Kipling Stories and Poems Every Child Should Know, Book II. Rudyard Kipling
find the love of her children taken away from her and given to a stranger.
Mamma's own prayer was a slightly illogical one. Summarized it ran: "Let strangers love my children and be as good to them as I should be, but let me preserve their love and their confidence for ever and ever. Amen." Punch scratched himself in his sleep, and Judy moaned a little. That seems to be the only answer to the prayer: and, next day, they all went down to the sea, and there was a scene at the Apollo Bunder when Punch discovered that Meeta could not come too, and Judy learned that the ayah must be left behind. But Punch found a thousand fascinating things in the rope, block, and steam-pipe line on the big P. and O. Steamer, long before Meeta and the ayah had dried their tears.
"Come back, Punch-baba," said the ayah.
"Come back," said Meeta, "and be a Burra Sahib."
"Yes," said Punch, lifted up in his father's arms to wave good-bye. "Yes, I will come back, and I will be a Burra Sahib Bahadur!"
At the end of the first day Punch demanded to be set down in England, which he was certain must be close at hand. Next day there was a merry breeze, and Punch was very sick. "When I come back to Bombay," said Punch on his recovery, "I will come by the road – in a broom-gharri. This is a very naughty ship."
The Swedish boatswain consoled him, and he modified his opinions as the voyage went on. There was so much to see and to handle and ask questions about that Punch nearly forgot the ayah and Meeta and the hamal, and with difficulty remembered a few words of the Hindustani once his second-speech.
But Judy was much worse. The day before the steamer reached Southampton, Mamma asked her if she would not like to see the ayah again. Judy's blue eyes turned to the stretch of sea that had swallowed all her tiny past, and she said: "Ayah! What ayah?"
Mamma cried over her, and Punch marveled. It was then that he heard for the first time Mamma's passionate appeal to him never to let Judy forget Mamma. Seeing that Judy was young, ridiculously young, and that Mamma, every evening for four weeks past, had come into the cabin to sing her and Punch to sleep with a mysterious tune that he called "Sonny, my soul," Punch could not understand what Mamma meant. But he strove to do his duty, for the moment Mamma left the cabin, he said to Judy: "Ju, you bemember Mamma?"
"'Torse I do," said Judy.
"Then always bemember Mamma, 'r else I won't give you the paper ducks that the red-haired Captain Sahib cut out for me."
So Judy promised always to "bemember Mamma."
Many and many a time was Mamma's command laid upon Punch, and Papa would say the same thing with an insistence that awed the child.
"You must make haste and learn to write, Punch," said Papa, "and then you'll be able to write letters to us in Bombay."
"I'll come into your room," said Punch, and Papa choked.
Papa and Mamma were always choking in those days. If Punch took Judy to task for not "bemembering," they choked. If Punch sprawled on the sofa in the Southampton lodging-house and sketched his future in purple and gold, they choked; and so they did if Judy put up her mouth for a kiss.
Through many days all four were vagabonds on the face of the earth: Punch with no one to give orders to, Judy too young for anything, and Papa and Mamma grave, distracted, and choking.
"Where," demanded Punch, wearied of a loathsome contrivance on four wheels with a mound of luggage atop – "where is our broom-gharri? This thing talks so much that I can't talk. Where is our own broom-gharri? When I was at Bandstand before we comed away, I asked Inverarity Sahib why he was sitting in it, and he said it was his own. And I said, 'I will give it you' – I like Inverarity Sahib – and I said, 'Can you put your legs through the pully-wag loops by the windows? And Inverarity Sahib said No, and laughed. I can put my legs through the pully-wag loops. I can put my legs through these pully-wag loops. Look! Oh, Mamma's crying again! I did n't know. I was n't not to do so."
Punch drew his legs out of the loops of the four-wheeler: the door opened and he slid to the earth, in a cascade of parcels, at the door of an austere little villa whose gates bore the legend "Downe Lodge." Punch gathered himself together and eyed the house with disfavour. It stood on a sandy road, and a cold wind tickled his knickerbockered legs.
"Let us go away," said Punch. "This is not a pretty place."
But Mamma and Papa and Judy had quitted the cab, and all the luggage was being taken into the house. At the door-step stood a woman in black, and she smiled largely, with dry chapped lips. Behind her was a man, big, bony, gray, and lame as to one leg – behind him a boy of twelve, black-haired and oily in appearance. Punch surveyed the trio, and advanced without fear, as he had been accustomed to do in Bombay when callers came and he happened to be playing in the veranda.
"How do you do?" said he. "I am Punch." But they were all looking at the luggage – all except the gray man, who shook hands with Punch and said he was a "smart little fellow." There was much running about and banging of boxes, and Punch curled himself up on the sofa in the dining-room and considered things.
"I don't like these people," said Punch. "But never mind. We'll go away soon. We have always went away soon from everywhere. I wish we was gone back to Bombay soon."
The wish bore no fruit. For six days Mamma wept at intervals, and showed the woman in black all Punch's clothes – a liberty which Punch resented. "But p'raps she's a new white ayah," he thought. "I'm to call her Antirosa, but she does n't call me Sahib. She says just Punch," he confided to Judy. "What is Antirosa?"
Judy did n't know. Neither she nor Punch had heard anything of an animal called an aunt. Their world had been Papa and Mamma, who knew everything, permitted everything, and loved everybody – even Punch when he used to go into the garden at Bombay and fill his nails with mold after the weekly nail-cutting, because, as he explained between two strokes of the slipper to his sorely tried Father, his fingers "felt so new at the ends."
In an undefined way Punch judged it advisable to keep both parents between himself and the woman in black and the boy in black hair. He did not approve of them. He liked the gray man, who had expressed a wish to be called "Uncleharri." They nodded at each other when they met, and the gray man showed him a little ship with rigging that took up and down.
"She is a model of the Brisk– the little Brisk that was sore exposed that day at Navarino." The gray man hummed the last words and fell into a reverie. "I'll tell you about Navarino, Punch, when we go for walks together; and you must n't touch the ship, because she's the Brisk."
Long before that walk, the first of many, was taken, they roused Punch and Judy in the chill dawn of a February morning to say Good-bye; and of all people in the wide earth to Papa and Mamma – both crying this time. Punch was very sleepy and Judy was cross.
"Don't forget us," pleaded Mamma. "Oh, my little son, don't forget us, and see that Judy remembers too."
"I've told Judy to bemember," said Punch, wiggling, for his father's beard tickled his neck. "I've told Judy – ten – forty – 'leven thousand times. But Ju 's so young – quite a baby – is n't she?"
"Yes," said Papa, "Quite a baby, and you must be good to Judy, and make haste to learn to write and – and – and – "
Punch was back in his bed again. Judy was fast asleep, and there was the rattle of a cab below. Papa and Mamma had gone away. Not to Nassick; that was across the sea. To some place much nearer, of course, and equally of course they would return. They came back after dinner-parties, and Papa had come back after he had been to a place called "The Snows," and Mamma with him, to Punch and Judy at Mrs. Inverarity's house in Marine Lines. Assuredly they would come back again. So Punch fell asleep till the true morning, when the black-haired boy met him with the information that Papa and Mamma had gone to Bombay, and that he and Judy were to stay at Downe Lodge "forever." Antirosa, tearfully appealed to for a contradiction, said that Harry had spoken the truth, and that it behooved Punch to fold up his clothes neatly on going to bed. Punch went out and wept bitterly with Judy, into whose fair head he had driven some ideas of the meaning of separation.
When a matured man discovers that he has been deserted by Providence, deprived of his God, and cast without help, comfort, or sympathy,