A Fair Mystery: The Story of a Coquette. Charlotte M. Brame
is what my soul loves best – this is better than love."
The lady drew back from the girl as though she had been struck.
"Faithless and debonair," she murmured.
Doris looked inquiringly at her.
"This is what you love best?" she said. "You mean luxury and magnificence?"
"Yes, I mean that – it is ten thousand times better than love."
"But," said Lady Estelle, "that is a strange doctrine for one so young as you."
"I am young, but I know something of life," said Doris. "I know that money can purchase everything, can do everything, can influence everything."
"But," said Lady Estelle, drawing still further from her, "you would not surely tell me that of all the gifts of this world you value money most."
"I think I do," said Doris, with a frank smile.
"That is strange in one so young," said Lady Estelle. "I am so sorry." Then she rose, saying, coldly: "You will like to see the pictures. You think it strange that I should speak to you in this fashion. As I told you before, a love-story interests me. I am sorry that you have none."
The change was soon perceived by Doris, and just as quickly understood.
"I do not think," she said, gently, "that you have quite understood me. I do not love money; that is, the actual gold. It is the pleasures that money can purchase which seem to me so enviable, that I long so urgently for."
Lady Estelle smiled.
"I see – I understand. You did not express just what you meant; that is a different thing. There seems to me something hateful in the love of money. So you long for pleasure, my poor child. You little know how soon it would tire you."
"Indeed, it never would," she replied, eagerly. "I should like – oh, how much I should like! – to live always in rooms beautiful as these, to wear shining jewels, rich silks, costly laces! I do not, and never have, liked my own home; in some strange way it never seems to belong to me, nor I to it."
Lady Estelle drew near to her again.
"You do not like it, poor child?" she said. "That is very sad. Yet they are very kind to you."
"Yes, they are kind to me. I cannot explain what I mean. I never seem to think as they think, or do as they do. I am not good either, after their fashion of being good."
"What is your idea of being good?" asked Lady Estelle.
"Pleasing myself, amusing myself, making myself happy."
"It is comfortable philosophy at least. What is he like, this Earle Moray, whom your father calls poet and gentleman?" asked Lady Estelle.
Doris smiled. She did not blush, nor did her eyes droop; there was no shyness nor timidity.
"He is fair," she replied, "and he has a noble head, crowned with clustering hair; his face is spiritual and tender, and his mouth is beautiful as a woman's."
"That is a good description; I can almost see him. You love him or you could not describe him so."
"He will be a great man in the future," replied the girl.
Then she started at finding on what familiar terms she was with this daughter of a mighty duke. They were sitting side by side, and Lady Estelle had again taken the shining hair in her hand. Doris' hat had become unfastened, and she held it with careless grace. It even surprised herself to find she was as much at home and at her ease with Lady Estelle Hereford as she was with Mattie.
"Where shall you live after you married?" asked Lady Estelle, gently.
"At Lindenholm for some little time: but Earle has promised me that I shall go to London. I live only in that hope."
"Why do you wish so ardently for London?"
"Because people know what life means there. They have balls, parties, fetes, music, operas, theaters, and I long for a life of pleasure."
"How much you will have to suffer?" said Lady Estelle, unconsciously.
"Why?" asked Doris, in surprise.
"Because you expect so much, and the world has so little to give – that is why. But come, we are forgetting the pictures."
In the long gallery they were joined by the duke: curiosity to again see the beautiful face had brought him there. Doris was looking at a portrait that pleased her very much, and her beautiful profile was seen to perfection. The duke started as his eyes fell upon it.
He went up to his daughter.
"Estelle," he said, in a low voice, "who is it that young girl resembles – some one we know well? Look at the curve of the lip, the straight, clear brow!"
"I do not see any likeness," she replied, with white, trembling lips, "none at all; but, oh! papa, I am so tired. I am not so well as usual to-day; I seem to have no strength."
She sat on one of the crimson seats, and the duke forgot all about their visitor in his anxiety for her.
"I will send these people home," he said; but she interrupted him.
"Not just yet, papa; it will be such a pleasure to me to show that pretty young girl my flowers."
CHAPTER XXI
HER EYES INVITED HIM
Lady Estelle and Doris went together through the beautiful conservatories that formed one of the great attractions of the Castle, and Doris fancied herself in fairyland. She showed them, that although she might have no particular love for nature, she had a grand eye for the picturesque. Lady Estelle desired her here and there to gather a spray of choice blossoms. She did so, and the way in which she grouped and arranged them was marvelous.
"You have a good eye for color," said Lady Estelle, as she watched the white fingers, with the scarlet and amber flowers. It pleased her to see the girl lingering among them – to see the beautiful face bending over the blossoms.
They came to a pretty little corridor, roofed with glass; but the glass was hidden by the luxuriance of an exotic climbing plant. Great scarlet bells, with white, fragrant hearts, hung down in glorious profusion. In the middle of the corridor stood a large fountain, and the water was brilliant with gold fish. There were pretty seats, half overhung by the leaves of the hanging plant. It was when they reached here that the servant came in search of Lady Estelle; she was wanted in the drawing-room, to see some visitors who had arrived. She turned to Doris, with a kindly smile:
"I am sure you must be tired," she said; "will you rest here? I am sorry to leave you, but I shall not be long."
With the dignified air of a young princess, Doris seated herself, the footman looking on in silent wonder; he had rarely seen his languid mistress so attentive even to her most intimate friends.
Then Doris was left alone in the rich, mellow light. The rippling spray of the fountain and the gleaming of the gold fish amused her for some time: then she took up her magnificent flowers, and began to arrange them.
She was so deeply engaged with them, that she did not hear the sound of footsteps; the velvet curtain at the end of the corridor was raised, and a tall, handsome man stood looking in mute wonder at the picture before him.
There, in the mellow light, was a picture that for beauty of coloring could not be surpassed. A young girl, with the face of an angel, and hair of the purest shining gold; white hands that shone like snow-flakes, among crimson and amber blossoms; the background was formed by the scarlet bells and green leaves of the drooping plant.
He stood for some minutes looking on in silent wonder; and while he so stands, Lord Charles Vivianne is an object worth studying; tall, well made, with a fine, erect figure, and easy, dignified bearing, he would attract attention even among a crowd of men. His face is handsome, but not good; the eyes are dark and piercing; the brows are arched and thick; but the mouth, the key to the whole face, is a bad one. The lips, thick and weak, are hidden by a mustache. It is the face of a man who lives entirely to please himself – who knows no restraint – who consults his own inclinations, and who would sacrifice every one and everything