Appearances: Being Notes of Travel. Dickinson Goldsworthy Lowes
mother, whereas descent from a common father is a negligible fact, no doubt because formerly it was a questionable one. Women administer their own property, and, as I am informed, administer it more prudently than the men.
Not only so; they have in marriage the superior position occupied by men in the West. The Nair woman chooses her own husband; he comes to her house, she does not go to his; and, till recently, she could dismiss him as soon as she was tired of him. The law – man-made, no doubt! – has recently altered this, and now mutual consent is required for a valid divorce. Still the woman is, at least on this point, on an equality with the man. And the heavens have not yet fallen. As to the vote, it is not so important or so general here as at home. The people live under a paternal monarchy "by right divine." The Rajah who consolidated the kingdom, early in the eighteenth century, handed it over formally to the god of the temple, and administers it in his name. Incidentally this gave him access to temple revenues. It also makes his person sacred. So much so that in a recent prison riot, when the convicts escaped and marched to the police with their grievances, the Rajah had only to appear and tell them to march back to prison, and they did so to a man, and took their punishment. The government, it will be seen, is not by votes. Still there are votes for local councils, and women have them equally with men. Any other arrangement would have seemed merely preposterous to the Nairs; and perhaps if any exclusion had been contemplated it would have been of men rather than of women.
Other incidental results follow from the equality of the sexes. The early marriages which are the curse of India do not prevail among the Nairs. Consequently the schooling of girls is continued later. And this State holds the record in all India for female education. We visited a school of over 600 girls, ranging from infancy to college age, and certainly I never saw school-girls look happier, keener, or more alive. Society, clearly, has not gone to pieces under "the monstrous regimen of women." Travancore claims, probably with justice, to be the premier native State; the most advanced, the most prosperous, the most happy. Because of the position of women? Well, hardly. The climate is delightful, the soil fertile, the natural resources considerable. Every man sits under his own palm tree, and famine is unknown. The people, and especially the children, are noticeably gay, in a land where gaiety is not common. But one need not be a suffragette to hold that the equality of the sexes is one element that contributes to its well-being, and to feel that in this respect England lags far behind Travancore.
Echoes of the suffrage controversy at home have led me to dwell upon this matter of the position of women. But, to be candid, it will not be that that lingers in my mind when I look back upon my sojourn here. What then? Perhaps a sea of palm leaves, viewed from the lighthouse top, stretching beside the sea of blue waves; perhaps a sandy river bed, with brown nude figures washing clothes in the shining pools; perhaps the oiled and golden skins glistening in the sun; perhaps naked children astride on their mothers' hips, or screaming with laughter as they race the motor-car; perhaps the huge tusked elephant that barred our way for a moment yesterday; perhaps the jungle teeming with hidden and menacing life; perhaps the seashore and its tumbling waves. One studies institutions, but one does not love them. Often one must wish that they did not exist, or existed in such perfection that their existence might be unperceived. Still, as institutions go, this, which regulates the relations of men and women, is, I suppose, the most important. So from the surf of the Arabian sea and the blaze of the Indian sun I send this little object lesson.
X
THE BUDDHA AT BURUPUDUR
To the north the cone of a volcano, rising sharp and black. To the east another. South and west a jagged chain of hills. In the foreground ricefields and cocoa palms. Everywhere intense green, untoned by grey; and in the midst of it this strange erection. Seen from below and from a distance it looks like a pyramid that has been pressed flat. In fact, it is a series of terraces built round a low hill. Six of them are rectangular; then come three that are circular; and on the highest of these is a solid dome, crowned by a cube and a spire. Round the circular terraces are set, close together, similar domes, but hollow, and pierced with lights, through which is seen in each a seated Buddha. Seated Buddhas, too, line the tops of the parapets that run round the lower terraces. And these parapets are covered with sculpture in high relief. One might fancy oneself walking round one of the ledges of Dante's "Purgatorio" meditating instruction on the walls. Here the instruction would be for the selfish and the cruel. For what is inscribed is the legend and cult of the lord of tenderness. Much of it remains undeciphered and unexplained. But on the second terrace is recorded, on one side, the life of Sakya-Muni; on the other, his previous incarnations. The latter, taken from the "Jatakas," are naïve and charming apologues.
