Russian Avant-Garde. Evgueny Kovtun
Cast Down. Art, Church, Factory, Vitebsk, 1922, p.7.
11
Sub-heading of Malevich’s brochure ‘From Cubism to Suprematism’, published in 1915.
12
V. Shklovsky, ‘Space in Art and the Suprematists’,
13
14
A. Mayakovsky,
15
V. Shklovsky, ‘A Case at the production’,
16
N. Punin, ‘In Moscow (Letter)’,
17
The ‘Reliefs of superior type’, contrary to ordinary reliefs, are ‘non-objective’ constructions in volume, made in various materials.
18
V. Tatlin, ‘I reply to the Letter to the Futurists’,
19
N. Punin,
20
W. Kandinsky, Letter to N. Kulbin of 28th March 1912,
21
22
W. Kandinsky, Text by the artist, Moscow, 1918, p.28.
23
Nikolai Fiodorovich Fedorov (1828–1903) – librarian of the Roumiantsev Museum in Moscow, philosopher whose original ideas were very appreciated by Tolstoi, Dostoyevsky and V. Soloviov. His work was published posthumously by his followers under the title
24
25
26
27
28
A. Efros,
29
‘Russian exhibition in Berlin. Extract of the conversation with D. Sterenberg’,
30
P. Mansurov. Letter to E. Kovtun of 3rd August 1970, E. Kovtun’s Archives, St Petersburg.
31
K. Malevich,
32
M. Matiushin,
33
E. Guro,