The English Flower Garden. Bright Henry Arthur

      It would thus appear that to Lady Grenville in her Dropmore gardens the credit of being the first to bed-out may fairly belong. But some fifteen years passed before the system was generally adopted. It then grew rapidly in favour, and before long it was clear that the whole character of the English garden would be changed. One of the first plants to be bedded-out extensively was the “Tom Thumb” pelargonium, or geranium as it was then more commonly called; it was a dwarf scarlet, and was considered to be of great beauty till the better varieties were introduced. Then followed verbeneas, calceolarias, and other flowers, which could be kept as cuttings through the winter, and then be planted out when summer weather made it safe to do so. And there were many advantages in bedding-out. In large public gardens, where a glow of colour only was wanted, where no one stopped to look at any particular plant, and where a certain uniformity of growth was essential, it answered extremely well. In gardens which are, as it were, the approaches of great houses, and which seem laid out rather by the architect than the gardener, the bedding-out system was both convenient in itself and striking in its effect. Nothing for instance, in its way, can be more beautiful than to look down from the long gallery at Crewe Hall upon the formal garden with its curves of variegated gravel and its thick box edging, its broad terraced walks and flights of steps, guarded by quaintly-carved balustrades and strange heraldic monsters. But it hardly strikes one as a garden; it is rather an appendage to the house itself, adding to its stateliness, and recalling, by its prevailing colours of buff and blue, the old traditions of the family.

      But what is all very well for public parks and very important mansions is out of place in smaller country houses, and becomes absurd in small villa gardens. However, the fashion had seized hold of gardeners and masters both, and every one must have what was called an Italian garden. But to make their Italian garden they must do one of two things. They must either root up the old herbaceous plants, which year after year had blossomed and scented the air in the old walled garden; or they must take a piece of their lawn, and, cutting it up into segments, then plant out their nurslings of the greenhouse. It so chanced, moreover, that a few years after the new fashion came in, the duty on glass was taken off, and greenhouses, which had once been a luxury, now became a supposed necessary of life. Hence, bedding-out, instead of being an expensive form of gardening, became a singularly easy and not a very costly method of having a certain show of bright and effective colouring. But this colouring was all. In the old walled garden, instead of the plants, which so long had had their home there, each of which knew its season and claimed welcome as an old friend, there were bare beds till June, and then, when the summer was hottest, a glare of the hottest, brightest, colours. But the walled garden was better than the newly-cut circles on the lawn. In the garden there would at least be the shade of one of the garden walls. In the outside Italian garden, where, with the smooth old turf, trees had been cut away, there would be no shade whatever. Nobody would really care to walk there, and probably no one would be allowed to gather flowers, for fear of spoiling the symmetry of the beds. Nor can any one feel the slightest interest about the hundred little pelargoniums in one bed, or the fifty calceolarias in the next. Each plant is exactly like its neighbour. All individuality has gone, and it is impossible to forget that some four months is the limit of their short lives, and that the next year a new “crop” of pelargoniums and calceolarias, equally without interest or character, will appear in their place. Then too the bedded-out plants are plants with no associations as regards the past. No poet ever sang their beauty, and no legend tells the origin of their birth. Again, they are almost entirely destitute of scent, and to our forefathers at least the scent of flowers was their chief attraction. Often too it is questionable whether a number of small beds cut out of the green turf really looks well; in nine cases out of ten it has a make-shift appearance; flowers were wanted, and the lawn has been sacrificed.

      “Nothing,” says Bacon, “is more pleasant to the eye than green grass nicely shorn,” – a sentiment which Mason, in that somewhat tiresome poem of his from which I have already quoted, has sense enough to approve —

      But green lawns all over England were being destroyed. The flower-borders, where there had been no walled garden, had hitherto generally followed the line of the shrubberies and plantations, and the windings of garden walks; but these and the flowers that grew there were now neglected.

      Still worse was the effect on the smaller villa-gardens. They had had their flowers on the sunny side of the garden wall, their pleasant bit of lawn with specimen trees, their fence of scented shrubs. The trees were destroyed, the lawn was cut up; and all for the sake of red and yellow patches during four summer months. Even the cottagers in many places seem to have forgotten the old English flowers, such as grew in Perdita’s garden, the “hot lavender,” the marygold, the crown-imperial and the lily, and have taken to slips of pelargonium and the like.

      Nor even yet had the abuse of the bedding-out system done its worst. There were still, as we have said, in many gardens, strips of border which, not being in the form of rounded beds, were allowed, half under protest as it were, to harbour some of the old flowers. Unfortunately for them, ribbon borders were invented, and the last sanctuary of herbaceous plants was often ruthlessly destroyed. Pelargoniums again, and calceolarias, with lobelias in front, and dark-leaved perillas in the background, made up the new ribbon border. It was no doubt effective enough in its way, but we have now seen it almost everywhere, and for the last fifteen years at least. Of course there are happy variations of it in great places, and where the gardener is a man of taste and ability; but it sometimes appears to us that such gardeners must be very rare exceptions. Such a ribbon border as I have described, and extremely badly grown moreover, is, or was a year or two ago, supposed to be the appropriate adornment of Shakespeare’s garden at New Place in Stratford.

      A further modification in the round beds has been introduced still more recently. It is the bedding-out of zonal pelargoniums, of echeverias, and of other plants, whose beauty lies in the foliage rather than the blossom. No doubt they give softer tints to the general effect, but they are a poor substitute for the varied beauty of an old garden. It may be difficult to find interest in the ordinary “bedding-out stuff,” but they are poetry itself compared to plants which chiefly remind one of the last days of the garden of “the Sensitive Plant,” when, instead of all odorous flowers, there were only growths