Speeches and Addresses of H. R. H. the Prince of Wales: 1863-1888. King of Great Britain Edward VII
flag. On the 4th of April, 1870, His Royal Highness presided at the rooms of the Society of Arts, in connection with the "Educational Section" of a series of proposed International Exhibitions. On rising to open the proceedings, the Prince said: —
"We are assembled here for the purpose of organizing the educational section of the Exhibition to be held in 1871. I appear before you on this occasion in a double capacity, for I hold the position of President of your Society, and I am President of the Royal Commission of 1851, having succeeded in this post the late lamented Lord Derby, whose name will always be remembered among the names of our great statesmen, and who will be greatly missed from that Commission, the interest of which he had so much at heart.
"The long-standing connection of the Society of Arts with Exhibitions is well known, and in these very rooms the Exhibitions of 1851 and 1862 were first planned. This Society is, I consider, well qualified to deal with the subject before it, and I assure you that it is a great gratification to me to preside here and show that I am entirely alive to the great question of the day – that of education.
"I have now to state that the meeting to-day is of members of a large Committee, of persons eminent in their various stations for the interest they have displayed in education, and that it has been appointed without reference to politics, party, denomination, or social position, for the purpose of obtaining the best possible representation in 1871 of the various materials and apparatus used in teaching, and exhibiting, as far as practicable, the results of the many systems of instruction which are in operation in this country and in other nations of the world. Under the first class we find such objects as affect the sanitary condition of schools – the desks and stools used, maps and globes, books, pictures, scientific diagrams, objects of natural history, and the like. Under the second class will be shown illustrations of modes of teaching, drawing, reading, writing, music, and gymnastics, and the interesting work of educating those whom nature has deprived of sight, speech, and hearing, with examples of the successful results.
"In this Exhibition of Education, foreigners as well as British subjects will take their share, and I am happy to say that Sweden has already applied for permission to exhibit a full-sized model of one of its parish schools. The duty of this Committee is to see that such work as I have sketched out shall be completely accomplished, that exhibitors shall come forward and offer their productions, that the best only shall be selected for exhibition, and that discussions on systems of instruction shall be organized. I indulge a sanguine hope that the labours of this Committee may teach lessons which will lead to the improvement of the quality of primary education, and to the extension of that secondary instruction in science and art so much needed for the industrial progress of this country, a necessity proved at the Exhibition of 1851, originated and conducted by my illustrious father, and confirmed again in 1862, and at Paris in 1867, where our own artisans showed by their remarkable reports how strong were their convictions on this point. Difficulties there are, as there must ever be, in the completion of a great work, and here I am reminded how fully the difficulties connected with this work of education were appreciated by my father as long ago as 1851. But my visit with the Princess of Wales to the Middle Class Schools in the City of London on Wednesday last, and the reports on Faversham School and the District Union Schools of the Metropolis, which have been published by our Society, lead me on to hope that even these difficulties may admit of solution.
"By improved organization of schools and teaching power, I think that it is shown that instruction may be so given as to enable earning and learning to go hand-in-hand together. I close these few remarks by bidding 'God speed' to this Committee in the great work that is before them. Two resolutions will be offered for your acceptance, and any explanation which may seem necessary will be afforded."
The resolutions, moved by Sir John Pakington, and by the Hon. W. Cowper Temple, were to the effect that the meeting warmly approved of the proposed International Educational Exhibition, which would not only receive His Royal Highness's sanction, but his personal assistance and co-operation. It was explained that the feature of these Exhibitions would be the arrangement of objects illustrating the progress of art and industry, not according to countries, but according to classes. On the proposal of a vote of thanks to the chairman of the meeting, the Prince said: —
"I require and desire no thanks at all. It has given me great pleasure to be here to open the proceedings, and I cordially thank all the gentlemen who have so kindly supported me on this occasion. I beg again to assure you that I take a very deep interest in this question – that of education, and that I shall be always ready to give my hearty co-operation on a subject of this important bearing."
ROYAL GENERAL THEATRICAL FUND
This Fund grants relief in annuities to members of the dramatic profession, to singers and dancers, and also to the widows and orphans of members. At present, upwards of £2000 annually is paid to fifty annuitants. The invested capital is about £12,000. The institution has the merit of not being a mere charity, but is largely supported by the actors themselves. In this respect it holds a more honourable position than even the Royal Literary Fund; no attempt to establish a guild for mutual help among men of letters having, as yet, been successful.
The Theatrical Fund was established as long ago as 1839 by a few actors, and was incorporated by Royal charter in 1853. Part of the income comes from subscribers to the fund; but it is necessary also to appeal to the public, in the method common to all charities; the resources of the profession not being sufficient to maintain a mutual insurance society on financial unaided by benevolent principles.
His Royal Highness the Prince of Wales presided at the 25th anniversary festival of the Fund at St. James's Hall on the 16th of May, 1870. There was a large attendance, including the leading members of the profession, and some zealous supporters of the drama, among whom were the Nawab Nazim of Bengal, with his two sons, the Princes Ali and Suleiman. Grace having been sung after dinner the Prince gave "The Health of Her Majesty the Queen," the patroness of this institution, and an annual subscriber to its funds. The Duke of Sutherland, in proposing the health of "The Prince and Princess of Wales, and other members of the Royal Family," adverted to the constant support given by their Royal Highnesses to the drama.
The Prince of Wales, in returning thanks, said "he rejoiced that ever since his childhood he had had opportunities of going to the theatre and witnessing some of the most excellent plays, and appreciating the performances of some of the best actors of the present day, many of whom he saw on either side and before him on this occasion. The few remarks he had to make regarding this most excellent fund must be reserved till a later period of the evening, and therefore he would not then detain the company; but he must observe that not only had the Princess and himself derived considerable amusement from what they had witnessed at the theatres, but they had given their patronage to the drama because it was their wish to encourage a noble profession."
The usual toast of the Army, Navy, and Volunteers having been given and responded to, the Prince rose, and said: —
"The toast which he had now to propose was the so-called toast of the evening, which was 'Prosperity to the Royal General Theatrical Fund.' It afforded him great pleasure to propose this toast, and when he saw the numerous assembly before him he felt no doubt of the great interest taken by all present in this excellent charity. What charity, he asked, could be more deserving of support? When they considered how much amusement and pleasure they all derived by going to the theatre, did it ever occur to them that it was to the actors and actresses a life of drudgery and hardship? Those same actors and actresses who appeared in some comic character might have near and dear relations lying sick at home. Then, also, when a time of life arrived in the course of nature in which they were unable longer to appear upon the stage ought they to be left to starve? Certainly not, and it was to prevent aged actors who were incapable of work from starving, that this fund had been instituted.
"This charity was still more meritorious, because it was supported by the actors themselves. The charity was established in 1839 by a few London actors, and in 1853 it was incorporated by Royal charter. The fund was raised to provide annuities for aged and decayed members of the charity, and in special cases for granting temporary assistance to the families of deceased members. Any member of the profession, on the payment of a small annual subscription, ranging from 21s. 4d. to £28 9s. a year, according to