For example: Once the Buddha lived upon earth as a hare. In order to test him Indra came down from heaven in the guise of a traveller. Exhausted and faint, he asked the animals for help. An otter brought fish, a monkey fruit, a jackal a cup of milk. But the hare had nothing to give. So he threw himself into a fire, that the wanderer might eat his roasted flesh. Again: Once the Buddha lived upon earth as an elephant. He was met by seven hundred travellers, lost and exhausted with hunger. He told them where water would be found, and, near it, the body of an elephant for food. Then, hastening to the spot, he flung himself over a precipice, that he might provide the meal himself. Again: Once the Buddha lived upon earth as a stag. A king, who was hunting him, fell into a ravine. Whereupon the stag halted, descended, and helped him home. All round the outer wall run these pictured lessons. And opposite is shown the story of Sakya-Muni himself. We see the new-born child with his feet on lotuses. We see the fatal encounter with poverty, sickness, and death. We see the renunciation, the sojourn in the wilderness, the attainment under the bo-tree, the preaching of the Truth. And all this sculptured gospel seems to bring home to one, better than the volumes of the learned, what Buddhism really meant to the masses of its followers. It meant, surely, not the denial of the soul or of God, but that warm impulse of pity and love that beats still in these tender and human pictures. It meant not the hope or desire for extinction, but the charming dream of thousands of lives, past and to come, in many forms, many conditions, many diverse fates. The pessimism of the master is as little likely as his high philosophy to have reached the mind or the heart of the people. The whole history of Buddhism, indeed, shows that it did not, and does not. What touched them in him was the saint and the lover of animals and men. And this love it was that flowed in streams over the world, leaving wherever it passed, in literature and art, in pictures of flowers or mountains, in fables and poems and tales, the trace of its warm and humanising flood.
Still, there is the other Buddhism, the Buddhism of the thinker; his theory of human life, its value and purpose. And it was this that filled my mind later as I sat on the summit next to a solemn Buddha against the setting sun. For a long time I was silent, meditating his doctrine. Then I spoke of children, and he said, "They grow old." I spoke of strong men, and he said, "They grow weak." I spoke of their work and achievement, and he said, "They die." The stars came out, and I spoke of eternal law. He said, "One law concerns you – that which binds you to the wheel of life." The moon rose, and I spoke of beauty. He said, "There is one beauty – that of a soul redeemed from desire." Thereupon the West stirred in me, and cried "No!" "Desire," it said, "is the heart and essence of the world. It needs not and craves not extinction. It needs and craves perfection. Youth passes; strength passes; life passes. Yes! What of it? We have access to the youth, the strength, the life of the world. Man is born to sorrow. Yes! But he feels it as tragedy and redeems it. Not round life, not outside life, but through life is the way. Desire more and more intense, because more and more pure; not peace, but the plenitude of experience. Your foundation was false. You thought man wanted rest. He does not. We at least do not, we of the West. We want more labour; we want more stress; we want more passion. Pain we accept, for it stings us into life. Strife we accept, for it hardens us to strength We believe in action; we believe in desire. And we believe that by them we shall attain." So the West broke out in me; and I looked at him to see if he was moved. But the calm eye was untroubled, unruffled the majestic brow, unperplexed the sweet, solemn mouth. Secure in his Nirvana, he heard or he heard me not. He had attained the life-in-death he sought. But I, I had not attained the life in life. Unhelped by him, I must go my way. The East, perhaps, he had understood. He had not understood the West.
XI
A MALAY THEATRE
It seems to be a principle among shipping companies