History of Human Society. Frank Wilson Blackmar
mutation which he has originated. There can be little progress without these few fertile brains, just as there could be little progress unless they were supported by the laborers who carry out the plans of the genius. While the "unknown man" is less conspicuous in the progress of the race in modern complex society, he is still a factor in all progress.
The Data of Progress. – Evolution is not necessarily progress; neither is development progress; yet the factors that enter into evolution and development are essential to progress. The laws of differentiation apply to progress as well as to evolution. In the plant and animal life everywhere this law obtains. In man it is subservient to the domination of intelligent direction, yet it is in operation all of the time. Some races are superior in certain lines, other races show superiority in other lines. Likewise, individuals exhibit differences in a similar way. Perhaps the dynamic physical or mental power of the individual or the race will not improve in itself, having reached its maximum. There is little hope that the brain of man will ever be larger or stronger, but it may become more effective through training and increased knowledge. Hence in the future we must look for achievement along co-operative and social lines. It is to social expansion and social perfection that we must look for progress in the future. For here the accumulated power of all may be utilized in providing for the welfare of the individual, who, in turn, will by his inventive power cause humanity to progress.
The industrial, institutional, humanitarian, and educational machinery represents progress in action, but increased knowledge, higher ideals of life, broader concepts of truth, liberty of individual action which is interested in human life in its entirety, are the real indices of progress.
1. Why do some races progress and others deteriorate?
2. Compare different communities to show to what extent environment determines progress.
3. Show how the airplane is an evidence of progress. The radio. The gasoline-engine.
4. Discuss the effects of religious belief on progress.
5. Is the mental capacity of the average American greater than the average of the Greeks at the time of their highest culture?
6. What are the evidences that man will not advance in physical and mental capacity?
7. Show that the improvement of the race will be through social activity.
CHAPTER III
METHODS OF RECOUNTING HUMAN PROGRESS
Difficulty of Measuring Progress. – In its larger generalization, progress may move in a straight line, but it has such a variety of expression and so many tributary causes that it is difficult to reduce it to any classification. Owing to the difficulties that attend an attempt to recite all of the details of human progress, philosophers and historians have approached the subject from various sides, each seeking to make, by means of higher generalizations, a clear course of reasoning through the labyrinth of materials. By adopting certain methods of marking off periods of existence and pointing out the landmarks of civilization, they have been able to estimate more truly the development of the race. Civilization cannot be readily measured by time; indeed, the time interval in history is of little value save to mark order and continuity. It has in itself no real significance; it is merely an arbitrary division whose importance is greatly exaggerated. But while civilization is a continuous quantity, and cannot be readily marked off into periods without destroying its movement, it is necessary to make the attempt, especially in the study of ancient or prehistoric society; for any method which groups and classifies facts in logical order is helpful to the study of human progress.
Progress May Be Measured by the Implements Used. – A very common method, based largely upon the researches of archaeologists, is to divide human society into four great periods, or ages, marked by the progress of man in the use of implements. The first of these periods is called the Stone Age, and embraces the time when man used stone for all purposes in the industrial arts so far as they had been developed. For convenience this period has been further divided into the age of ancient or unpolished implements and the age of modern or polished implements. The former includes the period when rude implements were chipped out of flint or other hard stone, without much idea of symmetry and beauty, and with no attempt to perfect or beautify them by smoothing and polishing their rough surface.
In the second period man learned to fashion more perfectly the implements, and in some instances to polish them to a high degree. Although the divisions are very general and very imperfect, they map out the great prehistoric era of man; but they must be considered as irregular, on account of the fact that the Stone Era of man occurred at different times in different tribes. Thus the inhabitants of North America were in the Stone Age less than two centuries ago, while some of the inhabitants of the South Sea Islands are in the Stone Age during the present century. It is quite remarkable that the use of stone implements was universal to all tribes and nations at some period of their existence.
After the long use of stone, man gradually became acquainted with some of the metals, and subsequently discovered the method of combining copper with tin and other alloys to form bronze, which material, to a large extent, added to the implements already in use. The Bronze Age is the most hypothetical of all these divisions, as it does not appear to have been as universal as the Stone, on account of the difficulty of obtaining metals. The use of copper by the Indians of the Lake Superior region was a very marked epoch in their development, and corresponds to the Bronze Age of other nations, although their advancement in other particulars appears to be less than that of other tribes of European origin which used bronze freely. Bronze implements have been found in great plenty in Scandinavia and Peru, and to a limited extent in North America. They certainly mark a stage of progress in advance of that of the inhabitants of the Stone Age. Bronze was the chief metal for implements throughout the early civilization of Europe.
Following the age of bronze is the Iron Age, in which the advancement of man is especially marked. The bronze implements were at first supplemented in their use by those of iron. But gradually iron implements superseded the bronze. The Iron Age still is with us. Possibly it has not yet reached its highest point. Considering the great structures built of iron, and the excessive use of iron in machinery, implements, and furniture, it is easy to realize that we are yet in this great period. Though we continue to use stone more than the ancients and more bronze for decoration and ornament than they, yet both are subordinate to the use of iron. General as the above classification is, it helps in an indefinite way to give us a central idea of progress and to mark off, somewhat indefinitely, periods of development.
The Development of Art. – Utility was the great purpose underlying the foundation of the industrial arts. The stone axe, or celt, was first made for a distinct service, but, in order to perfect its usefulness, its lines became more perfect and its surface more highly polished. So we might say for the spear-head, the knife, or the olla. Artistic lines and decorative beauty always followed the purpose of use. This could be applied to all of the products of man's invention to transform parts of nature to his use. On account of the durability of form, the attempt to trace the course of civilization by means of the development of the fine arts has met with much success. Though the idea of beauty is not essential to the preservation of man or to the making of the state, it has exerted a great influence in individual-building and in society-building. In our higher emotional natures aesthetic ideas have ruled with imperial sway.
But primitive ideas of beauty appear to us very crude, and even repulsive. The adornment of person with bright though rudely colored garments, the free use of paint on the person, and the promiscuous use of jewelry, as practised by the primitive peoples, present a great contrast to modern usage. Yet it is easy to trace the changes in custom and, moreover, to determine the origin of present customs. So also in representative art, the rude sketch of an elephant or a buffalo on ivory or stone and the finished picture by a Raphael are widely separated in genius and execution, but there is a logical connection between the two found in the slowly evolving human activities. The rude figure of a god moulded roughly from clay and the lifelike model by an Angelo have the same relations to man in his different states. The same comparison may be made between the low, monotonous moaning of the savage and the rapturous music of a Patti, or between the beating of the tom-tom and the lofty strains of a Mozart.
Progress