The House with the Mezzanine and Other Stories. Anton Pavlovich Chekhov

The House with the Mezzanine and Other Stories - Anton Pavlovich Chekhov


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of the village of Mirousky, to the right stretched away to disappear behind the village a line of hills, and they knew that it was the bank of the river; meadows, green willows, farmhouses; and from one of the hills there could be seen a field as endless, telegraph-posts, and the train, looking from a distance like a crawling caterpillar, and in clear weather even the town. In the calm weather when all Nature seemed gentle and melancholy, Ivan Ivanich and Bourkin were filled with love for the fields and thought how grand and beautiful the country was.

      "Last time, when we stopped in Prokofyi's shed," said Bourkin, "you were going to tell me a story."

      "Yes. I wanted to tell you about my brother."

      Ivan Ivanich took a deep breath and lighted his pipe before beginning his story, but just then the rain began to fall. And in about five minutes it came pelting down and showed no signs of stopping. Ivan Ivanich stopped and hesitated; the dogs, wet through, stood with their tails between their legs and looked at them mournfully.

      "We ought to take shelter," said Bourkin. "Let us go to Aliokhin. It is close by."

      "Very well."

      They took a short cut over a stubble-field and then bore to the right, until they came to the road. Soon there appeared poplars, a garden, the red roofs of granaries; the river began to glimmer and they came to a wide road with a mill and a white bathing-shed. It was Sophino, where Aliokhin lived.

      The mill was working, drowning the sound of the rain, and the dam shook. Round the carts stood wet horses, hanging their heads, and men were walking about with their heads covered with sacks. It was wet, muddy, and unpleasant, and the river looked cold and sullen. Ivan Ivanich and Bourkin felt wet and uncomfortable through and through; their feet were tired with walking in the mud, and they walked past the dam to the barn in silence as though they were angry with each other.

      In one of the barns a winnowing-machine was working, sending out clouds of dust. On the threshold stood Aliokhin himself, a man of about forty, tall and stout, with long hair, more like a professor or a painter than a farmer. He was wearing a grimy white shirt and rope belt, and pants instead of trousers; and his boots were covered with mud and straw. His nose and eyes were black with dust. He recognised Ivan Ivanich and was apparently very pleased.

      "Please, gentlemen," he said, "go to the house. I'll be with you in a minute."

      The house was large and two-storied. Aliokhin lived down-stairs in two vaulted rooms with little windows designed for the farm-hands; the farmhouse was plain, and the place smelled of rye bread and vodka, and leather. He rarely used the reception-rooms, only when guests arrived. Ivan Ivanich and Bourkin were received by a chambermaid; such a pretty young woman that both of them stopped and exchanged glances.

      "You cannot imagine how glad I am to see you, gentlemen," said Aliokhin, coming after them into the hall. "I never expected you. Pelagueya," he said to the maid, "give my friends a change of clothes. And I will change, too. But I must have a bath. I haven't had one since the spring. Wouldn't you like to come to the bathing-shed? And meanwhile our things will be got ready."

      Pretty Pelagueya, dainty and sweet, brought towels and soap, and Aliokhin led his guests to the bathing-shed.

      "Yes," he said, "it is a long time since I had a bath. My bathing-shed is all right, as you see. My father and I put it up, but somehow I have no time to bathe."

      He sat down on the step and lathered his long hair and neck, and the water round him became brown.

      "Yes. I see," said Ivan Ivanich heavily, looking at his head.

      "It is a long time since I bathed," said Aliokhin shyly, as he soaped himself again, and the water round him became dark blue, like ink.

      Ivan Ivanich came out of the shed, plunged into the water with a splash, and swam about in the rain, flapping his arms, and sending waves back, and on the waves tossed white lilies; he swam out to the middle of the pool and dived, and in a minute came up again in another place and kept on swimming and diving, trying to reach the bottom. "Ah! how delicious!" he shouted in his glee. "How delicious!" He swam to the mill, spoke to the peasants, and came back, and in the middle of the pool he lay on his back to let the rain fall on his face. Bourkin and Aliokhin were already dressed and ready to go, but he kept on swimming and diving.

