A Girl of the North. A Story of London and Canada. Jones Susan Morrow
Black – Launa christened her “Whitey” – was a success. When Mrs. Butler heard of her she said the world would talk, but when she saw Whitey’s livid face and weather-beaten countenance, she wanted to know what her history was, and talked about Mr. Archer’s lonely and defenceless situation as though he were a castle facing north-east.
The dogs loved Miss Black; her sitting-room was always a haven of refuge when they were wet and tired, also when Launa had steeplechases and Fatsey, an old dog, would not and could not jump over a broomstick three feet from the ground, then, he too, sought sanctuary with Whitey.
Whitey taught Launa music, and the child worked earnestly, undismayed by the drudgery, with the hope of some day being able to play like her teacher, and her reward always came in the form of freedom for a while. With Whitey, she read many books, stories, history, and poetry. And as Miss Black had travelled far and wide she made all she taught interesting.
This odd couple were very happy together. In the winter they snowshoed, going for long tramps through the woods. They were frequently out in stormy weather, for Miss Black loved the wind as much as Launa did, and the wild turmoil of snow and tempest attracted them both. They explored the whole surrounding country together. Miss Black and Launa were also very fond of wandering to the far away lakes – the big black lakes with long shadows and deep reflections of trees and rocks – lakes whose solitude and silence filled one with a sort of apprehension, that whispered of horrors, past or to come – the ghosts of dead braves might wander there as a foretaste of the happy hunting ground. The hills were high and steep, covered with brushwood which was very thick, and at intervals there were rocks and holes that made climbing perilous, but Launa and Miss Black did not mind difficulties. On one occasion Mr. Archer took them to camp out for a week and to fish. How they loved it! The queer smell of the wood smoke, the joy of cooking in the ashes, and the talk round the fire in the twilight before bedtime, when the stars came out and the moon hung half-way up in the sky, while the firelight threw shadows all around, making the white birch trees look ghostly in the dim light, while in the distance the little stream rushed on to the sea.
CHAPTER III
When Launa, who had a queer, passionate temper, a horror of restraint of any kind, and a great dislike to being disappointed or thwarted, was fifteen, she was tall, and slight, all arms and legs, with long thin fingers, and well-shaped feet. Her skin was tanned, with a tinge of red in her cheeks, her eyes were brown, as was her hair. She could paddle, and walk on snowshoes like an Indian, her voice had a low soft richness in it that reminded Mr. Archer of a squaw – which made him wonder whether there had been Indian blood in Naomi or not?
But Launa had a stronger look than her mother; she was less of the dainty French girl, and she possessed a greater desire to rise, to achieve something, possessing a less sublime acquiescence in fate or destiny than Naomi, who had been sweeter, more yielding, and fulfilling Mr. Archer’s preconceived, primeval idea of a woman. Sometimes he feared for his daughter, and that curious belief in herself, which she displayed with a half-expressed idea, that she would be able to command fate, an early sign of her masterful independence.
“When I am big,” Launa said to her father one day, “I shall write a book about the woods and the Indians; no one writes about them, or seems to know how.”
Her father smiled.
“You must learn to keep still.”
“The arranging and selecting of ideas must be difficult,” she said, “and I always come to grief over commas. I love full stops, but Whitey says my sentences are jerky. It must be difficult to disguise one’s mood when writing books, to write when one is tired or weary; I could not do it.”
“You will perhaps be glad to do it some day.” Then changing the subject, he said, “I am going to the Reserve to-day, will you come?”
“What time shall we go?”
“At three,” he answered.
Launa rushed off to order tea to take with them, as well as some tea and sugar for presents to the Indians.
They drove about six miles to the Reserve. It was a desolate piece of country, and lay along the side of a large lake, from which ran a little trout stream. The Indians lived in cottages, poorly built shanties, and they welcomed the Archers with joy. There was an old grandmother, a terrible old person in a red flannel bed-jacket, a very short skirt, and a short pipe, which she smoked with fervour. Her grey hair hung down on both sides of her brown face, and she waved her long thin fingers as she related tales of her magic cures, for she was a doctor and made herb decoctions for anyone who was ailing. She talked in a low mysterious voice.
“I give him little medicine, yer know,” she said, with a leer and a drawl, nodding her funny old head with an air of confidence in her listener’s understanding and belief.
Miss Black was afraid of her, and always felt sure that Mrs. Andrew would not be too good to omit mixing poison with her medicine, if she considered it desirable the sick person should not recover.
Launa listened to the old grandmother’s stories with rapt attention, until Andrew, the witch’s husband, came to say he had lighted a fire by the lake, and that Abram had launched his canoe to take Launa in it after tea.
Andrew and Launa caught some trout, which they cooked at the wood fire, and Launa made tea. She presented Mrs. Andrew with a large parcel of it to that lady’s joy, though she merely grunted her thanks, and then offered Launa a cup out of her own tea-pot. But as the Indians seldom or never empty the tea-pot (they consider it a waste to throw away the old leaves, and keep on adding a few new ones, which they let boil to get their full flavour), Launa knew better than to drink it. It was, in truth, a deadly concoction.
Abram pushed his canoe into the water, and taking a paddle in one hand started with a little run and then jumped into the end of the canoe, which shot out into the middle of the lake. It was a wonderful jump, and Launa never tired of seeing it.
“There is no one who can do that as Abram does,” she said with admiration. “He is splendid, isn’t he, Andrew? Abram, Abram!” called Launa. “Take me up to the end of the lake!”
He brought the canoe in again, and she took her paddle and knelt in the bow. They went off together, her firm figure, with its graceful arm movement, erect, muscular, and supple. Oh! the joy of those days! The joy of living and of doing! The rapid, firm strokes, and the movement!
Launa paid her visit to the opera house in New York, whither her father took her with Miss Black for a winter, and then her dreams were realised. She heard the “Nibelungenlied,” “The Meistersinger,” “Tannhauser,” besides selections from “Parsifal”; she also attended numerous concerts. Music took the place of her out-of-door life, and she became so absorbed in it that she only occasionally missed and regretted her former wanderings. It was as if she had experienced its wonderful power for the first time, and drank from a cup of intoxicating sweetness.
She went to dances, and discovered that men found her attractive, and naturally she soon learned how to make herself agreeable. At the same time she realised that most men love a woman for her bodily charm.
“Men are very animalish, Whitey,” said Launa one day, after having made a successful appearance at an evening reception.
Miss Black gasped. She had ignored the existence of men as lovers, except in history and in books, while teaching Launa.
“All men are not alike,” she said vaguely.
“No, of course not. Father is perfect. Few men are like him.”
When they returned to “Solitude,” Launa worked with renewed ardour, and practised with joy – she wanted to play well. She read all sorts of books, and after a course of lectures on Greek literature, she turned with avidity to Plato, to Epictetus. Of German books she read many; to Miss Black’s regret she had outgrown Marlitt. For a woman who could do things, who did not fear storm or rain, Miss Black was singularly afraid of the knowledge of good and evil. Evil belonged especially to the poor and low, and to men, who gave it up when they put on dress-clothes, and were in the society of ladies – the humanising influence of ladies! A dress suit was the veneer