Henry IV, Makers of History. Abbott John Stevens Cabot
days these unnatural and chilling nuptials were celebrated with all the splendor of national festivities. Among these entertainments there was a tournament, singularly characteristic of the times, and which certainly sheds peculiar lustre either upon the humility or upon the good-nature of the Protestants.
The tournament.
A large area was prepared for the display of one of those barbaric passes of arms in which the rude chivalry of that day delighted. The inclosure was surrounded by all the polished intellect, rank, and beauty of France. Charles IX., with his two brothers and several of the Catholic nobility, then appeared upon one side of the arena on noble war-horses gorgeously caparisoned, and threw down the gauntlet of defiance to Henry of Navarre and his Protestant retinue, who, similarly mounted and accoutred, awaited the challenge upon the opposite side.
Strange representations.
The portion of the inclosure in which the Catholics appeared was decorated to represent heaven. Birds of Paradise displayed their gorgeous plumage, and the air was vocal with the melody of trilling songsters. Beauty displayed its charms arrayed in celestial robes, and ambrosial odors lulled the senses in luxurious indulgence. All the resources of wealth and art were lavished to create a vision of the home of the blessed.
The Protestants, in the opposite extreme of the arena, were seen emerging from the desolation, the gloom, and the sulphurous canopy of hell. The two parties, from their antagonistic realms, rushed to the encounter, the fiends of darkness battling with the angels of light. Gradually the Catholics, in accordance with previous arrangements, drove back the Protestants toward their grim abodes, when suddenly numerous demons appeared rushing from the dungeons of the infernal regions, who, with cloven hoofs, and satanic weapons, and chains forged in penal fires, seized upon the Protestants and dragged them to the blackness of darkness from whence they had emerged. Plaudits loud and long greeted this discomfiture of the Protestants by the infernal powers.
Regal courtesy.
But suddenly the scene is changed. A winged Cupid appears, the representative of the pious and amiable bride Marguerite. The demons fly in dismay before the irresistible boy. Fearlessly this emissary of love penetrates the realms of despair. The Protestants, by this agency, are liberated from their thralldom, and conducted in triumph to the Elysium of the Catholics. A more curious display of regal courtesy history has not recorded. And this was in Paris!
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