Doctor Cupid: A Novel. Broughton Rhoda
eyes had looked upon him, – John Talbot, of course. With John Talbot she is now dishonestly philandering under the honest harvest-moon; to John Talbot she is now talking criminal nonsense, with those very lips that five minutes ago were laid upon the sacred velvet cheeks of her little children. With a curling lip Margaret looks round the room.
Why, Prue is missing too, and Freddy! Prue, the prone to quinsy, to throats, to delicacy of all kinds, straying over the deep-dewed grass without cloak or goloshes! For it would be expecting something more than human of her to suppose that when invited out by her admirer to hear all that the poets have said of Orion and Arcturus and the sister Pleiads, she should stop him in the full flow of his inspiration to inquire after what the Americans prettily call her 'gums.' If she will only have the sense to keep to the gravel paths! The elder sister has walked to the window, and now stands straining her eyes down the long alley to see if she can catch any glimpse of the little figure that, since its wailing infancy seventeen years ago, has caused her so many anxious hours. Shall she take upon herself the invidious office of spy, and follow her? or trust to the child's common sense, and to the possibility of her occasionally dropping her eyes from the enormous moon, now queening it in a great field of radiance above her head, to her own thin-shod feet? She is still hesitating when a voice, coming from behind her, makes her start.
'What a night!'
She turns to find that the utterer of this original ejaculation is none other than John Talbot. Is it possible that they have already returned from their lovers' ramble? But no! there is no sign of Lady Betty. It is clear that he could not have been the companion of her stroll. For the second time this evening Margaret has found herself in error.
'You?' she says, in a tone of rather vexed surprise.
'Why not?'
'I thought that you were out.'
'I! no!'
A moment's silence. Whom then could she have lured into her toils? Freddy? But Freddy must be with Prue. Mr. Evans? the diplomate? There is not much choice.
Her speculations are again broken in upon by the voice:
'Will not you take a turn?'
'I think not; that is to say' – correcting herself – 'I shall only go a few steps, just to find my sister.'
'May I help you to find her?'
'I do not know why I should give you that trouble.'
A moment's silence, spent by both in reflections. This is the outcome of his.
'I do not think that I have done anything fresh.'
'Anything fresh?'
'Not since we parted; nothing to earn me a new set of snubs.'
She smiles a little. 'You have not had much time.'
'And I will not do anything fresh.' Then aside, 'I am blessed if I know what I did.'
'That is rather a rash engagement,' smiling again.
It is fortunate that her teeth are so good, for she shows a great many of them.
'But if I keep it I may come?' pertinaciously.
'I suppose so;' and out they step together.
It cannot be helped, but it is a little perverse of fate that, after all, it should be she who, in appearance at least, is the one to philander in the moonlight with this despiser of the marriage law. And whether or no it is his presence that brings her ill-luck, it is some time before she succeeds in the object of her search. The grounds are rather large, with meandering walks and great clumps of shrubs that hide them from one another.
Each of Prue's favourite resorts has been visited, but without result. The walled garden, hushed and sleeping; the trellised wall, where ancient brick has disappeared beneath the thronged faces, diversely dazzling, of the brown, orange, tawny and sulphur nasturtiums; the retired seat beneath the tulip-tree. All, all are empty. Nothing remains but the kiosk, and Peggy feels sure that Prue is not in the kiosk.
Thither, however, they bend their steps; but before they reach it a turn of the walk reveals to them two seated figures. One is certainly the Prue whom they seek; Prue sitting upon an uncomfortable garden bench, on which nobody ever sits – on which she herself has never sat before. But is it conceivable that, since dinner, Freddy can have doubled in size, can have lost all the hair off the top of his head, and have exchanged his cambric shirt-front and his diamond and turquoise studs for a double-breasted waistcoat buttoned to the chin?
With a feeling akin to stupefaction Peggy realises that it is Mr. Evans, and not Freddy, who is Prue's companion. As they approach he rises reluctantly. He had much rather that they had not come. Prue never wants to talk to him. She lets him sit and silently ruminate and dream beside her; a cigarette between his lips, and a blessed oblivion of dissenters, boys' schooling, girls' ugly faces, rickety baby, Christmas bills, invading his lulled brain. Prue neither rises nor changes her position. Her arms lie listlessly on her lap, and she is staring up at Cassiopeia, the one constellation for ever exalted above its fellows by having had Freddy Ducane for its exhibitor.
'Do you think you are quite wise to sit out here, with nothing over your shoulders?' asks Margaret, stooping over her sister, and speaking in a tone of such exceeding gentleness as positively to astound Talbot, who had not calculated upon the existence of such tones in a voice which has conscientiously employed only its harsher keys for his benefit.
'I am not cold,' replies Prue dully.
'How long have you been here? Long?'
'I do not know.'
'We were too comfortable to take note of time, were not we, Miss Prue?' says Mr. Evans, with a sigh for his lost peace. 'A southern moon, is not it?' to Talbot.
'Quite long enough, I am sure,' rejoined Peggy, putting her hand persuasively on her sister's shoulder. 'Come with us! come!'
Talbot cannot help hearing that 'Come!' even while exchanging original remarks upon the stars of the southern hemisphere with the vicar; nor can he further help speculating as to whether, if that 'Come!' were addressed to himself, and were inviting him to follow it to Lapland, to Hong Kong, or to some yet hotter place, he should have the force of mind to decline. But at all events Prue has.
'I had rather stay here,' replies she, sotto voce, with an accent of miserable irritation. 'Why should I come? Nobody wants me; nobody misses me! Please leave me alone.'
There is nothing for it but to comply. With a heavier heart than that with which she reached it, Margaret leaves the bench and its ill-sorted occupants. She takes little heed as to the direction of her steps until she finds herself and her companion approaching the kiosk, whence is plainly audible the sound of voices, which, as they advance nearer to it, grows hushed. It is too dark to see into the interior, as above the little gimcrack temple, memorial of the bad taste of fifty years ago, rises a brotherhood of tall, spruce firs that project their shade over and before it.
Just in front of it Talbot stops her to point out to her a shooting-star that is darting its trail of glory through the immensities of space. Has he not heard those voices – he must have been deaf if he did not – nor observed that marked succeeding silence? He shows no sign of uneasiness or curiosity. His eye is resting apparently, with a calmer enjoyment than she can bring to it, on the gold mist rolling its gauzy-billows in the hollows of the park.
It is only to those who come to her with a tranquil and disengaged mind that the great mother gives the real key of her treasure-houses; and Peggy's mind to-night is too ruffled to give her any claim to the great endowment.
They are standing silently side by side, when a noise, proceeding from the inside of the kiosk, makes itself audible – a noise apparently intended to counterfeit the mewing of a cat, followed by the crowing of a most improbable cock.
Talbot does not even turn his head.
'We are not at all frightened, and not much amused,' he says, in a clear matter-of-fact voice.
'You had not an idea that we were here, had you?' cries Lady Betty, springing out of the temple, followed by Freddy Ducane. 'Did not I mew well? and did not Freddy crow badly? Freddy, you