Sundry Accounts. Cobb Irvin Shrewsbury
any man of reserved and diffident ways, having no fixed employment, might follow in a smallish community. He sat upon his porch and read in books. He worked in his flower beds. With flowers he had a cunning touch, almost like a woman's. He loved them, and they responded to his love and bloomed and bore for him. He walked downtown to the business district, always alone, a shy and unimpressive figure, and sat brooding and aloof in one of the tilted-back cane chairs under the portico of the old Richland House, facing the river. He took long solitary walks on side streets and byways; but it was noted that, reaching the farther outskirts, he invariably turned back. In all those dragging years it is doubtful if once he set foot past the corporate limits into the open country. Dun hued, unobtrusive, withdrawn, he aged slowly, almost imperceptibly. Men and women of his own generation used to say that save for the wrinkles ever multiplying in close cross-hatchings about his puckered eyes, and save for the enhancing of that dead gray pallor – the wasp's-nest overcasting of his skin – he still looked to them exactly as he had looked when he was a much younger man.
It was not so much the appearance or the customary demeanor of the recluse that made strangers turn about to stare at him as he passed, and that made them remember how he looked when he was gone from their sight. The one was commonplace enough – I mean his appearance – and his conduct, unless one knew the underlying motives, was merely that of an unobtrusive, rather melancholy seeming gentleman of quiet tastes and habits. It was the feeling and the sense of a dismal exhalation from him, an unhealthy and unnatural mental effluvium that served so indelibly to fix the bodily image of him in the brainpans of casual and uninformed passers-by. The brand of Cain was not on his brow. By every local standard of human morality it did not belong there. But built up of morbid elements within his own conscience, it looked out from his eyes and breathed out from his person.
So year by year, until the tally of the years rolled up to more than thirty, he went his lone unhappy way. He was in the life of the town, to an extent, but not of it. Always, though, it was the daylit life of the town which knew him. Excepting once only. Of this exceptional instance a story was so often repeated that in time it became permanently embalmed in the unwritten history of the place.
On a summer's afternoon, sultry and close, the heavens suddenly went all black, and quick gusts smote the earth with threats of a great windstorm. The sun vanished magically; a close thick gloaming fell out of the clouds. It was as though nightfall had descended hours before its ordained time. At the city power house the city electrician turned on the street lights. As the first great fat drops of rain fell, splashing in the dust like veritable clots, citizens scurrying indoors and citizens seeing to flapping awnings and slamming window blinds halted where they were to peer through the murk at the sight of Mr. Dudley Stackpole fleeing to the shelter of home like a man hunted by a terrible pursuer. But with all his desperate need for haste he ran no straightaway course. The manner of his flight was what gave added strangeness to the spectacle of him. He would dart headlong, on a sharp oblique from the right-hand corner of a street intersection to a point midway of the block – or square, to give it its local name – then go slanting back again to the right-hand corner of the next street crossing, so that his path was in the pattern of one acutely slanted zigzag after another. He was keeping, as well as he could, within the circles of radiance thrown out by the municipal arc lights as he made for his house, there in his bedchamber to fortify himself about, like one beset and besieged, with the ample and protecting rays of all the methods of artificial illumination at his command – with incandescent bulbs thrown on by switches, with the flare of lighted gas jets, with the tallow dip's slim digit of flame, and with the kerosene's wick three-finger breadth of greasy brilliance. As he fumbled, in a very panic and spasm of fear, with the latchets of his front gate Squire Jonas' wife heard him screaming to Aunt Kassie, his servant, to turn on the lights – all of them.
That once was all, though – the only time he found the dark taking him unawares and threatening to envelop him in thirty years and more than thirty. Then a time came when in a hospital in Oklahoma an elderly man named A. Hamilton Bledsoe lay on his deathbed and on the day before he died told the physician who attended him and the clergyman who had called to pray for him that he had a confession to make. He desired that it be taken down by a stenographer just as he uttered it, and transcribed; then he would sign it as his solemn dying declaration, and when he had died they were to send the signed copy back to the town from whence he had in the year 1889 moved West, and there it was to be published broadcast. All of which, in due course of time and in accordance with the signatory's wishes, was done.
With the beginning of the statement as it appeared in the Daily Evening News, as with Editor Tompkins' introductory paragraphs preceding it, we need have no interest. That which really matters began two-thirds of the way down the first column and ran as follows:
"How I came to know there was likely to be trouble that evening at the big-riffle crossing was this way" – it is the dying Bledsoe, of course, who is being quoted. "The man they sent to the mill with the message did a lot of loose talking on his way back after he gave in the message, and in this roundabout way the word got to me at my house on the Eden's Swamp road soon after dinnertime. Now I had always got along fine with both of the Stackpoles, and had only friendly feelings toward them; but maybe there's some people still alive back there in that county who can remember what the reason was why I should naturally hate and despise both the Tatums, and especially this Jess Tatum, him being if anything the more low-down one of the two, although the youngest. At this late day I don't aim to drag the name of anyone else into this, especially a woman's name, and her now dead and gone and in her grave; but I will just say that if ever a man had a just cause for craving to see Jess Tatum stretched out in his blood it was me. At the same time I will state that it was not good judgment for a man who expected to go on living to start out after one of the Tatums without he kept on till he had cleaned up the both of them, and maybe some of their cousins as well. I will not admit that I acted cowardly, but I will state that I used my best judgment.
"Therefore and accordingly, no sooner did I hear the news about the dare which the Tatums had sent to the Stackpoles than I said to myself that it looked like here was my fitting chance to even up my grudge with Jess Tatum and yet at the same time not run the prospect of being known to be mixed up in the matter and maybe getting arrested, or waylaid afterwards by members of the Tatum family or things of such a nature. Likewise I figured that with a general amount of shooting going on, as seemed likely to be the case, one shot more or less would not be noticed, especially as I aimed to keep out of sight at all times and do my work from under safe cover, which it all of it turned out practically exactly as I had expected. So I took a rifle which I owned and which I was a good shot with and I privately went down through the bottoms and came out on the creek bank in the deep cut right behind Stackpole Brothers' gristmill. I should say offhand this was then about three o'clock in the evening. I was ahead of time, but I wished to be there and get everything fixed up the way I had mapped it out in my mind, without being hurried or rushed.
"The back door of the mill was not locked, and I got in without being seen, and I went upstairs to the loft over the mill and I went to a window just above the front door, which was where they hoisted up grain when brought in wagons, and I propped the wooden shutter of the window open a little ways. But I only propped it open about two or three inches; just enough for me to see out of it up the road good. And I made me a kind of pallet out of meal sacks and I laid down there and I waited. I knew the mill had shut down for the week, and I didn't figure on any of the hands being round the mill or anybody finding out I was up there. So I waited, not hearing anybody stirring about downstairs at all, until just about three minutes past six, when all of a sudden came the first shot.
"What threw me off was expecting the Tatums to come afoot from up the road, but when they did come it was in a wagon from down the main Blandsville pike clear round in the other direction. So at this first shot I swung and peeped out and I seen Harve Tatum down in the dust seemingly right under the wheels of his wagon, and I seen Jess Tatum jump out from behind the wagon and shoot, and I seen Dudley Stackpole come out of the mill door right directly under me and start shooting back at him. There was no sign of his brother Jeffrey. I did not know then that Jeffrey was home sick in bed.
"Being thrown off the way I had been, it took me maybe one or two seconds to draw myself around and get the barrel of my rifle swung round to where I wanted it, and while I was doing this the shooting was going on. All in a