The Mermaid of Druid Lake and Other Stories. Charles Weathers Bump
whence she could, if she but knew the pipes, get into her beloved lake again. Edwin jumped at the idea, and, leaving Tom to look after the auto, hastened down the ravine to Jones' Falls, and moved up and down the Falls, calling for the vanished damsel with a fervor that might have caused doubts as to his sanity had anyone heard it.
When he returned, terribly downcast, Tom had gotten the car righted and had discovered that it was uninjured.
"No luck, I suppose?" said Tom.
"No," replied Edwin, moodily.
"Get in, then. We can't stay here all day."
Edwin required urging to leave the spot. Finally he consented to go. As he climbed in he saw the overturned wash tub, and his concentrated wrath and grief were heaped upon it. Picking it up, he hurled it savagely at a tree, and, when it fell to pieces with the concussion, he exclaimed, vehemently and inconsequentially:
"That's the blamed thing that got us into this muss!"
At Druid lake he insisted on another long search. Time and again the auto was stopped that he might call aloud for his charmer. But no answering sound came across the water.
"Curses!" said Edwin. "I'm afraid she's lost for good."
And that is probably the true explanation as to why there has been no mermaid in Druid lake since. She may be in Cylburn brook, she may be in Jones' Falls, she may have reached the Patapsco, but no one has ever seen a creature answering her description and aquatic habits since the damsel who once held the job got giddy and went motoring.
The Goddess of Truth
Not everybody was pleased among the many thousands who on September 12, 1906, saw the industrial parade with which Baltimore celebrated its wonderful recovery from the blow given by the great fire of 1904. Tobias Greenfield, head of a Lexington-street department store, was one who was not. He was angry, violently so. He had been in a chipper mood all morning and had enjoyed watching the long line from the windows of a bedecorated wholesale house on Baltimore street. But when his eyes alighted on the float of his own firm, the anger came. And the longer it stayed with him, the worse it grew, especially as he could not escape the prodding of the friends who had invited him to their warehouse.
When he could decently slip away from them he went to his office and peremptorily called for his advertising manager.
"What the devil do you mean, Melvale," he shouted, "by putting such a scrawny little girl on our float as the Goddess? She looked a fright in the clothes made for Miss Preston, and everyone is laughing at us. Why was not Miss Preston there? How came you to make such a mess?"
The advertising man was nervous under the volley of questions, but he explained at length. Boiled down, it was plain he could give only one reason why the float had been such a mess.
And that reason was William Henry Montgomery.
Miss Preston had been willing to be the Goddess, as planned, but William Henry Montgomery said no. And that settled it.
And who was William Henry Montgomery? Why, Miss Preston loved William Henry Montgomery.
You see, down on the Eastern Shore of Virginia, where Maude Preston and William Henry Montgomery were to the manor born, they had sought each other's company so assiduously and for so long that in the length and breadth of Accomac – from Chincoteague to Great Machipongo – every man and woman regarded it as a sure thing that Maude and William Henry would hit it off for a marriage. And they had talked, as people will, about their being an ideal couple, so well suited – William Henry broad-shouldered and solidly knit and Maude molded on classic Diana's lines, erect and queenly, but sweet to look upon. The women thought William Henry a fine-looking lad, while men and women alike regarded Maude as the handsomest creature on the Peninsula below the Maryland line.
And then one day there had been a quarrel. Maude thought a bit of William Henry's advice too assertive, too near to an injunction to obey, and had flared up. And William Henry had flared up likewise. And when the two came to count the cost, William Henry was moodily filling a job in a cousin's lumber-yard in Philadelphia, while Maude, unknown to William Henry, had come to Baltimore to remove herself and her heart-wound from the well-meant, but too gossipy, neighbors in Accomac.
It was a matter of only a few months before she was the best-liked saleswoman in Greenfield & Jacobs' big store. From Mr. Greenfield down to the rawest cash girl all were glad to exchange a word with her, because there was something delightful in Maude's way of expressing even trivialities, and an especial joy in hearing her talk about "you all" and call a car "kyar," a girl "giurl" and other idioms peculiar to Tidewater Virginians. Besides that, she was too good-looking altogether to be passed without notice. The elevator boys were both in love with her, and their seniors – whether clerks, floor-walkers, salesmen or owners – would walk two aisles out of the way any time to pass by Miss Preston at the counter where she disposed of bolts of ribbon. But best of all was the regard which her scores of girl associates had for her. They liked her because they saw she made no effort to seek or to foster the attentions which the masculines of the store thrust upon her. They liked her, too, for the individuality and perfect neatness she showed in her dress, from the bows of ribbon on her short sleeves to the set of her skirts or the way her waists were arranged at the belt. As for her hair, eight-ninths of the store, being the feminine portion, envied its beautiful wave, and two-ninths mustered up courage to ask Maude how she managed to keep it so splendidly. And the two-ninths, being told, let the other six-ninths into the secret. Thus it was, in Greenfield & Jacobs', that the Maude wave became more popular than the one named after Marcelle.
And all the while Maude quietly went on thinking of William Henry. She heard about him sometimes in letters from Accomac, and knew that he was still in Philadelphia. And there were hours when she fought the temptation to write to him there, and humbly tell him that she had been wrong to grow angry with him. Perhaps he had forgotten her and was having a good time – she recoiled from the thought, and yet it would come now and then. And when it came, Maude had spells of the "blues" that she found hard to conceal from her new-made friends at the department store and in her boarding-house on Arlington avenue.
Greenfield & Jacobs was one of the first retail firms to take up the notion of having a float in the Jubilee parade. And, having once decided to exhibit, they went at the preparations with characteristic thoroughness. "Let us do it right," said Jacobs to Greenfield. "Let us spare no expense to have a car so beautiful that all Baltimore will remember it as one of the hits of the parade. Let it be chaste and symbolic, and not overloaded with bunting and people."
The head of the firm had the same thought. "We have always tried to tell the truth to our customers," he rejoined. "Why not try to bring that fact home to thousands by a float on which a handsome Goddess of Truth will be giving a laurel crown to our firm?"
"Capital!" exclaimed Jacobs. "And Miss Preston can be the Goddess."
"I had her in mind when I proposed it," remarked Greenfield.
And both men laughed.
Neither partner was up on mythology, so they turned over to Melvale, the advertising man, the duty of working out the details of the float. Now, Melvale wasn't literary, either; but he knew an obliging young woman at the Pratt Library, and he hied himself to her to ask who under Heaven was the Goddess of Truth and how was she dressed. And the obliging young woman looked up encyclopedias and finally handed Melvale an illustrated copy of Spenser's "Faerie Queene." Melvale had never heard of Spenser, and he had an idea that Spenser spelled his title badly, not even according to the simplified method of Roosevelt and Carnegie. But he took the book and read of the beautiful, pure and trustful Una, the personification of Truth, the beloved of the Red Cross Knight. And when he looked at the pictures he began to grow enthusiastic over the float.
"By George!" he exclaimed. "Miss Preston will look great in that Greek gown."
And Melvale sketched the float as it afterward grew into being at the hands of carpenters, painters and decorators at the old car shed on Pennsylvania avenue. There was, first of all, a beautiful little model of Greenfield & Jacobs' new store, about three feet high, over the corner dome of which the charming Goddess, bending forward, was about to place the laurel crown suggested by Greenfield. Behind her were finely