Aurora Floyd. Volume 1. Braddon Mary Elizabeth
was grateful to him, she loved him, and she made him perfectly happy; so happy that the strong-hearted Scotchman was sometimes almost panic-stricken at the contemplation of his own prosperity, and would fall down on his knees and pray that this blessing might not be taken from him; that, if it pleased Providence to afflict him, he might be stripped of every shilling of his wealth, and left penniless, to begin the world anew, – but with her. Alas, it was this blessing, of all others, that he was to lose!
For a year Eliza and her husband lived this happy life at Felden Woods. He wished to take her on the Continent, or to London for the season; but she could not bear to leave her lovely Kentish home. She was happier than the day was long amongst her gardens, and pineries, and graperies, her dogs and horses, and her poor. To these last she seemed an angel, descended from the skies to comfort them. There were cottages from which the prim daughters of the second-rate county families fled, tract in hand, discomfited and abashed by the black looks of the half-starved inmates; but upon whose doorways the shadow of Mrs. Floyd was as the shadow of a priest in a Catholic country – always sacred, yet ever welcome and familiar. She had the trick of making these people like her before she set to work to reform their evil habits. At an early stage of her acquaintance with them, she was as blind to the dirt and disorder of their cottages as she would have been to a shabby carpet in the drawing-room of a poor duchess; but by-and-by she would artfully hint at this and that little improvement in the ménages of her pensioners, until in less than a month, without having either lectured or offended, she had worked an entire transformation. Mrs. Floyd was frightfully artful in her dealings with these erring peasants. Instead of telling them at once in a candid and Christian-like manner that they were all dirty, degraded, ungrateful, and irreligious, she diplomatized and finessed with them as if she had been canvassing the county. She made the girls regular in their attendance at church by means of new bonnets and smartly bound prayer-books; she kept married men out of the public-houses by bribes of tobacco to smoke at home, and once (oh, horror!) by the gift of a bottle of gin for moderate and social consumption in the family circle. She cured a dirty chimney-piece by the present of a gaudy china vase to its proprietress, and a slovenly hearth by means of a brass fender. She repaired a shrewish temper with a new gown, and patched up a family breach of long standing with a chintz waistcoat. But one brief year after her marriage, – while busy landscape-gardeners were working at the improvements she had planned; while the steady process of reformation was slowly but surely progressing amongst the grateful recipients of her bounty; while the eager tongues of her detractors were still waging war upon her fair fame; while Archibald Floyd rejoiced as he held a baby-daughter in his arms, – without one forewarning symptom to break the force of the blow, the light slowly faded out of those glorious eyes, never to shine again on this side of eternity, and Archibald Martin Floyd was a widower.
CHAPTER II.
AURORA
The child which Eliza Floyd left behind her, when she was so suddenly taken away from all earthly prosperity and happiness, was christened Aurora. The romantic-sounding name had been a fancy of poor Eliza's; and there was no caprice of hers, however trifling, that had not always been sacred with her adoring husband, and that was not doubly sacred now. The actual intensity of the widower's grief was known to no creature in this lower world. His nephews and his nephews' wives paid him pertinacious visits of condolence; nay, one of these nieces by marriage, a good motherly creature, devoted to her husband, insisted on seeing and comforting the stricken man. Heaven knows whether her tenderness did convey any comfort to that shipwrecked soul! She found him like a man who had suffered from a stroke of paralysis, torpid, almost imbecile. Perhaps she took the wisest course that could possibly have been taken. She said little to him upon the subject of his affliction; but visited him frequently, patiently sitting opposite to him for hours at a time, he and she talking of all manner of easy conventional topics, – the state of the country, the weather, a change in the ministry, and such subjects as were so far remote from the grief of his life, that a less careful hand than Mrs. Alexander Floyd's could have scarcely touched upon the broken chords of that ruined instrument, the widower's heart.
