Faith and Unfaith: A Novel. Duchess
first, and later on sending them to school and college, and giving them choice of professions, had left them very much to their own devices.
True, when college debts accumulated, and pressing bills from long-suffering tradespeople came pouring in, he would rouse himself sufficiently to remonstrate with them in a feeble fashion, and, having received promises of amendment from both boys, he would pay their bills, make each a handsome present (as atonement for the mild scolding), and, having thus dropped a sop to Cerberus, – or conscience, – would dismiss money matters, nephews, and all from his thoughts.
So the children grew, from youth to boyhood, from boyhood to early manhood, with no one to whom to appeal for sympathy, with no woman's voice to teach them right from wrong, – with few hardships, fewer troubles, and no affections.
Arthur Branscombe, indeed, who had come back from India six months after his father's death, and had stayed at Hythe for two interminable years (as they seemed to him), had during that time so worked himself into the heart of the eldest boy Dorian, and had so far taken him into his own in return, that long years had failed to efface the fondness of either. Indeed, now that he has returned from abroad (only, as fate has willed it, to take his brother's place), he finds the love he had grafted in the child still warm in the heart of the man.
Horace, the younger, had chosen his profession, and gone in heavily for law. But Dorian, who inherited two thousand a year from his father, and a charming residence, – situated about three miles from Hythe, and two from the pretty village of Pullingham, – had elected to try his hand at farming, and was at first honestly believed in by confiding tenants, who discussed him as a being up to his eyes in agricultural lore and literally steeped in new and improved projects for the cultivation of land.
But time undeceived these good souls. And now, though they love him better, they believe in him not at all. To adore one's horses, and to be a perfect slave to one's dogs, is one thing; to find a tender interest in the price of guano, and a growing admiration for prize pigs, is quite another. When Dorian had tried it for six months, he acknowledged, reluctantly, that to him mangels were an abomination, and over-fed cattle a wearying of the flesh!
Every now and then, indeed, he tells himself that he must "look about him," as he calls it, and, smothering a sigh, starts for a quick walk across his land, and looks at a field or two, or into the nearest paddock, and asks his steward how things are going on, and if all is as satisfactory now as in the old days when his father held the reins of government, and, having listened absently to comfortable answers and cheerful predictions for the future, strolls away again, thoroughly content, not caring to investigate matters further.
He is fond of London life, and spends a good deal of his time there; is courted and petted and made much of by enterprising dowagers with marriageable daughters, as a young man charming, well bred, altogether chic, and undoubted heir to an earldom; for of Arthur Sartoris's ever marrying, now he has so long passed the prime of life, no one ever dreams.
He knows all the best people in town, and puts in a good time when there; is a fair hand at whist, and can beat most men at billiards; will now and then put money on a favorite for the Oaks or the Grand National, but cannot be said to regard gambling as an amusement. He is extravagant in many ways, but thoroughly unselfish and kind-hearted, and generous to a fault. He is much affected by women, and adored by children, who instinctively accept him as a true friend.
Horace, both in face and in figure, is strangely like his brother, – in character very different. He is tall and well built, with eyes large, dark, and liquid, but rather too closely set to be pleasing. His mouth is firm and somewhat hard, his smile soft, but uncertain. He is always charming to women, being outwardly blind to their caprices and an admirer of their follies, and is therefore an immense favorite with a certain class of them, whose minds are subservient to their bodies. Yet to every rule there is an exception. And by women good and true, and loyal, Horace has been, and is, well beloved.
As Lord Sartoris and Dorian cross the hall, they meet Horace, and a pretty girl – tall, slender, and graceful – coming towards them. She appears sad, and slightly distressed, but scarcely unnerved: there is a suspicion of tears about her large gray eyes. Her gown, of violet velvet (for, though they are in the merry month of May, the days are still cold and fretful), sits closely to her perfect figure; a Langtry bonnet, to match her dress, covers her head and suits admirably her oval face and Grecian nose and soft peach-like complexion.
Going up, with impulsive grace, to Lord Sartoris, she lays both her ungloved hands upon his shoulders, and presses her lips with tender sympathy to his cheek.
"How sad it all is!" she says, with a little break in her voice. "How can I tell you all I feel for you? If you had only had the faintest warning! But it was all so sudden, so dreadful."
"What a kind child you are, Cissy!" says Sartoris, gently; "and to come to us so soon, that was so good of you."
"Was it?" says Clarissa, quickly. "That is what has been troubling me. We only heard the terrible news this morning, and papa said it would be intrusive to call so early; but I – I could not keep away."
"Your presence in this gloomy house is an undeniable comfort," says Sartoris, sadly. "I am glad you understood us well enough to know that. It is my greatest wish that you should regard us all with affection."
He glances from her to Dorian, as he speaks, with anxious meaning. But Dorian's gaze is fixed thoughtfully upon the stained-glass window that is flinging its crimson and purple rays upon the opposite wall, and has obviously been deaf to all that has been passing. As for Clarissa, she has turned, and is looking into Horace's dark eyes.
Sartoris, catching the glance, drops Miss Peyton's hand with a sigh. She notices the half-petulant action, and compresses her lips slightly.
"Now I have seen you, I shall feel better," she says, sweetly. "And – I think I must be going."
"Will you desert us so soon?" says Sartoris, reproachfully. "At least stay to luncheon – ." He pauses, and sighs profoundly. Just now the idea that the routine of daily life must be carried on whether our beloved lie dead upon their couches or stand living in our path, is hateful to him.
"I hardly like," says Clarissa, nervously; "I fear – "
Dorian, rousing himself from his thoughts, comes back to the present moment.
"Oh, stay, Clarissa," he says, hurriedly. "You really must, you know. You cannot imagine what a relief you are to us: you help us to bear our gloomy memories. Besides, Arthur has tasted nothing for hours, and your being here may tempt him, perhaps, to eat."
"If I can be of any use – ," says Clarissa, kindly. Whereupon Sartoris gives her his arm, and they all adjourn to the dining-room.
It is a large, old-fashioned, stately apartment, oak-panelled, with large mullioned windows, and a massive marble chimney-piece that reaches high as a man's head. A pleasant, sociable room at ordinary times, but now impregnated with the vague gloom that hangs over all the house and seeks even here to check the gaudy brightness of the sun that, rushing in, tries to illuminate it.
At the sideboard stands Simon Gale, the butler and oldest domestic of Hythe, who has lived with the dead lord as man and boy, and now regrets him with a grief more strongly resembling the sorrowing of one for a friend than for a master.
With downcast eyes and bowed head he stands, thinking sadly how much too old he is for new cares and fresh faces. Reginald had been all the world to him: the new man is as nothing. Counting friendships as of little worth unless years have gone to prove their depth and sincerity, he feels no leaning towards the present possessor, – knows him too short a time to like or dislike, to praise or blame.
Now, as his eyes wander down the long table, to where he can see the empty chair of him who rests with such unearthly tranquillity in the silent chamber above, the thought of how soon a comparative stranger will fill it causes him a bitter pang. And, as he so muses, the door opens, and they all come in, – Sartoris first, with Clarissa, pale, and quiet; the brothers – so like, yet so unlike – following.
Old Simon, rousing himself, watches with jealous eyes to see the place so long occupied by Reginald usurped by another. But he watches in vain. Sartoris, without so much