The Family Tabor. Cherise Wolas

The Family Tabor - Cherise  Wolas


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citations, and sources, thick as a tombstone gathering dust on her kitchen table. In fact, she doesn’t even notice it anymore, when she drops her keys next to it, or sits down to eat a quick meal.

      Although never one to ask for help, when her depression did not lift, she took herself to the university counseling office. The counselor-in-training was useless, said only, “Wow, so you lived among natives, wild. Must be great to be back in the real world,” then adjusted her necklace. Camille didn’t bother seeking out a different counselor. She had no confidence anyone else would understand her nature more clearly and felt only exhaustion thinking about repeating her story again, explaining all the reasons why that other world remained realer to her than this one—the Trobrianders’ love for one another, their ties to the earth and the sky, their belief in rituals and magic. She decided to nurture herself with long walks every day, and applauded herself when she managed to do so sometimes.

      On the last day of last year, on one of those walks, she stopped at a row of free-paper kiosks and took one she’d not read before. At home on the old couch, she flipped through it and came to a picture and article about the House of Lilac Love. She recognized the pretty lilac-painted building, not far from her apartment, but would never have guessed it was a hospice. As she read about the people cared for there, she imagined them as a tribe of the dying, and a minute amount of her vanished strength made itself known, enough to pick up the phone and inquire whether any jobs were available.

      It had felt odd interviewing for a job that didn’t include discussions about prior tribe contact, what the research hoped to reveal, the term of the expedition, housing accommodations, shots required for travel, but there was Patty Donaldson, the head of Lilac Love, who looked to Camille like a highly experienced team leader. She had army hair, a crew cut strictly maintained, gigantic hoops in her ears, an easy laugh. Her bulk was crammed into a well-tailored Day-Glo lime-green pantsuit, and when she shook Camille’s hand, she said, “I like to be a splash of color for everyone. Now let’s talk about you,” and then exclaimed over Camille’s background, her experience in fieldwork, expressing veneration for her accomplishments, and her certainty that someone highly trained in dedicated listening would be a great addition. With Patty’s unceasing, honest smile aimed directly at her, Camille had felt the slightest renewing of what once had been her natural optimism.

      Since January, for the last seven and a half months, she has been working as an end-of-life caregiver at Lilac Love. It is a job for which she needed no formal training: she does not insert needles into veins, or clear phlegm from throats, or dispense morphine, or arrange and empty bedpans. There are compassionate nurses for all of those tasks, selfless women who sail through the place like loving spirits. Now, five or six days a week, Camille wakes early, showers, dresses in clean and pressed clothes, fills up her thermos with her special coffee blend, makes a sack lunch, and walks to the hospice, to sit by bedsides, to ask questions that encourage exhausted tongues to recount their owners’ stories, to write dictated letters to family and friends, sometimes loving letters, sometimes letters filled with angst, sometimes letters filled with vituperative hatred aimed like poison-tipped darts at their intended recipients—as sharp, surely, as those arrows the Stone Age Sentineli carried and Dr. Jin prevented her from viewing up close. She can honestly say she feels most at home in that small, vertical palace where futures are preordained.

      When she has tried to explain this inexplicable shift in her focus to Valentine, his inquisition leaves her shrugging her shoulders, and he, increasingly frustrated by her curious new inability to express herself in terms he can understand, says, “Yes, yes, I know, the Trobrianders sucked all the life right out of you, but you’ve got to pull it together. And what I don’t understand is your new fascination with death.”

      To Valentine, death has no immediacy; it has been reduced to the examination of skeletons, the unlocking of genes, the analyzing of migratory patterns, and dust. His pursuit of the dead shares nothing with her experiences, the way the process of death has parameters, permutations, crosses enigmatic boundaries. That they view death differently did not bother her, but his admonishment hurt, because the funny thing was, she thought she was starting to pull it together. That the desolate period of her life, ragged and ugly, the very definition of quotidian before she started at Lilac Love, was tapering off. She’s no longer in the trough of the black depression into which she sank; the blackness is fading into a pallid gray, the depression softening into a lassitude, although when she’s home by herself it reverts to inertia. It is too soon, she knows, to figure out how to resume her prior life; she still can’t imagine how she once possessed such gargantuan dreams, such energy.

      But she’s awake every morning, sometimes before the alarm, interested in where she is going, and there is something so restful about being among the dying. Not those who are still denying, or angry, or bargaining, or depressed—the first four stages of Kübler-Ross’s American model for death and dying, which she has now learned all about—but those who have reached the fifth and last stage, acceptance. Those people, who have accepted their outcome, are extraordinary. They aren’t at all what she expected. She thought she’d find them huddled up to their gods, worn or new Bibles close by, and she, a disbeliever, would have nothing to say to them, would be unable to find common ground. A few do hang onto old remnants, but most have no atavistic reliance on religion, have cast away what they might have been taught in childhood, despite the crosses or Jewish stars hanging around old necks, lost beneath heavy drifts of wrinkles. Few prayers are uttered; they have left behind the realm of hope, seek no last-minute godly redemptions, no heightened revelations, are instead most interested in assessing all those years in which they put on their faces and their suits and braved the act of living. Had they lived? Truly lived? Lived enough? “No,” they say, it is never enough, but no god is going to set things right at this late date. “Don’t waste time on any of that nonsense,” they tell her repeatedly. “I won’t,” she says.

      But it’s more complex than that. Her unbelieving is giving way to a belief in all the variants of the holy, those she learned from her anthropological studies, those she observed in the Trobriand Islands, those she’s apprehending in these rooms listening to the multitude of ways in which these men and women found their own higher meaning in the physical and emotional world.

      Those closest to death and still sensate pay scrupulous attention to schedules being precisely maintained. Breakfast at seven, lunch at twelve, dinner at five. No matter their lack of appetites, no matter if they slumber through mealtimes, they want those trays in their rooms, visible confirmation upon awakening of their continuing existence. Sometimes that small proof of life is all it takes to bring a slight smile to their faces, though often the slight smile is rictus in nature. Those lucky to have more time ahead of them are resisting the natural inclination to retreat into insularity, are instead expanding their horizons, insisting on being bundled up and wheeled down to the kitchen to watch the cook bake a delicacy that might taste in their mouths like their own Proustian madeleine, regardless that they can barely manage a second bite. One man has hired a college student to teach him to play chess, a game he once refused to learn because his father had been a competitive player. A woman has taken up knitting, despite fingers petrified by age and rheumatoid arthritis, the most minor of her afflictions. Wherever they fall on the incline toward death, they share a surprising stoicism. The nature of the stoicism ranges, but has a common denominator: an undistinguished day is welcomed, even if in their prior lives they would have bucked against such dullness. Religion for them is now art and music, gazing through dimming eyes at reproductions in heavy books, listening with fading hearing to love songs, operas, symphonies, Neil Young, Barbra Streisand, the Rolling Stones, even Metallica; one old gentleman requires fifteen minutes a day of what he calls his “nerve-settling polka music,” which unsettles everyone else.

      Most of them have become humanists, without calling themselves such, nearly evangelical in extolling its creed about the value and agency, individually and collectively, of human beings, advising her to waste no time worrying about the end. The end is irrelevant, it only matters what came before, during all those days when they lacked sufficient awareness of their own freedom and progress, when they were fully, but perhaps ungratefully, alive. She is grasping it all. And their need of her, the way they attempt to raise themselves a little higher on their pillows when she steps through their doors, has provided her with a modicum of the purpose she felt in the Trobriand


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