The Woman with One Hand, and Mr. Ely's Engagement. Marsh Richard
that he was asleep?"
"Fast asleep."
"You are quite sure, Mrs. Barnes, that you also were not fast asleep?"
"Not me; I almost wish I had been. I've never had a good night's sleep from that hour to this. I've grown that thin, for want of it, that I'm nothing but a skeleton. As I was saying, when he had opened it he put the box down on the table. He gave a laugh which made my blood run cold." – She struck me as being the sort of woman whose blood on very slight provocation would run cold. – "Then he took something out of the box. When I saw what it was I thought I should have fainted." A nervous paroxysm seemed to pass all over her; her voice dropped to a whisper: "It was a woman's finger!"
"A woman's finger, Mrs. Barnes?"
"It was a woman's finger. There was a wedding-ring on it: it was too small for the finger, so that the ring seemed to have eaten into the flesh. He stood staring at this wedding-ring."
"What! staring! and he was fast asleep!"
"I don't know much about sleep-walkers; he was the first I ever saw, and I hope he'll be the last. But I do know that when he was sleep-walking his eyes were wide open, and he used to stare at things which, I suppose, he wanted to see, in a way which was horrible to look at. It was like that he stared at this wedding-ring. Then he said, right out loud: 'I'll cut you off one of these fine days, and see how you look upon my finger.' Then he put the finger down on the table, and out of the box he took three other fingers and a thumb."
"You are quite sure they were real, genuine, human fingers, Mrs. Barnes?"
"I know fingers when I see them, I suppose. You hear me out. He placed them on the table, nails uppermost, close together, just as the fingers are upon your own hand. He spoke to them. 'You'll never play any more of your devil's tricks with me that's a certainty!' he said. And he leered and grinned and chuckled more like a demon than a man. Then he took something out of the box, wrapped in a piece of calico. I saw that on the calico there were stains of blood. Out of it he took the palm of a woman's hand. Raising it to his lips, he kissed it, looking like the perfect devil that he was. He put it down palm downwards on the table, and he did something to the fingers. Then" – Mrs. Barnes gave utterance to a gasping sound, which it did not do one good to hear-"he picked it up, and I saw that by some devil's trickery he had joined the separate parts together, and made it look as if it were a perfect hand."
She stopped. I do not mind owning that if I had had my way, she would have stopped for good. Unfortunately I did not see my way to compel her to leave her tale unfinished.
"I suppose that at that dreadful sight I must have fainted, because the next thing I can remember is finding myself lying on the floor and the room all dark. For some time I dared scarcely breathe, far less move; I did not know where my husband might be. How I summoned up courage to enable me to creep upstairs, to this hour I do not know. When I did I found my husband fast asleep in bed."
"You really must excuse my asking, Mrs. Barnes, but do you happen to recollect what you ate for supper that night, and are you in the habit of suffering from nightmare?"
"Nightmare! That was the first time I watched him. I have watched him over and over again since then. I soon found out that regularly every Friday night he walked in his sleep, and went downstairs, and gloated over that dreadful hand."
"You say that he did this every Friday. Are you suggesting that with him Friday was some sort of anniversary?"
"I don't know. What was I to think? What was any one to think? Don't laugh at me-don't! You think I am a fool, or lying. You shall see the hand for yourself, and tell me what you make of it. I will show it you, if I have to break his box open with a hammer."
In a state of considerable and evident excitement, she crossed the room. I rose to enable her to approach the bureau. She took a small canvas bag out of the pocket of her dress. Out of this bag she took some keys.
"He has my keys. He made me give him them. He never knew that I had duplicates. But I always have had. He seldom went outside the front door; I think he was afraid of being seen in the streets. Whenever he did go I used to lock myself in here, and try to find the spring which opened the box. I had an idea that there might be something in it which I had not seen. I will open it now, if I have to smash it into splinters."
She let down the flap of the bureau. Within there were nests of drawers, and one small centre cupboard. This cupboard she unlocked. When she had done so, she gave a stifled exclamation. "It has gone!" she said.
I stooped beside her. "What has gone?"
She turned to me a face which was ghastly in its revelation of abject terror. Her voice had suddenly degenerated into a sort of panting hiss.
"The box! It was here last night. After he had gone I unlocked the bureau, and I looked, and saw it was there." She caught me by the arm, she gripped me with a strength of which, in her normal condition, I should imagine her incapable. "He must have come back like a thief in the night and taken it. He may be hidden somewhere in the house this moment. Oh, my God!"
CHAPTER III
THE MAN IN THE DOORWAY
I called at Messrs. Cleaver and Caxton's to ask what I should do with the four five-pound notes which had arrived in the letter. The individual who had taken me to the hotel was the only person in the office. It seemed, from his own statement, that he was Mr. Cleaver, the senior partner. When he learned why I had come, he laughed.
"Do with them? Why, spend them, or throw them into the river, or give them to me."
I hesitated. The truth is, the situation threatened to become too complicated. I had an uneasy consciousness that the something which James Southam was to hear of might be something to his exceeding disadvantage. I had heard enough of that sort of thing of late. I did not wish to stand in somebody else's shoes for the sake of hearing more. I resolved to have some sort of understanding with Mr. Cleaver.
"Who is Duncan Rothwell? Is he the client for whom you are acting?"
Mr. Cleaver was occupying himself in tearing a piece of paper into tiny shreds with his fingers. He replied to my question with another. "Why do you ask?"
"Because the signature attached to the letter which brought the bank-notes is Duncan Rothwell; and, as to my knowledge, I know no Duncan Rothwell, I should like to know who Duncan Rothwell is."
"Do you mind my looking at the letter?"
I did not mind. I let him look at it. He read it through.
"If you will take a hint from me, Mr. Southam, I think I should advise you to restrain your not unnatural curiosity, and wait for things to take their course."
"But, unless I am careful, I may find myself in a false position. I may not be the required James Southam. In fact, I don't mind telling you that I don't believe I am. I am acquainted with no Duncan Rothwell. His whole letter is double Dutch to me. There may be dozens of James Southams about."
"Recent inhabitants of Dulborough? I thought Dulborough was a mere hamlet."
"So it is."
"How long did you live there?"
"I was born and bred in the place."
"Have you any relatives of your own name?"
"I have not a relative in the world."
"If, as you say, you were born and bred in such a place as Dulborough, I presume that you had some knowledge of the inhabitants?'
"I believe I knew something of every creature in all the country side."
"And did you know anything of another James Southam?"
"That is the queer part of it. So far as I know, I was the only Southam thereabouts."
Mr. Cleaver laughed.
"According to your own statement, it appears that, to put it mildly, there is at least a possibility of your being the James Southam we have been instructed to find. Frankly, Mr. Southam, we know very little more about the matter than you do yourself. We have simply been instructed to discover the present address of James Southam, at one time of Dulborough, and we have done so."
"Is