This Simian World. Day Clarence
to break off their strangely undignified orgies. And here where you stand is the sumptuous residence district. Houses with spacious grounds everywhere: no densely-packed buildings. The streets have been swept up-or lapped up-until they are spotless. Not a scrap of paper is lying around anywhere: no rubbish, no dust. Few of the pavements are left bare, as ours are, and those few are polished: the rest have deep soft velvet carpets. No footfalls are heard.
There are no lights in these streets, though these people are abroad much at night. All you see are stars overhead and the glowing eyes of cat ladies, of lithe silken ladies who pass you, or of stiff-whiskered men. Beware of those men and the gleam of their split-pupiled stare. They are haughty, punctilious, inflammable: self-absorbed too, however. They will probably not even notice you; but if they do, you are lost. They take offense in a flash, abhor strangers, despise hospitality, and would think nothing of killing you or me on their way home to dinner.
Follow one of them. Enter this house. Ah what splendor! No servants, though a few abject monkeys wait at the back-doors, and submissively run little errands. But of course they are never let inside: they would seem out of place. Gorgeous couches, rich colors, silken walls, an oriental magnificence. In here is the ballroom. But wait: what is this in the corner? A large triumphal statue-of a cat overcoming a dog. And look at this dining-room, its exquisite appointments, its daintiness: faucets for hot and cold milk in the pantry, and a gold bowl of cream.
Some one is entering. Hush! If I could but describe her! Languorous, slender and passionate. Sleepy eyes that see everything. An indolent purposeful step. An unimaginable grace. If you were her lover, my boy, you would learn how fierce love can be, how capricious and sudden, how hostile, how ecstatic, how violent!
Think what the state of the arts would have been in such cities.
They would have had few comedies on their stage; no farces. Cats care little for fun. In the circus, superlative acrobats. No clowns.
In drama and singing they would have surpassed us probably. Even in the stage of arrested development as mere animals, in which we see cats, they wail with a passionate intensity at night in our yards. Imagine how a Caruso descended from such beings would sing.
In literature they would not have begged for happy endings.
They would have been personally more self-assured than we, far freer of cheap imitativeness of each other in manners and art, and hence more original in art; more clearly aware of what they really desired, not cringingly watchful of what was expected of them; less widely observant perhaps, more deeply thoughtful.
Their artists would have produced less however, even though they felt more. A super-cat artist would have valued the pictures he drew for their effects on himself; he wouldn't have cared a rap whether anyone else saw them or not. He would not have bothered, usually, to give any form to his conceptions. Simply to have had the sensation would have for him been enough. But since simians love to be noticed, it does not content them to have a conception; they must wrestle with it until it takes a form in which others can see it. They doom the artistic impulse to toil with its nose to the grindstone, until their idea is expressed in a book or a statue. Are they right? I have doubts. The artistic impulse seems not to wish to produce finished work. It certainly deserts us half-way, after the idea is born; and if we go on, art is labor. With the cats, art is joy.
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