A Young Man's Year. Hope Anthony

A Young Man's Year - Hope Anthony


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to hold another brief!

      Now, back in chambers, with the strain over, he was furious with himself, savage and furious; that mood follows hard on the paroxysms of the malady. He began to attribute to it all the failures of his past life – quite unjustly, for in most cases, though it had tortured him, he had overcome the outward manifestation of it. He could not see his life as liveable if it were to meet him at every turn. What made him a prey to it? Self-consciousness, silly self-consciousness, his wise elders had always told him. But what made people self-conscious? Self-conceit, the same wise mentors had added. His soul rose in a plain and sincere protest, certain of its truth: "But I'm not conceited." "Yes, but" (he imagined the mentors' argument now) "you really are; you think everybody's looking at you and thinking of you." "Well, but so they are when I'm on my legs speaking; and beforehand I know they're going to be." The mentors did not seem to have anything to say to that.

      In the afternoon Norton Ward came into his room to thank him for holding the brief; he was a man of punctilious courtesy, as indeed he was master of most of the arts and gifts that make for success in life. At little more than thirty he had already a fine practice; he was on the edge of "taking silk"; he had married well – the daughter of a peer, with a substantial portion; he was a "prospective" candidate for Parliament. A favourite of nature and of fortune indeed! Moreover he was a kindly man, although a ruthlessly ambitious one. He and Arthur had become acquainted merely through the accident of Arthur's renting the spare room in his chambers, when he had been called to the Bar a twelve-month before; but the landlord had taken to his tenant and would gladly have done him a turn.

      "I thought the case quite plain," he said; "but I'm sorry you were done out of your argument."

      "I wasn't sorry," Arthur confessed, with a frankness habitual to him.

      "You weren't? Oh, I see! Nervous!" He laughed gently.

      "Beyond belief. Did you used to be?"

      "Just at first. I soon got over it. But they say one oughtn't to get over it. Oh, you've heard the stories about big men, haven't you? Anyhow some men never do. Why, I've sat behind Huntley and seen his hand tremble like our old friend the aspen leaf – and that when he was Attorney-General!"

      "Lord!" was Arthur's despairing comment; because a malady which did not spare an Attorney-General must surely be unconquerable by lesser folk.

      "But I expect it's not quite the same sort," Norton Ward went on, smiling. "It's rather like falling in love, I expect. A man's excited every time he falls in love, but I don't think it's the same sort of excitement as he suffers when he falls in love for the first time – I mean badly."

      Now the last word of this observation so struck Arthur that he forgot all the earlier part of it – nay, he forgot his malady itself, together with the truth or falsity of the parallel Norton Ward suggested.

      "Badly? What do you mean by falling in love badly?"

      "I'm not speaking with regard to morals, Lisle. I mean severely, or utterly, or passionately, or, if you prefer, idiotically."

      Arthur's lips puckered about his pipe-stem; it was a trick he had.

      "I think I should call that falling in love well, not badly," he observed gravely.

      It was the gravity of the speaker, not the import of the thing spoken, which made Norton Ward laugh again and heartily. His was one of those temperaments – sane, practical, concrete, equable – which regard the affairs of love as a very subsidiary matter in real life, in the real life of any individual, that is, for of course they possess a national and racial importance when reduced to statistics. He did not quarrel with the literary convention which exalted love to the highest place – the convention made good reading and produced exciting plays – but it did not answer to real life as he knew it, to the stern yet delightful fight which filled his days, and really filled his wife's too, since she was a partner wherever she could be, and an eager encourager in all things. But what of the great amorists who were also great men and women? Well, how much of that too was play-acting – to the public and to themselves? That was the question his mind instinctively put about such cases.

      As he looked at Arthur Lisle's slight figure and sensitive face, he felt a compassion for him, a pitying doubt whether so frail a vessel could live in the rough sea on which it had embarked. Characteristically this friendly impulse expressed itself in an invitation to dinner, which was received by Arthur with surprise, delight, and gratitude.

      "Of course I will, and it really is most awfully kind of you," he said.

      Norton Ward went off to a consultation with a smile of mingled pity and amusement still on his lips.

      His invitation to dinner really pleased Arthur very much, not only as a sign of friendship, but for its own sake. He had found his early days in London lonely – in depressing contrast with the full social life of school and Oxford. The glowing anticipations with which imagination had invested his coming to the metropolis had not stood the test of experience. For some young men family connections, or notable achievements and high reputation, provide a ready-made place in London. Others possessed of ample means can make a pretty good one for themselves speedily. But Arthur's university career, though creditable and to him delightful in the highest degree from its teeming fulness of interests, had not been conspicuous; he had no powerful friends, and he was very poor. After his chambers were paid for, and his share in Henry, and his lodgings in Bloomsbury Street, there was left not much margin beyond the necessities of life – food, raiment, and tobacco. The theatre, even the pit, could not be indulged in often. He had many solitary evenings. When it was fine, he often walked the streets; when it was wet he read – and often stopped reading to wish that something would happen. His vague and restless longings took no form more definite than that – wanting something to happen. He was in London, he was young, he was ready – and nothing happened! Consequently an invitation to dinner was a prize in the daily lottery of life.

      When he got back to his 'diggings' in the evening, he found a letter from home. His mother and sister had continued to live on in the old house at Malvern Wells after the death of his father, who had enjoyed a fairly good practice as a doctor there, but dying comparatively early had left a slender provision for his family. Mrs. Lisle preferred to be poor, since poor she had to be, in a place where she was already known and respected. The school too was a great attraction; there Arthur had been educated as a day boy, and thence had proceeded to Oxford with an exhibition, to which he added a second from his college, thus much easing the family finances, and indeed rendering Oxford possible. There had been talk of his people's migrating to London and making a home for him there, but in fact none of the three had been zealous for the change. Mrs. Lisle was frail and clung to her accustomed hills and breezes; Anna had her friends, her circle, her church work, her local importance; and Arthur was at that time too full of those glowing anticipations of London life to press the project of a family villa somewhere in the suburbs and a season-ticket to take him out of town at the precise hour of the evening when town began to be amusing.

      For all that, he was an affectionate son and brother, and he smiled sympathetically over Anna's home gossip. Only the postscript made him frown rather peevishly. It ran: "Mother wants to know whether you have called on the Godfrey Lisles yet!"

      Mother wanted to know that in pretty nearly every one of her own and Anna's letters; hence the italics which distinguished Anna's "yet." And the answer still had to be in the negative. Why should he call on the Godfrey Lisles? He knew his mother's answer; a thoroughly maternal answer it was. Godfrey Lisle, though only a distant cousin, was the head of the house, squire of Hilsey Manor, the old family place, and a man of considerable wealth – altogether, in fact, the Personage of the family. Most families have a Personage, to them very important, though varying infinitely in significance or insignificance to the world outside. On the whole the Lisle Personage was above the average from the outside point of view, and Mrs. Lisle's anxiety that her son should pay him proper attention, and reap therefrom such advantage as might accrue, was no more than natural.

      But to Arthur all the reasons why he ought to call on his cousin were reasons why he could not do it. Just as, while Mr. O'Sullivan was arguing, his imagination was picturing what a young fool Pretyman, j., would soon be thinking him, so here, whenever the question of this call arose, the same remorselessly active faculty


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