Лучшие мистические истории на английском / The Stories of Mystery. Коллектив авторов
she was raised and conveyed to the vestry, followed by James Lawlor, trembling and pale. He had slipped the ring back into his waistcoat pocket. Dr. Crate, who was present, hastened to offer his professional assistance.
In the vestry Julia rested in a Glastonbury chair,[12] white and still, with her hands resting in her lap. And to the amazement of those present, it was seen that on the third finger of her left hand was a leaden ring, rude and solid as though fashioned out of a bullet. Restoratives were applied, but full a quarter of an hour elapsed before Julia opened her eyes, and a little colour returned to her lips and cheek. But, as she raised her hands to her brow to wipe away the damps that had formed on it, her eye caught sight of the leaden ring, and with a cry of horror she sank again into insensibility.
The congregation slowly left the church, awestruck, whispering, asking questions, receiving no satisfactory answers, forming surmises all incorrect.
‘I am very much afraid, Mr. Lawlor,’ said the rector, ‘that it will be impossible to proceed with the service today; it must be postponed till Miss Demant is in a condition to conclude her part, and to sign the register. I do not see how it can be gone on with to-day. She is quite unequal to the effort.’
The carriage which was to have conveyed the couple to Miss Flemming’s house, and then, later, to have taken them to the station for their honeymoon, the horses decorated with white rosettes, the whip adorned with a white bow, had now to convey Julia, hardly conscious, supported by her aunt, to her home.
No rice could be thrown. The bell-ringers, prepared to give a joyous peal, were constrained to depart.
The reception at Miss Flemming’s was postponed. No one thought of attending. The cakes, the ices, were consumed in the kitchen.
The bridegroom, bewildered, almost frantic, ran hither and thither, not knowing what to do, what to say.
Julia lay as a stone for fully two hours; and when she came to herself could not speak. When conscious, she raised her left hand, looked on the leaden ring, and sank back again into senselessness.
Not till late in the evening was she sufficiently recovered to speak, and then she begged her aunt, who had remained by her bed without stirring, to dismiss the attendants. She desired to speak with her alone. When no one was in the room with her, save Miss Flemming, she said in a whisper: ‘Oh, Aunt Elizabeth! Oh, auntie! such an awful thing has happened. I can never marry Mr. Lawlor, never. I have married James Hattersley; I am a dead man’s wife. At the time that James Lawlor was making the responses, I heard a piping voice in my ear, an unearthly voice, saying the same words. When I said: ‘I, Julia, take you, James, to my wedded husband’ – you know Mr. Hattersley is James as well as Mr. Lawlor – then the words applied to him as much or as well as to the other. And then, when it came to the giving of the ring, there was the explosion in my ear, as before – and the leaden ring was forced on to my finger, and not James Lawlor’s golden ring. It is of no use my resisting any more. I am a dead man’s wife, and I cannot marry James Lawlor.’
Some years have elapsed since that disastrous day and that incomplete marriage. Miss Demant is Miss Demant still, and she has never been able to remove the leaden ring from the third finger of her left hand. Whenever the attempt has been made, either to disengage it by drawing it off or by cutting through it, there has ensued that terrifying discharge as of a gun into her ear, causing insensibility. The prostration that has followed, the terror it has inspired, have so affected her nerves, that she has desisted from every attempt to rid herself of the ring.
She invariably wears a glove on her left hand, and it is bulged over the third finger, where lies that leaden ring.
She is not a happy woman, although her aunt is dead and has left her a handsome estate. She has not got many acquaintances. She has no friends; for her temper is unamenable, and her tongue is bitter. She supposes that the world, as far as she knows it, is in league against her.
Towards the memory of James Hattersley she entertains a deadly hate. If an incantation could lay his spirit, if prayer could give him repose, she would have recourse to none of these expedients, even though they might relieve her, so bitter is her resentment. And she harbors a silent against Providence for allowing the dead to walk to molest the living.
E. F. Benson
The Bus-Conductor
My friend, Hugh Grainger, and I had just returned from a two days’ visit in the country, where we had been staying in a house of sinister repute which was supposed to be haunted by ghosts of a peculiarly fearsome and truculent sort. The house itself was all that such a house should be, Jacobean[13] and oak-panelled, with long dark passages and high vaulted rooms. It stood, also, very remote, and was encompassed by a wood of somber pines that muttered and whispered in the dark, and all the time that we were there a southwesterly gale with torrents of scolding rain had prevailed, so that by day and night weird voices moaned and fluted in the chimneys, a company of uneasy spirits held colloquy among the trees, and sudden tattoos and tappings beckoned from the window-panes. But in spite of these surroundings, which were sufficient in themselves, one would almost say, to spontaneously generate occult phenomena, nothing of any description had occurred. I am bound to add, also, that my own state of mind was peculiarly well adapted to receive or even to invent the sights and sounds we had gone to seek, for I was, I confess, during the whole time that we were there, in a state of abject apprehension, and lay awake both nights through hours of terrified unrest, afraid of the dark, yet more afraid of what a lighted candle might show me.
Hugh Grainger, on the evening after our return to town, had dined with me, and after dinner our conversation, as was natural, soon came back to these entrancing topics.
‘But why you go ghost-seeking I cannot imagine,’ he said, ‘because your teeth were chattering and your eyes starting out of your head all the time you were there, from sheer fright. Or do you like being frightened?’
Hugh, though generally intelligent, is dense in certain ways; this is one of them.
‘Why, of course, I like being frightened,’ I said. ‘I want to be made to creep and creep and creep. Fear is the most absorbing and luxurious of emotions. One forgets all else if one is afraid.’
‘Well, the fact that neither of us saw anything,’ he said, ‘confirms what I have always believed.’
‘And what have you always believed?’
‘That these phenomena are purely objective, not subjective, and that one’s state of mind has nothing to do with the perception that perceives them, nor have circumstances or surroundings anything to do with them either. Look at Osburton. It has had the reputation of being a haunted house for years, and it certainly has all the accessories of one. Look at yourself, too, with all your nerves on edge, afraid to look round or light a candle for fear of seeing something! Surely there was the right man in the right place then, if ghosts are subjective.’
He got up and lit a cigarette, and looking at him – Hugh is about six feet high, and as broad as he is long – I felt a retort on my lips, for I could not help my mind going back to a certain period in his life, when, from some cause which, as far as I knew, he had never told anybody, he had become a mere quivering mass of disordered nerves. Oddly enough, at the same moment and for the first time, he began to speak of it himself.
‘You may reply that it was not worth my while to go either,’ he said, ‘because I was so clearly the wrong man in the wrong place. But I wasn’t. You for all your apprehensions and expectancy have never seen a ghost. But I have, though I am the last person in the world you would have thought likely to do so, and, though my nerves are steady enough again now, it knocked me all to bits.’
He sat down again in his chair.
‘No doubt you remember my going to bits,’ he said, ‘and since I believe that I am sound again now, I should rather like to tell you about it. But before I couldn’t; I couldn’t speak of it at all to anybody. Yet there ought to have been nothing frightening about it; what I saw was certainly a most useful and friendly ghost. But it came from the shaded side of things; it looked suddenly out of the night and the mystery with which
Glastonbury chair – в XIX в. так назывался дубовый стул, подобный тому, что принадлежал аббату Гластонбери.
Jacobean (house) – архитектурный стиль времен правления Иакова I и Карла I (XVII в.) Характеризуется смешением стилей европейского Возрождения.