An Autobiography. Elizabeth Butler

An Autobiography - Elizabeth  Butler


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Eye, and I must say I never expected things to go so well. Of course, this austere, rigid master is not one to say much, but, on the contrary, to dwell upon the shortcomings and weaknesses; to have no pity. He looked longer at my soldiers at work at Dover Castle and some hands that I had done yesterday, saying they showed much feeling. He said he did not know whether I only wished to make my studies superficial, but strongly advised me to become an artist. I scarcely needed such advice, I think, but it was very gratifying. I told him I wished for severe study, and that I did not wish to begin at the wrong end. We were a long time talking, and he was very kind, and told me off to the Life School after preliminary work in the Antique. I join to-morrow. I now really feel as though fairly launched. Ah! they shall hear of me some day. But, believe me, my ambition is of the right sort.

      “January 2nd.– A very pleasant day for me. At ten marched off, with board, paper, chalk, etc., etc., to the schools, and signed my name and went through all the rest of the formalities, and was put to do a huge eye in chalk. I felt very raw indeed, never having drawn from a cast before. Everything was strange to me. I worked away until twenty minutes to two, when I sped home to have my lunch. Five hours’ work would be too long were I not to break the time by this charming spin home and back in the open air, which makes me set to work again with redoubled energy and spirits sky-high. A man comes round at a certain time to the rooms to see by the thermometer whether the temperature is according to rule, which is a very excellent precaution; 65° seems to be the fixed degree. Of course, I did not make any friends to-day; besides, we sit far apart, on our own hooks, and not on forms. Much twining about of arms and darling-ing, etc., went on, however, but we all seem to work here so much more in earnest than over those dreary scrolls in the Elementary. One girl in our room was a capital hit, short hair brushed back from a clever forehead and a double eyeglass on an out-thrust nose. Then there is a dear little pale girl, with a pretty head and large eyes, who is struggling with that tremendous ‘Fighting Gladiator.’ She and he make a charming motif for a sketch. But I am too intent on my work to notice much. The skeleton behind me seems, with outstretched arm, to encourage me in my work, and smiles (we won’t say grins) upon me, whilst behind him – it? – the écorché man seems to be digging his grave, for he is in the attitude of using a spade. But enough for to-day. I was very much excited all day afterwards. And no wonder, seeing that my prayer for a beginning of my real study has now been granted and that I am at length on the high road. Oh, joy, joy!

      “January 15th.– Did very well at the schools. Upon my word, I am getting on very smoothly. I peeped into the Life room for the first time whilst work was going on, and beheld a splendid halberdier standing above the girls’ heads and looking very uncomfortable. He had a steel headpiece and his hands were crossed upon the hilt of his sword in front, and his face, excessively picturesque with its grizzly moustache, was a tantalising sight for me!

      “January 16th.– Oh, how I am getting on! I can’t bear to look at my old things. Was much encouraged by Mr. Burchett, who talked to me a good deal, the mistress standing deferentially and smilingly by. He said, ‘Ah! you seem to get over your difficulties very well,’ and said with what immense satisfaction I shall look back upon this work I’m doing. Altogether it was very encouraging, and he said this last thing of mine was excellent. He remarked that my early education in those matters had been neglected, but I console myself with the thought that I have not wasted my time so utterly, for all the travel I have had all my life has put crowds of ideas into my head, and now I am learning how to bring those ideas to good account.

      “January 24th.– I shall soon have done the big head and shall soon reach a full-length statue, and I shall go in for anatomy rather than give so much time to this shading which the students waste so much time over. I don’t believe in carrying it so far. The little pale girl I like, on the completion of her gladiator, has been promoted to the Life class. A girl made friends with me, a big grenadier of a girl, who says she wants to know ‘all about the joints and muscles’ and seems a ‘thoroughgoer’ like myself.”

