Gwen Wynn: A Romance of the Wye. Reid Mayne
of repairs."
"Ne'er a mind 'bout that, Captain. I'd gi'e the price o' a new boat to see the lot chestised – specially that big black fellow as did most o' the talkin'."
"You shall see it, and soon!"
He lets go the ropes, to disembarrass himself of his angling accoutrements; which he hurriedly does, flinging them at his feet. When he again takes hold of the steering tackle the Mary is within six lengths of the advancing boats, both now nearly together, the bow of the pursuer overlapping the stern of the pursued. Only two of the men are at the oars; two standing up, one amidships, the other at the head.
Both are endeavouring to lay hold of the pleasure-boat, and bring it alongside. So occupied they see not the fishing skiff, while the two rowing, with backs turned, are equally unconscious of its approach. They only wonder at the "wenches," as they continue to call them, taking it so coolly, for these do not seem so much frightened as before.
"Coom, sweet lass!" cries he in the bow – the black fellow it is – addressing Miss Wynn. "Tain't no use you tryin' to get away. I must ha' my kiss. So drop yer oars, and ge'et to me!"
"Insolent fellow!" she exclaims, her eyes ablaze with anger. "Keep your hands off my boat! I command you!"
"But I ain't to be c'mmanded, ye minx. Not till I've had a smack o' them lips; an' by G – I s'll have it."
Saying which he reaches out to the full stretch of his long, ape-like arms, and with one hand succeeds in grasping the boat's gunwale, while with the other he gets hold of the lady's dress, and commences dragging her towards him.
Gwen Wynn neither screams, nor calls "Help!" She knows it is near.
"Hands off!" cries a voice in a volume of thunder, simultaneous with a dull thud against the side of the larger boat, followed by a continued crashing as her gunwale goes in. The roughs, facing round, for the first time see the fishing skiff, and know why it is there. But they are too far gone in drink to heed or submit – at least their leader seems determined to resist. Turning savagely on Ryecroft, he stammers out —
"Hic – ic – who the blazes be you, Mr. White Cap? An' what d'ye want wi' me?"
"You'll see."
At the words he bounds from his own boat into the other; and, before the fellow can raise an arm, those of Ryecroft are around him in tight hug. In another minute the hulking scoundrel is hoisted from his feet, as though but a feather's weight, and flung overboard.
Wingate has meanwhile also boarded, grappled on to the other on foot, and is threatening to serve him the same.
A plunge, with a wild cry – the man going down like a stone; another, as he comes up among his own bubbles; and a third, yet wilder, as he feels himself sinking for the second time!
The two at the oars, scared into a sort of sobriety, one of them cries out —
"Lor' o' mercy! Rob'll be drownded! He can't sweem a stroke."
"He's a-drownin' now!" adds the other.
It is true. For Rob has again come to the surface, and shouts with feebler voice, while his arms tossed frantically about tell of his being in the last throes of suffocation!
Ryecroft looks regretful – rather alarmed. In chastising the fellow he had gone too far. He must save him!
Quick as the thought off goes his coat, with his boots kicked into the bottom of the boat; then himself over its side!
A splendid swimmer, with a few bold sweeps he is by the side of the drowning man. Not a moment too soon – just as the latter is going down for the third, likely the last time. With the hand of the officer grasping his collar, he is kept above water. But not yet saved. Both are now imperilled – the rescuer and he he would rescue. For, far from the boats, they have drifted into a dangerous eddy, and are being whirled rapidly round!
A cry from Gwen Wynn – a cry of real alarm, now – the first she has uttered! But before she can repeat it, her fears are allayed – set to rest again – at sight of still another rescuer. The young waterman has leaped back to his own boat, and is pulling straight for the strugglers. A few strokes, and he is beside them; then, dropping his oars, he soon has both safe in the skiff.
The half-drowned, but wholly frightened Rob is carried back to his comrades' boat, and dumped in among them; Wingate handling him as though he were but a wet coal sack, or piece of old tarpaulin. Then giving the "Forest chaps" a bit of his mind he bids them "be off."
And off go they, without saying word; as they drop down stream their downcast looks showing them subdued, if not quite sobered, and rather feeling grateful than aggrieved.
The other two boats soon proceed upward, the pleasure craft leading. But not now rowed by its owner; for Captain Ryecroft has hold of the oars. In the haste, or the pleasurable moments succeeding, he has forgotten all about the salmon left struggling on his line, or caring not to return for it, most likely will lose rod, line, and all. What matter? If he has lost a fine fish, he may have won the finest woman on the Wye!
And she has lost nothing – risks nothing now – not even the chiding of her aunt! For now the pleasure-boat will be back in its dock in time to keep undisturbed the understanding with Joseph.
CHAPTER VII
AN INVETERATE NOVEL READER
While these exciting incidents are passing upon the river, Llangorren Court is wrapped in that stately repose becoming an aristocratic residence – especially where an elderly spinster is head of the house, and there are no noisy children to go romping about. It is thus with Llangorren, whose ostensible mistress is Miss Linton, the aunt and legal guardian already alluded to. But, though presiding over the establishment, it is rather in the way of ornamental figure-head; since she takes little to do with its domestic affairs, leaving them to a skilled housekeeper who carries the keys.
Kitchen matters are not much to Miss Linton's taste, being a dame of the antique brocaded type, with pleasant memories of the past, that go back to Bath and Cheltenham; where, in their days of glory, as hers of youth, she was a belle, and did her share of dancing, with a due proportion of flirting, at the Regency balls. No longer able to indulge in such delightful recreations, the memory of them has yet charms for her, and she keeps it alive and warm by daily perusal of the Morning Post with a fuller hebdomadal feast from the Court Journal, and other distributors of fashionable intelligence. In addition she reads no end of novels, her favourites being those which tell of Cupid in his most romantic escapades and experiences, though not always the chastest. Of the prurient trash there is a plenteous supply, furnished by scribblers of both sexes, who ought to know better, and doubtless do; but knowing also how difficult it is to make their lucubrations interesting within the legitimate lines of literary art, and how easy out of them, thus transgress the moralities.
Miss Linton need have no fear that the impure stream will cease to flow, any more than the limpid waters of the Wye. Nor has she; but reads on, devouring volume after volume, in triunes as they issue from the press, and are sent her from the Circulating Library.
At nearly all hours of the day, and some of the night, does she so occupy herself. Even on this same bright April morn, when all nature rejoices, and every living thing seems to delight in being out of doors – when the flowers expand their petals to catch the kisses of the warm Spring sun – Dorothea Linton is seated in a shady corner of the drawing-room, up to her ears in a three-volume novel, still odorous of printer's ink and binder's paste; absorbed in a love dialogue between a certain Lord Lutestring and a rustic damsel – daughter of one of his tenant farmers – whose life he is doing his best to blight, and with much likelihood of succeeding. If he fail, it will not be for want of will on his part, nor desire of the author to save the imperilled one. He will make the tempted iniquitous as the tempter, should this seem to add interest to the tale, or promote the sale of the book.
Just as his lordship has gained a point and the girl is about to give way, Miss Linton herself receives a shock, caused by a rat-tat at the drawing-room door, light, such as well-trained servants are accustomed to give before entering a room occupied by master or mistress.
To her command "Come in!" a footman