The Beauty of the Wolf. Wray Delaney
beside Master Goodwin, listening to his thoughts, though he was never aware of it. He had filled out the thinness of his youth, grown well-built with a kind, thoughtful face and grey eyes that saw more than many and a tongue wise enough to hold its peace until speech became necessary. Francis, Lord Rodermere, for reasons that he could not fathom, felt inadequate when speaking to his steward. Even in height, Master Goodwin was superior.
On a spring morn they stood together, side by side, in a graveyard of oaks whose stumps stood as raw wounds that broke from barren soil, their once ethereal canopies but a ghost’s memory. Now in this new season there was no leafy protection from the rain that drizzled on leather and fur, that dripped from brims of hats. Gilbert Goodwin’s thoughts that miserable morning were filled with sadness for the utter pointlessness of such destruction. He looked at the standing trees and wondered if they too were doomed.
‘It is only a matter of time before the head of that black wolf is nailed to my wall,’ said Lord Rodermere. ‘If it were not for the quality of the hunting I would have these woods felled. That would put an end to the pagan beliefs of the peasantry.’
‘The forest has stood for thousands of years, my lord,’ said Master Goodwin. ‘You are the first man to have had an axe taken to those great oaks.’
‘Do not say that you, like my buffoon of a father, believe in all that elfin gibberish.’
‘Your father was a wise man,’ said Master Goodwin, ‘and understood his people. I would call a buffoon a man who thinks he knows everything, is averse to all advice, who acts without knowledge and is driven by conceit, only to be surprised at the consequences.’
Lord Rodermere was unsure if he had just been insulted by his steward but not knowing how to respond if he had, he continued.
‘You believe that some sorceress has the power to put a curse on me?’
‘I believe,’ said Master Goodwin, his grey eyes never leaving his master’s face, ‘that you would have fared better if you had let the forest be, and built your house of bricks and mortar. This forest has always been a place of great beauty and greater terror.’
Gilbert Goodwin’s wit was too fast for the slow, wine-soaked brain of Lord Rodermere, who in order to enforce his authority said, ‘You are not seen often in church on Sunday. Do you worship at a different altar?’
Master Goodwin did not answer.
‘I thought you better than a mere peasant.’
Again the steward held his tongue.
‘Never married?’
‘No, my lord.’
‘Why not? Is your prick so small it could bring no woman satisfaction?’
Gilbert Goodwin, well-versed in his master’s rages and jibes, had expected as much. Lord Rodermere was thinking of his own baubles.
The hands of time tick on, the sorceress’s remaining oaks, her elders, and her ashes – white trees of death – move imperceptibly closer to the House of the Three Turrets. For all his lordship’s boast of glass windows very little light shines in and long shadows fall across his lordship’s gardens and his lordship’s orchards.
Lady Eleanor bears him a third daughter. The child lives, but smallpox makes her soft skin toad-blemished and only now does Lord Rodermere begin to wonder if he has indeed been cursed. He enquires of his steward where he might find the sorceress who visited him when he hacked the first oak. Master Goodwin tells him plainly that it is best he looks no more. This time Lord Rodermere does not laugh so loudly for the words of the curse are echoing in his empty head.
. . . whose beauty will
be your death.
One May morning, Lord Rodermere, out hunting with a party of friends, thought he saw in a thicket a vixen and set off after her until by twists and turns he became lost. He stopped and shouted out in the hope of one of his party hearing him. And all he saw and all he heard was the chanting melody of birds, quivering leaves, cooling winds, and shadows. The mocking echo of hounds and a distant horn confused his senses. A snake unseen slithered past and so startled his horse that it bolted, taking his lordship by surprise. It was all he could do to hold tight to the saddle and reins as his horse, wild-eyed, nostrils flaring, took flight. Low branches scratched his face and Lord Rodermere fought not to lose his ride.
He is conscious, perhaps for the first time, of how deep and far the forest stretches.
On and on they go, horse and rider, this way and that, he all torn and knocked about, unable to bring his horse under control for in the mind of the creature the snake follows faster than he can gallop. Into the darkness the horse takes his rider. He, too, wild with terror, for was that not the cry of a wolf? And all sight is lost and then it seems he has passed through some unseen curtain into blinding light. The ground beneath his horse is moss, soft moss, and from it rises an intoxicating perfume.
Lord Rodermere thinks to call out. He is rewarded not by the sound of the hunting horn but by a song that has such yearning at its heart that his horse becomes calm and he, enchanted, dismounts. Forgetting how he arrived here he follows the music which calls him on until he comes upon a clearing.
Through the trees, he spies a stream, and under a willow in the dappled light a maiden dressed in an apple blossom gown stands bare-footed in the shallow waters. He, all in wonder, lets his horse drink.
‘Maiden, do you know this forest well?’ he says. ‘Methinks I am lost.’
She takes no notice of him or his fine horse. She ripples the waters with her toes. Her silence intrigues him.
‘I am Rodermere,’ he says.
She glances up at him, her eyes as golden as the sun, her skin rose pink, her hair as black as midnight, her face an enchantment. She says not a word. She takes his hand and leads him into the stream.
‘No,’ he says, ‘my boots . . .’
And she lets go of him and walks out into the deep water where the stream whirls. Swimming away from him, her blossom gown floats free. The sight of her voluptuous nakedness, her loosened hair, flower filled, near undoes him. Disregarding his boots, his clothes, he wades out to her. But he is a cloven-footed lover whose grace lies in brutality. That, this sweet maiden does not allow and she casts him off.
Finding that his strength has no power over her, he follows her to the bank of the stream, desperate for his lust to be allayed, and there goes down on his knees and begs her to lie with him. She comes, puts her arms round his neck, kisses him softly on the lips.
If he had known anything of elfin ways he would have had the wisdom to climb fast upon his horse and ride free. For we are the stuff of dreams, void of time’s cruel passing. We are creatures of freedom that only brush against the world of envious man whose desires are made dirty with guilt.
It is one of the sorceress’s handmaids who now stands near-naked before him in all her ethereal perfection. Her strength will haunt him ere long he lives, the smell of her soft skin a perfume he will never forget or find again. She is what man wishes for in bed but freedom is her birthright: she will not be tied to hearth or home. She is mother, good, bad all in one and none is she. A friend, no friend of man be she.
The Earl of Rodermere is now tamed, unclothed, brought to his knees, and hers to do with as she will. No man has loved a faerie and lived whole to tell the tale. But such is the pleasure she gives him that long afternoon that there he stays in her arms, honey from her breast he drinks and all time lost.
The hunting party searched all that afternoon and into the evening until, exhausted, they returned home without Lord Rodermere. The next morning they went again to look for him. For a week the search continued but there was no sign of him. The parson prayed in the chapel for his master’s swift return. The following Sunday, the earl’s horse came home without its rider. Gradually,