      This is how I write of dear Miss Vyvyan, a fine, rosy specimen of a well-bred English girl, who became one of my dearest fellow students – and drew well. In writing of me after I had come out in the art world, she records this meeting in words all the more deserving of remembrance for being those of a voice that is still. Of my other fellow-students the Diary will have more to say, left to its own diction.

      “February 13th.– It is very pleasant at the schools – oh, charming! In coming home at the end of my work I fell in with Mr. Lane, my friend in the truest sense of the word. He was coming over to us. His first inquiry was about me and my work. He was very much disappointed that I was not in the Life class, fully expecting that I should be there, seeing how highly Mr. Burchett twice spoke of my drawings to Mr. Lane, and that I was quite ready for the Life. But, of course, Mr. B. is desirous of putting me as much through the regular course as possible. Mr. Lane shares Millais’ opinion that ‘the antique is all very well, but that there is nothing like the living model, and that they are too fond of black and white at the Museum.’ I was enrolled as a member of the Sketching Club this morning, and have only a week to do ‘On the Watch’ in, the title they have given us to illustrate. Only a week, Mimi? That’s an age to do a sketch in! Ah! yes, my dear, but I shall have five hours in the schools every day except Saturdays. I have chosen for subject a freebooter in a morion and cloak upon a bony horse, watching the plain below him as night comes on, with his blunderbus ready cocked. Wind is blowing, and makes the horse’s mane and tail to stream out.”

      There follow pages and pages describing the daily doings at the schools: the commotion amongst girls at the drawings I used to bring to show them of battle scenes; the Sketching Club competitions, and all the work and the play of an art school. At last I was promoted to the Life class.

      “March 19th.– Oh, joyous day! oh, white! oh, snowy Monday! or should I say golden Monday? I entered the Life this joyous morn, and, what’s more, acquitted myself there not only to my satisfaction (for how could I be satisfied if the masters weren’t?), but to Mr. Denby’s and the oil master’s par excellence, Mr. Collinson’s. I own I was rather diffident, feeling such a greenhorn in that room, but I may joyfully say ‘So far, so good,’ and do my very best of bests, and I can’t fail to progress. How willingly I would write down all the pleasant incidents that occur every day, and those, above all, of to-day, which make this delightful student life I am leading so bright and happy and amusing. However, I shall write down all that my spare moments will allow me. Little ‘Pale Face’ took me in hand and got me a nice position quite near the sitter, as I am only to do his head. There was a good deal of struggling as the number of girls increased, and late comers tried amicably to badger me out of my good position. We waited more than half an hour for the sitter, and beguiled the time as we are wont. Three semi-circles surround the sitter and his platform. The inner and smaller circle is for us who do his head only, and is formed by desks and low chairs; the next is formed by small fixed easels, and the outer one by the loose-easel brigade, so there are lots of us at work. At length the martyr issued from the curtained closet where Messrs. Burchett, Denby and Collinson had been helping the unhappy victim to make a lobster of his upper self with heavy plates of armour. He became sadly modern below the waist, for his nether part was not wanted. To see Mr. Denby pinning on the man’s refractory Puritan starched collar was rich. The model is a small man, perfectly clean shaven with a most picturesque face; quite a study. Very finely-chiselled mouth, with thin lips and well-marked chin and jaw. The poor fellow was dreadfully nervous. He was posed standing, morion on head, with a book in one hand, the other raised as though he were discoursing to some fellow soldiers – may-be Covenanters – in a camp. I never saw a man in such agony as he evinced, his nervousness seeming at times to overpower him, and the weight of the armour and of the huge morion (too big for him) told upon him in a painfully evident manner. He was, consequently, allowed frequent rests, when down his trembling arm would clatter and the instrument of torture on his heated forehead come down with a great thump on the table. Mr. Denby was much pleased with my drawing in, and Mr. Collinson commended my carefulness. This pleases me more than anything else, for I know that carefulness is the most essential quality in a student.

      “March 27th.– Mr. Burchett showed me how to proceed with the finishing of the face. He liked the way I had done the


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