Famous Firesides of French Canada. Alloway Mary Wilson

Famous Firesides of French Canada - Alloway Mary Wilson


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messenger thereupon demanded that the reply be given him in writing, which the Governor haughtily refused, saying: —

      "I am going to answer your master at the cannon's mouth; he shall be taught that this is not the manner in which a person of my rank ought to be summoned."

      Charlevoix seems to have very much admired the lordly bearing of Frontenac on this occasion, which was so trying to his self-control, but, with an impartiality creditable to a Frenchman, he justly chronicles his equal admiration for the coolness and presence of mind with which the Englishman signalized himself in carrying out his mission, under insults and humiliations scarcely to be looked for from those who should have known better the respect due to a flag of truce.

      The commander of the fleet, finding the place ready for resistance, concluded that the lateness of the season rendered it unwise to commence a regular siege against a city whose natural and artificial defences made it a formidable fortress, and which, when garrisoned by troops of such temper and mettle, it appeared impossible to reduce. It must also be considered that Phipps had been delayed by contrary winds and pilots ignorant of the river navigation, which combination of untoward circumstances conspired to compel him to relinquish his design, which under more favouring conditions he might have carried out with success, and conquered the place before it could have been known in Montreal that it was even in danger.

      "Without doubt Frontenac was the most conspicuous figure which the annals of the early colonization of Canada affords. He was the descendant of several generations of distinguished men who were famous as courtiers and soldiers." He was of Basque origin and proud of his noble ancestry. He was born in 1620, and was distinguished by becoming the god-child of the King, the royal sponsor bestowing his own name on the unconscious babe, who was in after years to be a sturdy defender of France's dominions over the ocean. He became a soldier at the age of fifteen, and even in early youth and manhood saw active service and gave promise of gallantry and bravery.

      In October, 1648, he married the lovely young Anne de la Grange-Trianon, a "maiden of imperious temper, lively wit and marvellous grace." She was a beauty of the court and chosen friend of Mademoiselle de Montpensier, the granddaughter of King Henry the Fourth. A celebrated painting of the Comtesse de Frontenac, in the character of Minerva, smiles on the walls of one of the galleries at Versailles.

      The marriage took place without the consent of the bride's relatives, and soon proved an ill-starred one, the young wife's fickle affection turning into a strong repulsion for her husband, whom she intrigued to have sent out of the country.

      Her influence at court, and some jealousy on the part of the King combined to bring about this end, and Frontenac was appointed Governor and Lieutenant-General of La Nouvelle France.

      Parkman says: – "A man of courts and camps, born and bred in the focus of a most gorgeous civilization, he was banished to the ends of the earth, among savage hordes and half-reclaimed forests, to exchange the splendour of St. Germain and the dawning glories of Versailles for a stern, grey rock, haunted by sombre priests, rugged merchants, traders, blanketed Indians and wild bushrangers." When he sailed up the river and the stern grandeur of the scene opened up before him, he felt as he afterwards wrote: —

      "I never saw anything more superb than the position of this town. It could not be better situated for the future capital of an empire."

      But the dainty and luxurious Comtesse had no taste for pioneer life, and no thought of leaving her silken-draped boudoir for a home in a rude fort on a rock; she therefore accepted the offer of a domicile with her kindred spirit, Mademoiselle d'Outrelaise. The "Divines," as they were called, established a Salon, which, among the many similar coteries of the time, was remarkable for its wit and gaiety. It set the fashion to French society, and was affected by all the leading spirits of the Court and Capital.

      Although an occasional billet came from the recreant spouse to her husband in the Castle St. Louis, no home life nor welcoming domestic fireside threw a charm over his exile. The glamour with which affection can glorify even the rudest surroundings was denied him in his long life of seventy-six years.

      To avoid the confusion to which the terms Fort St. Louis and Castle St. Louis might lead, it must be understood that they in a measure were the same, as the one enclosed the other.

      In the year 1834, two hundred and fourteen years after the foundation of this Château, a banquet was prepared for the reception of those invited to partake of the official hospitality of the Governor; when suddenly the tocsin sounded, – the dreaded alarm of fire. Soon the streets were thronged with citizens, with anxious enquiries passing from lip to lip, and ere long the cry was uttered: "To the Castle, to the Castle!"

      The entire population of merchants and artisans, soldiers from the garrison, priests from the monasteries, and citizens, rich and poor, joined hands with the firemen to save the mediæval fortress from destruction, and its treasured contents from the flames. Old silver was snatched from the banquet table by some who had expected to sit around the board as guests.

      At the head of the principal staircase, where it had stood for fifty years or more, was a bust of Wolfe, with the inscription upon it: —

      "Let no vain tear upon this bust be shed,

      A common tribute to the common dead,

      But let the good, the generous, the brave,

      With God-like envy sigh for such a grave."

      Fortunately, in the confusion of the disaster it was not overlooked, but was carried to a place of safety. While every heart present could not but be moved with the deepest feelings of regret at the loss of its hoary walls, yet the beholder was forced to admire the magnificent spectacular effect of the conflagration which crowned the battlements and reflected over crag and river, as the old fort, which had stubbornly resisted all its enemies during five sieges, fell before the devouring element.

      Its stones were permeated with the military and religious history of the "old rock city," for, in the fifteen years of its occupancy by Champlain, it was as much a mission as a fort. The historian says: – "A stranger visiting the Fort of Quebec would have been astonished at its air of conventual decorum. Black-robed Jesuits and scarfed officers mingled at Champlain's table. There was little conversation, but in its place histories and the lives of the saints were read aloud, as in a monastic refectory. Prayers, masses and confessions followed each other, and the bell of the adjacent chapel rang morning, noon and night. Quebec became a shrine. Godless soldiers whipped themselves to penitence, women of the world outdid each other in the fury of their contrition, and Indians gathered thither for the gifts of kind words and the polite blandishments bestowed upon them."

      The site where the old Château St. Louis once stood, with its halo of romance and renown, is now partially covered by the great Quebec hostelry, the Château Frontenac, which in its erection and appointments has not destroyed, but rather perpetuated, the traditions of the "Sentinel City of the St. Lawrence."

      "Château Frontenac has been planned with the strong sense of the fitness of things, being a veritable old-time Château, whose curves and cupolas, turrets and towers, even whose tones of gray stone and dulled brick harmonize with the sober quaint architecture of our dear old Fortress City, and looks like a small bit of Mediæval Europe perched upon a rock."

      Under the promenade of Durham Terrace is still the cellar of the old Château; and standing upon it, the patriot, whether English or French, cannot but thrill as he looks on the same scene upon which the heroes of the past so often gazed, and from which they flung defiance to their foes.

      On almost the same spot upon which Champlain had landed at Montreal, and about seven years after his death, a small band of consecrated men and women, singing a hymn, drew up their tempest-worn pinnace, and raised their standard in the name of King Louis, while Maisonneuve, the ascetic knight, planted a crucifix, and dedicated the land to God.

      The city as it stands on this spot is a fulfilment of his vow then made, when he declared, as he pitched his tent and lighted his camp-fire, that here he would found a city though every tree on the island were an Iroquois. On an altar of bark, decorated with wild flowers and lighted by fireflies, the first mass was celebrated, and the birthnight of Montreal registered.

      From


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