Concord Days. Alcott Amos Bronson
to himself; now hurling it forth on the ear, echoing; then, as his mood and matter invite, dying away, like
"Music of mild lutes,
Or silver-coated flutes,
Or the concealing winds that can convey
Never their tone to the rude ear of day."
He works his miracles with it, as Hermes did, his voice conducting the sense alike to eye and ear by its lyrical movement and refraining melody. So his compositions affect us, not as logic linked in syllogisms, but as voluntaries rather, as preludes, in which one is not tied to any design of air, but may vary his key or note at pleasure, as if improvised without any particular scope of argument; each period, paragraph, being a perfect note in itself, however it may chance chime with its accompaniments in the piece, as a waltz of wandering stars, a dance of Hesperus with Orion. His rhetoric dazzles by its circuits, contrasts, antitheses; imagination, as in all sprightly minds, being his wand of Power. He comes along his own paths, too, and in his own fashion. What though he build his piers downwards from the firmament to the tumbling tides, and so throw his radiant span across the fissures of his argument, and himself pass over the frolic arches, Ariel-wise, – is the skill less admirable, the masonry the less secure for its singularity? So his books are best read as irregular writings, in which the sentiment is, by his enthusiasm, transfused throughout the piece, telling on the mind in cadences of a current undersong, giving the impression of a connected whole, – which it seldom is, – such is the rhapsodist's cunning in its structure and delivery.
The highest compliment we can pay the scholar is that of having edified and instructed us, we know not how, unless by the pleasure his words have given us. Conceive how much the lyceum owes to his presence and teachings; how great the debt of many to him for their hour's entertainment. His, if any one's, let the institution pass into history, since his art, more than another's, has clothed it with beauty, and made it the place of popular resort, our purest organ of intellectual entertainment for New England and the Western cities. And besides this, its immediate value to his auditors everywhere, it has been serviceable in ways they least suspect; most of his works, having had their first readings on its platform, were here fashioned and polished, in good part, like Plutarch's morals, to become the more acceptable to readers of his published books. Does it matter what topic he touches? He adorns all with a severe sententious beauty, a freshness and sanction next to that of godliness, if not that in spirit and effect.
"The princely mind, that can
Teach man to keep a God in man;
And when wise poets would search out to see
Good men, behold them all in thee."
'Tis over thirty years since his first book was printed. Then followed volumes of essays, poems, orations, addresses; and during all the intervening period, down to the present, he has read briefs of his lectures through a wide range, from Canada to the Capitol; in most of the Free States; in the large cities, East and West, before large audiences; in the smallest towns, and to the humblest companies. Such has been his appeal to the mind of his countrymen, such his acceptance by them. He has read lectures in the principal cities of England also. A poet, speaking to individuals as few others can speak, and to persons in their privileged moments, he is heard as none others are. The more personal he is, the more prevailing, if not the more popular. 'Tis everything to have a true believer in the world, dealing with men and matters as if they were divine in idea and real in fact; meeting persons and events at a glance directly, not at a millionth remove, and so passing fair and fresh into life and literature.
Consider how largely our letters have been enriched by his contributions. Consider, too, the change his views have wrought in our methods of thinking; how he has won over the bigot, the unbeliever, at least to tolerance and moderation, if not acknowledgment, by his circumspection and candor of statement.
"His shining armor,
A perfect charmer;
Even the hornets of divinity
Allow him a brief space,
And his thought has a place
Upon the well-bound library's chaste shelves,
Where man of various wisdom rarely delves."
Poet and moralist, he has beauty and truth for all men's edification and delight. His works are studies. And any youth of free senses and fresh affections shall be spared years of tedious toil, in which wisdom and fair learning are, for the most part, held at arm's-length, planets' width, from his grasp, by graduating from this college. His books are surcharged with vigorous thoughts, a sprightly wit. They abound in strong sense, happy humor, keen criticisms, subtile insights, noble morals, clothed in a chaste and manly diction, fresh with the breath of health and progress.
We characterize and class him with the moralists who surprise us with an accidental wisdom, strokes of wit, felicities of phrase, – as Plutarch, Seneca, Epictetus, Marcus Aurelius, Saadi, Montaigne, Bacon, Selden, Sir Thomas Browne, Cowley, Coleridge, Goethe, – with whose delightful essays, notwithstanding all the pleasure they give us, we still plead our disappointment at not having been admitted to the closer intimacy which these loyal leaves had with their owners' mind before torn from his note-books, jealous, even, at not having been taken into his confidence in the editing itself.
We read, never as if he were the dogmatist, but a fair-speaking mind, frankly declaring his convictions, and committing these to our consideration, hoping we may have thought like things ourselves; oftenest, indeed, taking this for granted as he wrote. There is nothing of the spirit of proselyting, but the delightful deference ever to our free sense and right of opinion. He might take for his motto the sentiment of Henry More, where, speaking of himself, he says: "Exquisite disquisition begets diffidence; diffidence in knowledge, humility; humility, good manners and meek conversation. For my part, I desire no man to take anything I write or speak upon trust without canvassing, and would be thought rather to propound than to assert what I have here or elsewhere written or spoken. But continually to have expressed my diffidence in the very tractates and colloquies themselves, had been languid and ridiculous."
Then he has chosen proper times and manners for saying his good things; has spoken to almost every great interest as it rose. Nor has he let the good opportunities pass unheeded, or failed to make them for himself. He has taken discretion along as his constant attendant and ally; has shown how the gentlest temper ever deals the surest blows. His method is that of the sun against his rival for the cloak, and so is free from any madness of those, who, forgetting the strength of the solar ray, go blustering against men's prejudices, as if the wearers would run at once against these winds of opposition into their arms for shelter. What higher praise can we bestow on any one than to say of him, that he harbors another's prejudices with a hospitality so cordial as to give him for the time the sympathy next best to, if, indeed, it be not edification in, charity itself? For what disturbs more, and distracts mankind, than the uncivil manners that cleave man from man? Yet, for whose amendment letters, love, Christianity, were all given!
There is a virtuous curiosity felt by readers of remarkable books to learn something more of their author's literary tastes, habits, and dispositions, than these ordinarily furnish. Yet to gratify this is a task as difficult as delicate, requiring a diffidency akin to that with which one would accost the author himself, and without which graceful armor it were impertinent for a friend even to undertake it. We may venture but a stroke or two here.
All men love the country who love mankind with a wholesome love, and have poetry and company in them. Our essayist makes good this preference. If city bred, he has been for the best part of his life a villager and countryman. Only a traveller at times professionally, he prefers home-keeping; is a student of the landscape, of mankind, of rugged strength wherever found; liking plain persons, plain ways, plain clothes; prefers earnest people; shuns egotists, publicity; likes solitude, and knows its uses. Courting society as a spectacle not less than a pleasure, he carries off the spoils. Delighting in the broadest views of men and things, he seeks all accessible displays of both for draping his thoughts and works. And how is his page produced? Is it imaginable that he conceives his piece as a whole, and then sits down to execute his task at a heat? Is not this imaginable rather, and the key to the construction