of the Myrtles, the Hall of the Ambassadors, the Courtyard of the Lions, or the Hall of the Two Sisters. It will take us weeks to find our way from one exquisitely tiled room to another. It will take us months to stop marvelling at the pleasure of the sound of water running down the marble gulleys in the rooms, flowing to a white marble fountain that always spills over with the cleanest, freshest water of the mountains. And I will never tire of looking through the white stucco tracery to the view of the plain beyond, the mountains, the blue sky and golden hills. Every window is like a frame for a picture, they are designed to make you stop, look and marvel. Every window frame is like white-work embroidery – the stucco is so fine, so delicate, it is like sugar-work by confectioners, not like anything real.
We move into the harem as the easiest and most convenient rooms for my three sisters and me, and the harem servants light the braziers in the cool evenings, and scatter the scented herbs as if we were the sultanas who lived secluded behind the screens for so long. We have always worn Moorish dress at home and sometimes at great state occasions so still there is the whisper of silks and the slap of slippers on marble floors, as if nothing has changed. Now, we study where the slave girls read, we walk in the gardens that were planted to delight the favourites of the sultan. We eat their fruits, we love the taste of their sherbets, we tie their flowers into garlands for our own heads, and we run down their allées where the heavy scent of roses and honeysuckle is sweet in the cool of the morning.
We bathe in the hammam, standing stock still while the servants lather us all over with a rich soap that smells of flowers. Then they pour golden