The Face. Dean Koontz
been disturbing.
Courses in criminal psychology, combined with years of street experience, made Ethan hard to impress in matters regarding the human capacity for evil. Yet these gifts provoked his deep concern.
In recent years, influenced by the operatically flamboyant villains in films, every common gangbanger and every would-be serial killer, starring in his own mind movie, could not simply do his dirty work and move along. Most seemed to be obsessed with developing a dramatic persona, colorful crime-scene signatures, and ingenious taunts either to torment their victims beforehand or, after a murder, to scoff at the claimed competence of law-enforcement agencies.
Their sources of inspiration, however, were all hackneyed. They succeeded only in making fearsome acts of cruelty seem as tiresome as the antics of an unfunny clown.
The sender of the black boxes succeeded where others failed. For one thing, his wordless threats were inventive.
When his intentions were at last known and the threats could be better understood in light of whatever actions he took, they might also prove to be clever. Even fiendishly so.
In addition, he conferred on himself no silly or clumsy name to delight the tabloid press when eventually they became aware of his game. He signed no name at all, which indicated self-assurance and no desperate desire for celebrity.
For another thing, his target was the biggest movie star in the world, perhaps the most guarded man in the nation after the President of the United States. Yet instead of stalking in secret, he revealed his intentions in wordless riddles full of menace, ensuring that his quarry would be made even more difficult to reach than usual.
Having turned the apple over and over in his mind, examining the details of its packaging and presentation, Ethan fetched a pair of cuticle scissors from the bathroom. At last he returned to the desk.
He pulled the chair from the knee space. He sat, pushed aside the empty gift box, and placed the repaired apple at the center of the blotter.
The first five black boxes, each a different size, and their contents had been examined for fingerprints. He had dusted three of the deliveries himself, without success.
Because the black boxes came without a word of explanation, the authorities would not consider them to be death threats. As long as the sender’s intention remained open to debate, this failed to be a matter for the police.
Deliveries 4 and 5 had been trusted to an old friend in the print lab of the Scientific Investigation Division of the Los Angeles Police Department, who processed them off the record. They were placed in a glass tank and subjected to a cloud of cyanoacrylate fumes, which readily condensed as a resin on the oils that formed latent prints.
In fluorescent light, no friction-ridge patterns of white resin had been visible. Likewise, in a darkened lab, with a cone-shaded halogen lamp focused at oblique angles, the boxes and their contents continued to appear clean.
Black magnetic powder, applied with a Magna-Brush, had revealed nothing. Even bathed in a methanol solution of rhodamine 6G, scanned in a dark lab with the eerie beam from a water-cooled argon ion laser generator, the objects had revealed no telltale luminous whorls.
The nameless stalker was too careful to leave such evidence.
Nevertheless, Ethan handled this sixth delivery with the care he’d exhibited while examining the five previous items. Surely no prints existed to be spoiled, but he might want to check later.
With the cuticle scissors, he snipped seven stitches, leaving the final three to serve as hinges.
The sender must have treated the apple with lemon juice or with another common culinary preservative to ensure a proper presentation. The meat was mostly white, with only minor browning near the peel.
The core remained. The seed pocket had been scooped clean of pits, however, to provide a setting for the inserted item.
Ethan had expected a worm: earthworm, corn ear-worm, cutworm, leech, caterpillar, trematode, one type of worm or another.
Instead, nestled in the apple flesh, he found an eye.
For an ugly instant, he thought the eye might be real. Then he saw that it was only a plastic orb with convincing details.
Not an orb, actually, but a hemisphere. The back of the eye proved to be flat, with a button loop.
Somewhere a half-blinded doll still smiled.
When the stalker looked at the doll, perhaps he saw the famous object of his obsession likewise mutilated.
Ethan was nearly as disturbed by this discovery as he might have been if he’d found a real eye in the red delicious.
Under the eye, in the hollowed-out seed pocket, was a tightly folded slip of paper, slightly damp with absorbed juice. When he unfolded it, he saw typing, the first direct message in the six packages:
THE EYE IN THE APPLE? THE WATCHFUL WORM? THE WORM OF ORIGINAL SIN? DO WORDS HAVE ANY PURPOSE OTHER THAN CONFUSION?
Ethan was confused, all right. Whatever it meant, this threat—the eye in the apple—struck him as particularly vicious. Here the sender had made an angry if enigmatic statement, the symbolism of which must be correctly interpreted, and urgently.
BEYOND THE BEVELED GLASS, THE IRON-black clouds that had masked the sky now hid themselves behind gray veils of trailing mist. The wind went elsewhere with its lamentations, and the sodden trees stood as still and solemn as witnesses to a funeral cortege.
The gray day drifted into the eye of the storm, and from each of his three study windows, Ethan observed the mourning weather while meditating on the meaning of the apple in the context of the five bizarre items that had preceded it. Nature peered back at him through a milky cataract and, in sympathy with his inner vision, remained clouded.
He supposed the shiny apple might represent fame and wealth, the enviable life of his employer. Then the doll’s eye might be a worm of sorts, a symbol of a particular corruption at the core of fame, and therefore an accusation, indictment, and condemnation of the Face.
For twelve years, the actor had been the biggest box-office draw in the world. Since his first hit, the celebrity-mad media referred to him as the Face.
This flattering sobriquet supposedly had arisen simultaneously from the pens of numerous entertainment reporters in a shared swoon of admiration for his charismatic good looks. In truth, no doubt a clever and perpetually sleepless publicist had called in favors and paid out cold cash to engineer this spontaneous acclamation and then to sustain it for more than a decade.
In a black-and-white Hollywood so distant in time and quality that contemporary moviegoers had only a little more knowledge of it than they had of the Spanish-American War, a fine actress named Greta Garbo had in her day been known as the Face. That flattery had been the work of a studio flack, but Garbo had proved to be more than mere flackery.
For ten months, Ethan had been chief of security for Channing Manheim, the Face of the new millennium. As yet he hadn’t glimpsed even the suggestion of Garboesque depths. The face of the Face seemed to be nearly all there was of Channing.
Ethan didn’t despise the actor. The Face was affable, as relaxed as might be a genuine demigod living with the sureness that life and youth were for him eternal.
The star’s indifference to any circumstances other than his own arose neither from self-absorption nor from a willful lack of compassion. Intellectual limitations denied him an awareness that other people had more than a single script page of backstory, and that their character arcs were too complex to be portrayed in ninety-eight minutes.
His occasional cruelties were never conscious.
If he hadn’t been who he was, however, and if he hadn’t been so striking in appearance, nothing that Channing said or did would have left an impression.