      "Delicious," he said. "Too delicious!"

      "You've had enough," shouted Bourkin.

      They went to the house. And only when the lamp was lit in the large drawing-room up-stairs, and Bourkin and Ivan Ivanich, dressed in silk dressing-gowns and warm slippers, lounged in chairs, and Aliokhin himself, washed and brushed, in a new frock coat, paced up and down evidently delighting in the warmth and cleanliness and dry clothes and slippers, and pretty Pelagueya, noiselessly tripping over the carpet and smiling sweetly, brought in tea and jam on a tray, only then did Ivan Ivanich begin his story, and it was as though he was being listened to not only by Bourkin and Aliokhin, but also by the old and young ladies and the officer who looked down so staidly and tranquilly from the golden frames.

      "We are two brothers," he began, "I, Ivan Ivanich, and Nicholai Ivanich, two years younger. I went in for study and became a veterinary surgeon, while Nicholai was at the Exchequer Court when he was nineteen. Our father, Tchimasha-Himalaysky, was a cantonist, but he died with an officer's rank and left us his title of nobility and a small estate. After his death the estate went to pay his debts. However, we spent our childhood there in the country. We were just like peasant's children, spent days and nights in the fields and the woods, minded the house, barked the lime-trees, fished, and so on… And you know once a man has fished, or watched the thrushes hovering in flocks over the village in the bright, cool, autumn days, he can never really be a townsman, and to the day of his death he will be drawn to the country. My brother pined away in the Exchequer. Years passed and he sat in the same place, wrote out the same documents, and thought of one thing, how to get back to the country. And little by little his distress became a definite disorder, a fixed idea – to buy a small farm somewhere by the bank of a river or a lake.

      "He was a good fellow and I loved him, but I never sympathised with the desire to shut oneself up on one's own farm. It is a common saying that a man needs only six feet of land. But surely a corpse wants that, not a man. And I hear that our intellectuals have a longing for the land and want to acquire farms. But it all comes down to the six feet of land. To leave town, and the struggle and the swim of life, and go and hide yourself in a farmhouse is not life – it is egoism, laziness; it is a kind of monasticism, but monasticism without action. A man needs, not six feet of land, not a farm, but the whole earth, all Nature, where in full liberty he can display all the properties and qualities of the free spirit.

      "My brother Nicholai, sitting in his office, would dream of eating his own schi, with its savoury smell floating across the farmyard; and of eating out in the open air, and of sleeping in the sun, and of sitting for hours together on a seat by the gate and gazing at the field and the forest. Books on agriculture and the hints in almanacs were his joy, his favourite spiritual food; and he liked reading newspapers, but only the advertisements of land to be sold, so many acres of arable and grass land, with a farmhouse, river, garden, mill, and mill-pond. And he would dream of garden-walls, flowers, fruits, nests, carp in the pond, don't you know, and all the rest of it. These fantasies of his used to vary according to the advertisements he found, but somehow there was always a gooseberry-bush in every one. Not a house, not a romantic spot could he imagine without its gooseberry-bush.

      "'Country life has its advantages,' he used to say. 'You sit on the veranda drinking tea and your ducklings swim on the pond, and everything smells good … and there are gooseberries.'

      "He used to draw out a plan of his estate and always the same things were shown on it: (a) Farmhouse, (b) cottage, (c) vegetable garden, (d) gooseberry-bush. He used to live meagrely and never had enough to eat and drink, dressed God knows how, exactly like a beggar, and always saved and put his money into the bank. He was terribly stingy. It used to hurt me to see him, and I used to give him money to go away for a holiday, but he would put that away, too. Once a man gets a fixed idea, there's nothing to be done.

      "Years passed; he was transferred to another province. He completed his fortieth year and was still reading advertisements in the papers and saving


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