It was not until six months after Eliza's death that Mrs. Alexander ventured to utter her name; but when she did speak of her, it was with no solemn hesitation, but tenderly and familiarly, as if she had been accustomed to talk of the dead. She saw at once that she had done right. The time had come for the widower to feel relief in speaking of the lost one; and from that hour Mrs. Alexander became a favourite with her uncle. Years after, he told her that, even in the sullen torpor of his grief, he had had a dim consciousness that she pitied him, and that she was "a good woman." This good woman came that very evening into the big room, where the banker sat by his lonely hearth, with a baby in her arms, – a pale-faced child, with great wondering black eyes, which stared at the rich man in sombre astonishment; a solemn-faced, ugly baby, which was to grow by-and-by into Aurora Floyd, the heroine of my story.
That pale, black-eyed baby became henceforth the idol of Archibald Martin Floyd, the one object in all this wide universe for which it seemed worth his while to endure life. From the day of his wife's death he had abandoned all active share in the Lombard-Street business, and he had now neither occupation nor delight, save in waiting upon the prattlings and humouring the caprices of this infant daughter. His love for her was a weakness, almost verging upon a madness. Had his nephews been very designing men, they might perhaps have entertained some vague ideas of that commission of lunacy for which the outraged neighbours were so anxious. He grudged the hired nurses their offices of love about the person of his child. He watched them furtively, fearful lest they should be harsh with her. All the ponderous doors in the great house at Felden Woods could not drown the feeblest murmur of that infant voice to those ever-anxious, loving ears.
He watched her growth as a child watches an acorn it hopes to rear to an oak. He repeated her broken baby-syllables till people grew weary of his babble about the child. Of course the end of all this was, that, in the common acceptation of the term, Aurora was spoiled. We do not say a flower is spoiled because it is reared in a hot-house where no breath of heaven can visit it too roughly; but then, certainly, the bright exotic is trimmed and pruned by the gardener's merciless hand, while Aurora shot whither she would, and there was none to lop the wandering branches of that luxuriant nature. She said what she pleased; thought, spoke, acted as she pleased; learned what she pleased; and she grew into a bright impetuous being, affectionate and generous-hearted as her mother, but with some touch of native fire blended in her mould that stamped her as original. It is the common habit of ugly babies to grow into handsome women, and so it was with Aurora Floyd. At seventeen she was twice as beautiful as her mother had been at nine-and-twenty, but with much the same irregular features, lighted up by a pair of eyes that were like the stars of heaven, and by two rows of peerlessly white teeth. You rarely, in looking at her face, could get beyond these eyes and teeth; for they so dazzled and blinded you that they defied you to criticise the doubtful little nose, or the width of the smiling mouth. What if those masses of blue-black hair were brushed away from a forehead too low for the common standard of beauty? A phrenologist would have told you that the head was a noble one; and a sculptor would have added that it was set upon the throat of a Cleopatra.
Miss Floyd knew very little of her poor mother's history. There was a picture in crayons hanging in the banker's sanctum sanctorum which represented Eliza in the full flush of her beauty and prosperity; but the portrait told nothing of the history of its original, and Aurora had never heard of the merchant-captain, the poor Liverpool lodging, the grim aunt who kept a chandler's shop, the artificial flower-making, and the provincial stage. She had never been told that her maternal grandfather's name was Prodder, and that her mother had played Juliet to an audience of factory hands, for the moderate and sometimes uncertain stipend of four-and-twopence a night. The county families accepted and made much of the rich banker's heiress; but they were not slow to say that Aurora was her mother's own daughter, and had the taint of the play-acting and horse-riding, the spangles and the sawdust, strong in her nature. The truth of the matter is, that before Miss Floyd emerged from the nursery she evinced a very decided tendency to become what is called "fast." At six years of age she rejected a doll, and asked for a rocking-horse. At ten she could converse fluently upon the subject of pointers, setters, fox-hounds, harriers, and beagles, though she drove her governess to the verge of despair by persistently forgetting under what Roman emperor Jerusalem was destroyed, and who was