The Golden House. Baker Sarah Schoonmaker
a family group in the big room at the golden house. The mother sat in the centre, with the brown baby on her knee. The heads of the six fair-haired children were bent down over the new treasure like a cluster of rough-hewn angels in the Bethlehem scene, as carved out by some reverent artist of old. With a puzzled, half-pleased glance the stalwart father looked down upon them all, like a benignant giant.
"Is he really our own little baby now?" said one of the children.
"What shall we call him?" asked another.
"We'll name him, of course, after the bear," said the oldest boy, who liked to take the lead in the family. "I heard the man call him Pionono, and he said the bear knew his name."
"We won't call him after that horrid bear!" exclaimed Karin.
"Uncle Björn is as nice as anybody, and his name is just 'bear,'" urged one of the boys.
"Don't contrary your mother," said Jan decidedly. "Pionono is too long a name. We'll call him Nono, and that's a nice name, to my thinking."
"A nice, pretty little name," said the mother, "and I like it."
And so the matter was settled. The little brown baby was to be called after a pope and bear, in Protestant Sweden. Nono (the ninth) suited him better than any one around him suspected. The tiny Italian was really the ninth baby that had come to the golden house. Karin had now six children. She had laid her firstborn in the grave long ago, and lately her little Gustaf had been placed beside him in the churchyard.
Classification simplified matters in Karin's family, as elsewhere. The children were divided by common consent into three pairs, known as the boys, the twins, and the little boys. For each division the laws and privileges were fixed and unalterable. "The boys," Erik and Oke, were the oldest pair. Erik was at present a smaller edition of his father, with a fair promise of a full development in the same direction. Now, at twelve years of age, he was almost as tall as his mother, and could have mastered her at any time in a fair fight. Oke, a year younger, was pale, and slight, and stooping, with a thin, straight nose, quite out of keeping with the large, strongly-marked features of the rest of the children. As for "the twins," it was difficult to think of them as two boys. They were so much alike that their mother could hardly tell them apart. Indeed, she had a vague idea that she might have changed them without knowing it many times since they were baptized. How could she be sure that the one she called Adam was not Enos, and Enos the true Adam? Of two things she was certain – that she loved them both as well as a mother ever loved a pair of twins, and that they were worthy of anybody's unlimited affection. She was proud of them, too. Were they not known the country round as Jan Persson's splendid twins, and the fattest boys in the parish? As for "the little boys," they were much like the Irishman's "little pig who jumped about so among the others he never could count him." "The little boys" were always to be found in unexpected and exceptionable places, to the great risk of life and limb, and the great astonishment of the beholders. To try to ride on a strange bull-dog or kiss a bear was quite a natural exploit for them, for they feared neither man nor beast.
As for Karin, she was not a worrying woman, and took the care of her many children cheerily. She could but do her best, and leave the rest to God and the holy angels. Those precious protectors had lately seemed very near to her, since baby Gustaf had gone to live among them. That all would go right with Nono she did not doubt. When she laid him down for the night, she clasped his tiny brown hands, and prayed not only for him, but for his poor mother, wherever she might be, and left her to the care of the merciful Friend who could give to wild lunatics full soundness of mind.
CHAPTER III.
ANEHOLM CHURCH
Sunday had come. Along the public road, where the Italians and the bear had lately passed, rolled a heavy family carriage, drawn by two spirited horses. The gray-haired coachman had them well in hand, and by no means needed the advice or the assistance of the fat little boy perched at his side, though both were freely proffered. The child was dressed in deep mourning, but his clothes alone gave any sign of sorrow. His face gleamed with delight as he was borne along between green fields, or played bo-peep with the distant cottages, through a solemn line of spruces or a glad cluster of young birches.
On the comfortable back seat of the carriage was an elderly gentleman, tall, thin, and stooped, with eyes that saw nothing of earth or sky, as his thoughts were in the far past, or in the clouds of the sorrowful present. By his side, close pressed to him, with her small black-gloved hand laid on his knee, sat a little nine-year-old girl, her sad-coloured suit in strange contrast with the flood of golden hair that streamed from under her hat, and fell in shining waves down to her slight waist. The fair young face was very serious, and the mild blue eyes were full of loving light, as she now and then peeped cautiously at her father. He did not notice the child, and she made no effort to attract his attention.
"Papa! papa! what's that? what's that?" suddenly cried out the little boy. "What's that that's so like the gingerbread baby Marie made me yesterday? Just such a skirt, and little short arms!"
The father's attention was caught, and he turned his eyes in the direction pointed out by the child's eager finger.
The sweet sound of a bell came from the strange brown wooden structure, an old-time belfry, set not on a roof or a tower, but down on the ground. Slanting out wide at the bottom, to have a firm footing, it did look like a rag-dolly standing on her skirts, or a gingerbread baby, as the young stranger had said.
A stranger truly in the land of his fathers was fat little Frans. Alma, his sister, had often reproached him with the facts that he had never seen his own country and could hardly speak his own language. Born in Italy, he had now come to Sweden for the first time, with the funeral train which bore the lifeless image of his mother to a resting-place in her much-loved northern home.
"Is that the church, papa?" Alma ventured to ask, seeing her father partially roused from his reverie.
The barn-like building was without any attempt at adornment. There was no tower. The black roof rose high, very high and steep from the thick, low white walls, that were pierced by a line of small rounded windows.
"That is Aneholm Church," the father said, half reprovingly. "There your maternal ancestors are buried, and there their escutcheons stand till this day. I need not tell you who is now laid in that churchyard."
He turned his face from the loving eyes of the child, and she was silent.
A few more free movements of the swift horses, and the carriage stopped before a white-arched gateway. A wall of high old lindens shut in the churchyard from the world without, if world the green pastures, quiet groves, and low cottages could be called. It was but a small enclosure, and thick set with old monuments and humbler memorials, open books of iron on slender supports, their inscriptions dimmed by the rust of time, small stones set up by loving peasant hands, and one fresh grave covered with evergreen branches. Alma understood that on that grave she must place the wreath of white flowers that had lain in her lap, and there her father would lay the one beautiful fair lily he held in his hand.
This tribute of love was paid in mournful silence, and then the father and the children passed into the simple old sanctuary.
The church was even more peculiar within than without. It was white everywhere – walls, ceiling, and the plain massive pillars of strong masonry on which rested the low round arches. It looked more like a crypt under some great building than if it were itself the temple. The small windows, crossed by iron gratings, added to the prison-like effect of the whole. It was but a prison for the air of the latest summer days, shut in there to greet the worshippers, instead of the chill that might have been expected.
Warm was the atmosphere, and warm the colouring of the heraldic devices telling in armorial language what noble families had there treasured their dead. The altar, without chancel-rail, stood on a crimson-covered platform. On each side of it, at a respectful distance, were two stately monuments, on which two marble heroes were resting, one in full armour, and the other in elaborate court-dress. Alma could see that there were many names on the largest of these monuments, and her eyes filled with tears as she saw her mother's dear name, freshly cut below the list of her honoured ancestors.
The father did not look at the monument, or round the church at all.