The "Genius". Dreiser Theodore
love of Angela. He wrote in March that he thought he would be coming in May or June. He did get away in July – a season when the city was suffering from a wave of intense heat. He had not done so much – illustrated eight or ten stories and drawn four double page pictures for Truth, one of which had appeared; but he was getting along. Just as he was starting for Chicago and Blackwood a second one was put on the news-stand and he proudly carried a copy of it with him on the train. It was the Bowery by night, with the L train rushing overhead and, as reproduced, it had color and life. He felt intensely proud and knew that Angela would also. She had written him such a glowing appreciation of the East Side picture called "Six O'clock."
As he rode he dreamed.
He reached it at last, the long stretch between New York and Chicago traversed; he arrived in the Lake city in the afternoon, and without pausing to revisit the scenes of his earlier efforts took a five o'clock train for Blackwood. It was sultry, and on the way heavy thunder clouds gathered and broke in a short, splendid summer rain. The trees and grass were thoroughly wet and the dust of the roads was laid. There was a refreshing coolness about the air which caressed the weary flesh. Little towns nestling among green trees came into view and passed again, and at last Blackwood appeared. It was smaller than Alexandria, but not so different. Like the other it was marked by a church steeple, a saw mill, a pretty brick business street and many broad branching green trees. Eugene felt drawn to it at sight. It was such a place as Angela should live in.
It was seven o'clock and nearing dusk when he arrived. He had not given Angela the definite hour of his arrival and so decided to stay over night at the little inn or so-called hotel which he saw up the street. He had brought only a large suit case and a traveling bag. He inquired of the proprietor the direction and distance of the Blue house from the town, found that he could get a vehicle any time in the morning which would take him over, as the phrase ran, for a dollar. He ate his supper of fried steak and poor coffee and fried potatoes and then sat out on the front porch facing the street in a rocking chair, to see how the village of Blackwood wagged and to enjoy the cool of the evening. As he sat he thought of Angela's home and how nice it must be. This town was such a little place – so quiet. There would not be another train coming up from the city until after eleven.
After a time he rose and took a short walk, breathing the night air. Later he came back and throwing wide the windows of the stuffy room sat looking out. The summer night with its early rain, its wet trees, its smell of lush, wet, growing things, was impressing itself on Eugene as one might impress wet clay with a notable design. Eugene's mood was soft toward the little houses with their glowing windows, the occasional pedestrians with their "howdy Jakes" and "evenin' Henrys." He was touched by the noise of the crickets, the chirp of the tree toads, the hang of the lucent suns and planets above the tree tops. The whole night was quick with the richness of fertility, stirring subtly about some work which concerned man very little or not at all, yet of which he was at least a part, till his eyelids drooped after a time and he went to bed to sleep deeply and dreamlessly.
Next morning he was up early, eager for the hour to arrive when he might start. He did not think it advisable to leave before nine o'clock, and attracted considerable attention by strolling about, his tall, spare, graceful figure and forceful profile being an unusual sight to the natives. At nine o'clock a respectable carryall was placed at his disposal and he was driven out over a long yellow road, damp with the rain of the night before and shaded in places by overhanging trees. There were so many lovely wild flowers growing in the angles of the rail fences – wild yellow and pink roses, elder flower, Queen Anne's lace, dozens of beautiful blooms, that Eugene was lost in admiration. His heart sang over the beauty of yellowing wheatfields, the young corn, already three feet high, the vistas of hay and clover, with patches of woods enclosing them, and over all, house martens and swallows scudding after insects and high up in the air his boyhood dream of beauty, a soaring buzzard.
As he rode the moods of his boyhood days came back to him – his love of winging butterflies and birds; his passion for the voice of the wood-dove (there was one crying in the still distance now) – his adoration for the virile strength of the men of the countryside. He thought as he rode that he would like to paint a series of country scenes that would be as simple as those cottage dooryards that they now and then passed; this little stream that cut the road at right angles and made a drinking place for the horses; this skeleton of an old abandoned home, doorless and windowless, where the roof sagged and hollyhocks and morning glories grew high under the eaves. "We city dwellers do not know," he sighed, as though he had not taken the country in his heart and carried it to town as had every other boy and girl who had gone the way of the metropolis.
The Blue homestead was located in the centre of a rather wide rolling stretch of country which lay between two gently rising ridges of hill covered with trees. One corner of the farm, and that not so very far from the house, was cut by a stream, a little shallow thing, singing over pebbles and making willows and hazel bushes to grow in profusion along its banks, and there was a little lake within a mile of the house. In front of it was a ten acre field of wheat, to the right of it a grazing patch of several acres, to the left a field of clover; and near the house by a barn, a well, a pig pen, a corn crib and some smaller sheds. In front of the house was a long open lawn, down the centre of which ran a gravel path, lined on either side by tall old elm trees. The immediate dooryard was shut from this noble lawn by a low picket fence along the length of which grew lilac bushes and inside which, nearer the house, were simple beds of roses, calycanthus and golden glow. Over an arbor leading from the backdoor to a rather distant summer kitchen flourished a grapevine, and there was a tall remnant of a tree trunk covered completely with a yellow blooming trumpet vine. The dooryard's lawn was smooth enough, and the great lawn was a dream of green grass, graced with the shadows of a few great trees. The house was long and of no great depth, the front a series of six rooms ranged in a row, without an upper storey. The two middle rooms which had originally, perhaps seventy years before, been all there was of the house. Since then all the other rooms had been added, and there was in addition to these a lean-to containing a winter kitchen and dining room, and to the west of the arbor leading to the summer kitchen, an old unpainted frame storehouse. In all its parts the place was shabby and run down but picturesque and quaint.
Eugene was surprised to find the place so charming. It appealed to him, the long, low front, with doors opening from the centre and end rooms direct upon the grass, with windows set in climbing vines and the lilac bushes forming a green wall between the house and the main lawn. The great rows of elm trees throwing a grateful shade seemed like sentinel files. As the carryall turned in at the wagon gate in front he thought "What a place for love! and to think Angela should live here."
The carryall rattled down the pebble road to the left of the lawn and stopped at the garden gate. Marietta came out. Marietta was twenty-two years old, and as gay and joyous as her elder sister Angela was sober and in a way morbid. Light souled as a kitten, looking always on the bright side of things, she made hosts of friends everywhere she went, having a perfect swarm of lovers who wrote her eager notes, but whom she rebuffed with good natured, sympathetic simplicity. Here on this farm there was not supposed to be so much opportunity for social life as in town, but beaux made their way here on one pretext and another. Marietta was the magnet, and in the world of gaiety which she created Angela shared.
Angela was now in the dining room – easy to be called – but Marietta wanted to see for herself what sort of lover her sister had captured. She was surprised at his height, his presence, the keenness of his eyes. She hardly understood so fine a lover for her own sister, but held out her hand smilingly.
"This is Mr. Witla, isn't it?" she asked.
"The same," he replied, a little pompously. "Isn't it a lovely drive over here?"
"We think it nice in nice weather," she laughed. "You wouldn't like it so much in winter. Won't you come in and put your grip here in the hall? David will take it to your room."
Eugene obeyed, but he was thinking of Angela and when she would appear and how she would look. He stepped into the large, low ceiled, dark, cool parlor and was delighted to see a piano and some music piled on a rack. Through an open window he saw several hammocks out on the main lawn, under the trees. It seemed a wonderful place to him, the substance of poetry – and then Angela appeared. She was dressed in plain white linen. Her hair, braided as he liked it