Round the Wonderful World. Mitton Geraldine Edith
one of the walls we see a long row of men, all exactly similar, one behind the other – these are some of the numerous sons of Rameses making offerings. You soon notice that in spite of the vigorous and excellent outlines of these pictures there is something funny and stiff about them. That is because the Egyptians had an odd custom of drawing a person sideways, with his two feet in a straight line, one behind the other. No one stands like that in real life, and if you try it you will find how difficult it is not to fall over! Also, though the people they drew were invariably shown from the side, yet the artists used to make them look as if they were squared round in the upper part to show the chest and both shoulders, so that Egyptians in pictures always look oddly wedge-shaped, being very broad at the top and narrow below. The eye was also put into the profile face as if it were seen from the front! Look at any typical Egyptian picture and you will soon pick out these peculiarities. It seems rather a pity they kept so rigidly to these silly notions, as they really drew extremely well; but no artist was original enough to dare to break away from the established custom!
Inside the temple walls all these scenes have something to do with the gods and the offerings made to them by the king, but come outside and on one of the finest bits of wall still standing you will see a most spirited battle-scene. Look at the king in his chariot with the plunging horses! He is drawing his bow and pursuing his enemies, who are dead and dying under his wheels, and fleeing before him. To show how much more important he was than the enemies he had himself made very large and the enemies shown very small. That is not quite our idea of honour and glory nowadays; we should think it more glorious to overcome enemies larger and stronger than ourselves! This afternoon we are going to visit a still larger and more wonderful temple, a mile or two away, called Karnak, and there you will see pictures of the king of that time holding the hair of his enemies' heads in the powerful grasp of his left hand while he prepares to strike off all their heads at one sweep with his sword.
The original entrance of Luxor temple does not face the river on the side we came in; to find it we have to scramble over heaps of rubbish to one end and there we see a great obelisk, a companion to the one which is now in the principal square of Paris, the Place de la Concorde, and we see also two huge buildings reared up on each side of the ancient entrance – these were called pylons and were always built in Egyptian temples. On festival days they were decorated with flags on tall staves and made very gay.
Then we go out again into the main street amid all the life of the place, and see men cantering past on gaily caparisoned donkeys; we note dancing, capering, gleeful children, guides in gorgeous gowns, shopmen of some mixed nationality from the Mediterranean, who run out of their shops and entreat you to come in. "Only look round, no paying, not wanting you buy," they lie. "Look and be pleased; there is no charge just only to look."
We stop at last and buy two fly-whisks with short bamboo handles and long silvery horsehair tails; of course they do look very smart, but we do not buy them just for that, but because they are useful.
As we have found already, nothing less than physical force suffices to remove an Egyptian fly, who sticketh closer than his English brother. No shake or puff will induce him to stir an eyelid, and yet he is quick on the wing and you rarely get him, sleepy as he appears! He doesn't buzz, and there generally appears to be only one of him, but if, by the aid of a fly-whisk, you get rid of him, another takes his place immediately!
CHAPTER VII
THE CITY OF KINGS
I think this is the gayest scene I have ever looked upon in my life. See those mahogany-coloured boatmen in their brilliant scarlet and white striped jerseys and blue petticoats, grinning so as to show all their milk-white teeth. The boats are apple-green and scarlet, and they are reflected in the clear still water, and the dragoman, who marshals all the party into them, is a very splendid person indeed, in a long overcoat of turquoise blue cloth as soft and fine as a glove, with a striped gown of yellow Egyptian silk underneath.
We are off with a party of Cook's tourists to explore the Tombs of the Kings on the other side of the river It is a pretty stiff day's work, so we are up early, and it is only half-past eight now. As we near the other side of the river we see an excited group of donkey-boys who have brought their animals over earlier, and now stand expectant, looking like a fringe of blue beads.
"Lily best donkey – Lily name for Americans, Merry Widow for Engleesh – "
"Come, lady, with me, Sammy best donkey in Egypt, verry good, Sammy my donkey, best donkey – "
"Kitchener, lady, best donkey in Egypt, me speak verry good Engleesh, alla way gallop."
And so on in a continuous yell. The dragoman shouts out the numbers of the donkeys, and helps the ladies of the party to mount. Some ride on side-saddles, others, unused to any form of riding, prefer to get up astride, which they find difficult in the tight modern skirts. One German girl, after a frantic attempt, has to give it up, and sits wobbling on her saddle with her arms round the donkey-boy's neck, agonisingly appealing to him not to move! A very stout lady in black is lifted on to her mount by the united efforts of the dragoman and two donkey-boys, and, held in position by the boys, moves off, threatening a convulsive landslide to one side or the other at every step.
We are lucky in securing two fine greyish-white animals, almost as large as mules and very well fed and kept; yours is named "Sirdar" and has a single blue bead slung on a string round his neck as a charm, while mine, "Tommy Raffles," has a rattling chain of yellow and blue beads and much scarlet wool in his harness. You won't have much difficulty, I know, as you have been used to a pony since you could walk.
At first the soft powdery sand makes the going stiff, and we have much difficulty in restraining our boys, who run behind, from smacking or prodding the donkeys as they plough through. These boys are very proud and fond of their donkeys and treat them well, but it is the ambition of every donkey-boy to see his donkey head the cavalcade, and he is ready to die of envy and mortification if any other boy's donkey gets in front of him. We pass through clouds of dusty earth and then turn on to uneven narrow ways between tall green stalks of growing dhurra, stuff which looks like maize, except that it has a heavy head of grain which is ground up for making rough bread for the poorest people.
Along by a canal, over a bridge and a railway line we gallop, our animals going well. Their trot is impossible, as we soon find, but the easy loping canter delightful. We pass many black-clad women working in the fields, with crowds of bright-eyed friendly children who murmur "'Shish" in the vain hope that we may throw them some money. Then we see herds of black goats in among the cut stalks, and a tethered baby camel, who looks at us with innocent wondering eyes.
Far off rise up from the plain two mighty seated statues, the Colossi, set up by Amenhetep iii. as part of a temple now vanished. Presently we all stop to see another temple, interesting enough, but not so interesting as those already visited at Luxor and Karnak.
The dragoman, whose work is not easy, brings up the rear of the cavalcade, having managed to keep even behind the fat lady, who has stuck to the slippery surface of her saddle with many a desperate plunge firmly resisted by her escort.
The dragoman describes the temple fluently and intelligently, first in English, then in French, and adds a little explanation in German for the benefit of two men of that race who have talked loudly in their own guttural tongue all the time he has endeavoured to make the rest of the party hear. The dragoman does not reel his words off as if he were repeating a lesson, as, alas, so many of the guides at our own cathedrals do. He is a clever man, well educated and capable. It has taken him years to learn all he knows, and it is only the clever boys who can become good dragomans. One of our donkey-boys, a bright little fellow who speaks far better English than most of his companions, tells us, "I am going to be a dragoman." He says it deliberately, with a pause between each word to get them correctly. "Thus I speak always with the English and the Americans. To the English I speak English, which is what I have learned, but when I am with Americans I can talk to them in their own tongue too."
Laughing, we mount and are off again.
We are now penetrating into the great hills of sandstone we saw afar off from the hotel. The road winds into a gorge, and at each turn displays more vivid beauty. We feel a strange joy rising within us, so that we would like to sing or shout at the tops of our voices. The brilliance