Maria Antoinette. Abbott John Stevens Cabot
She, anxious to regain them, ventured, in disguise, to return to France to disinter her diamonds, and take them with her to England. A young negro servant, whom she had pampered with every indulgence, and had caressed with the fondness with which a mother fondles her child, whom she had caused to be painted by her side in her portraits, saw his mistress and betrayed her. She was immediately seized by the mob, and dragged before the revolutionary tribunal of Luciennes. She was condemned as a Royalist, and was hurried along in the cart of the condemned, amid the execrations and jeers of the delirious mob, to the guillotine. Her long hair was shorn, that the action of the knife might be unimpeded; but the clustering ringlets, in beautiful profusion, fell over her brow and temples, and veiled her voluptuous features and bare bosom, from which the executioner had torn the veil. The yells of the infuriated and deriding populace filled the air, as they danced exultingly around the aristocratic courtesan. But the shrieks of the unhappy victim pierced shrilly through them all. She was frantic with terror. Her whole soul was unnerved, and not one emotion of fortitude remained to sustain the woman of pleasure through her dreadful doom. With floods of tears, and gestures of despair, and beseeching, heart-rending cries, she incessantly exclaimed, "Life – life – life! O save me! save me!" The mob jeered, and derided, and insulted her in every conceivable way. They made themselves merry with her anguish and terror. They shouted witticisms in her ear respecting the pillow of the guillotine upon which she was to repose her head. Struggling and shrieking, she was bound to the plank. Suddenly her voice was hushed. The dissevered head, dripping with blood, fell into the basket, and her soul was in eternity. Poor woman! It is easy to condemn. It is better for the heart to pity. Endowed with almost celestial beauty, living in a corrupt age, and lured, when a child, by a monarch's love, she fell. It is well to weep over her sad fate, and to remember the prayer, "Lead us not into temptation."
Such were the characters and such the state of morals of the court into which this beautiful and artless princess, Maria Antoinette, but fifteen years of age, was to be introduced. As she left the palaces of Vienna to encounter the temptations of the Tuileries and Versailles, Maria Theresa wrote the following characteristic letter to the future husband of her daughter.
"Your bride, dear dauphin, is separated from me. As she has ever been my delight, so will she be your happiness. For this purpose have I educated her; for I have long been aware that she was to be the companion of your life. I have enjoined upon her, as among her highest duties, the most tender attachment to your person, the greatest attention to every thing that can please or make you happy. Above all, I have recommended to her humility toward God, because I am convinced that it is impossible for us to contribute to the happiness of the subjects confided to us without love to Him who breaks the scepters and crushes the thrones of kings according to his will."
The great mass of the Austrian population, hating the French, with whom they had long been at war, were exceedingly averse to this marriage. As the train of royal carriages was drawn up, on the morning of her departure, to convey the bride to Paris, an immense assemblage of the populace of Vienna, men, women, and children, surrounded the cortège with weeping and lamentation. Loyalty was then an emotion existing in the popular mind with an intensity which now can hardly be conceived. At length, in the excitement of their feelings, to save the beloved princess from a doom which they deemed dreadful, they made a rush toward the carriages to cut the traces and thus to prevent the departure. The guard was compelled to interfere, and repel, with violence, the affectionate mob. As the long and splendid train, preceded and followed by squadrons of horse, disappeared through the gate of the city, a universal feeling of sadness oppressed the capital. The people returned to their homes silent and dejected, as if they had been witnessing the obsequies rather than the nuptials of the beloved princess.
The gorgeous cavalcade proceeded to Kell, on the frontiers of Austria and France. There a magnificent pavilion had been erected, consisting of a vast saloon, with an apartment at either end. One of these apartments was assigned to the lords and ladies of the court of Vienna; the other was appropriated to the brilliant train which had come from Paris to receive the bride. The two courts vied with each other in the exhibition of wealth and magnificence. It was an established law of French etiquette, always observed on such occasions, that the royal bride should receive her wedding dress from France, and should retain absolutely nothing belonging to a foreign court. The princess was, consequently, in the pavilion appropriated to the Austrian suite, unrobed of all her garments, excepting her body linen and stockings. The door was then thrown open, and in this plight the beautiful and blushing child advanced into the saloon. The French ladies rushed to meet her. Maria threw herself into the arms of the Countess de Noailles, and wept convulsively. The French were perfectly enchanted with her beauty; and the proud position of her head and shoulders betrayed to their eyes the daughter of the Cæsars. She was immediately conducted to the apartment appropriated to the French court. Here the few remaining articles of clothing were removed from her person, and she was re-dressed in the most brilliant attire which the wealth of the French monarchy could furnish.
And now, charioted in splendor, surrounded by the homage of lords and ladies, accompanied by all the pomp of civic and military parade, and enlivened by the most exultant strains of martial bands, Maria was conducted toward Paris, while her Austrian friends bade her adieu and returned to Vienna. The horizon, by night, was illumined by bonfires, flaming upon every hill; the church bells rang their merriest peals; cities blazed with illuminations and fire-works; and files of maidens lined her way, singing their songs of welcome, and carpeting her path with roses. It was a scene to dazzle the most firm and contemplative. No dream of romance could have been more bewildering to the ardent and romantic princess, just emerging from the cloistered seclusion of the palace nursery.
Louis, then a young man about twenty years of age, came from Paris with his grandfather, King Louis XV., and a splendid retinue of courtiers, as far as Compiègne, to meet his bride. Uninfluenced by any emotions of tenderness, apparently entirely unconscious of all those mysterious emotions which bind loving hearts, he saluted the stranger with cold and distant respect. He thought not of wounding her feelings; he had no aversion to the connection, but he seemed not even to think of any more intimacy with Maria than with any other lady who adorned the court. The ardent and warm-hearted princess was deeply hurt at this indifference; but instinctive pride forbade its manifestation, except in bosom converse to a few confiding friends.
The bride and her passive and unimpassioned bridegroom were conducted to Versailles. It was the 16th of May, 1770, when the marriage ceremony was performed, with all the splendor with which it could be invested. The gorgeous palaces of Versailles were thronged with the nobility of Europe, and filled with rejoicing. The old king was charmed with the beauty and affability of the young bride. All hearts were filled with happiness, except those of the newly-married couple. Louis was tranquil and contented. He was neither allured nor repelled by his bride He never sought her society alone, and ever approached her with the same distance and reserve with which he would approach any other young lady who was a visitor at the palace. He never intruded upon the privacy of her apartments, and she was his wife but in name. While all France was filled with the praises of her beauty, and all eyes were enchanted by her graceful demeanor, her husband alone was insensible to her charms. After a few days spent with the rejoicing court, amid the bowers and fountains of Versailles, the nuptial party departed for Paris, and entered the palace of the Tuileries, the scene of future sorrows such as few on earth have ever experienced.
As Maria, in dazzling beauty, entered Paris, the whole city was in a delirium of pleasure. Triumphal arches greeted her progress. The acclamations of hundreds of thousands filled the air. The journals exhausted the French language in extolling her loveliness. Poets sang her charms, and painters vied with each other in transferring her features to canvas. As Maria sat in the dining saloon of the Tuileries at the marriage entertainment, the shouts of the immense assemblage thronging the gardens rendered it necessary for her to present herself to them upon the balcony. She