The Faith Doctor: A Story of New York. Eggleston Edward
left elbow. Despite much internal levity and external clumsiness, Hilbrough played his rôle to the satisfaction of his anxious wife, and Phillida looked at him inquiringly after she was seated as though to discover what transformation had taken place in him.
Millard could not but feel curious about the fine-looking, dark young woman opposite him. But with his unfailing sense of propriety he gave the major part of his attention to the elder lady, and, without uttering one word of flattery, he contrived, by listening well, and by an almost undivided attention to her when he spoke, to make Mrs. Hilbrough very content with herself, her dinner, and her guest. This is the sort of politeness not acquired in dancing-school nor learned in books of decorum; it is art, and of all the fine arts perhaps the one that gives the most substantial pleasure to human beings in general. Even Hilbrough was pleased with Millard's appreciation of Mrs. Hilbrough; to think well of Jenny was an evidence of sound judgment, like the making of a prudent investment.
Meantime Millard somewhat furtively observed Miss Callender. From the small contributions she made to the table-talk, she seemed, to him, rather out of the common run. Those little touches of inflection and gesture, which one woman in society picks up from another, and which are the most evanescent bubbles of fashion, were wanting in her, and this convinced him that she was not accustomed to see much of the world. On the other hand, there was no lack of refinement either in speech or manner. That disagreeable quality in the voice which in an American woman is often the most easily perceptible note of underbreeding was not there. Her speech was correct without effort, as of one accustomed to hear good English from infancy; her voice in conversation was an alto, with something sympathetic in its vibration, as though a powerful emotional nature lay dormant under the calm exterior. Millard was not the person to formulate this, but with very little direct conversation he perceived that she was outside the category to which he was accustomed, and that her personality might prove interesting, if one had an opportunity of knowing it. He reasoned that with such a voice she ought to be fond of music.
"Have you heard much of Wagner, Miss Callender?" he said when there was a pause in the conversation. He felt before he had finished the question that it was a false beginning, and he was helped to this perception by a movement of uneasiness on the part of Mrs. Hilbrough, who was afraid that Phillida's disqualifications might be too plainly revealed. But if Mrs. Hilbrough was rendered uneasy by the question, Phillida was not. She turned her dark eyes upon Millard, and smiled with genuine amusement as she answered:
"I have heard but one opera in my life, Mr. Millard, and that was not Wagner's."
"Miss Callender," said Mrs. Hilbrough, quickly, "is one who has sacrificed social opportunities to her care for an invalid mother – a great sacrifice to one at her time of life."
"I don't think I have sacrificed much," answered Phillida with a trace of embarrassment. "My social opportunities could not have been many at best, and I would rather have led," – she hesitated a moment, – "I don't know but I would rather have led my quiet life than – the other."
In her effort to say this so as neither to boast of her own pursuits nor to condemn those of others, Miss Callender's color was a little heightened. Millard was sorry that his innocent question had led the conversation into channels so personal. Mrs. Hilbrough was inwardly vexed that Phillida should be so frank, and express views so opposed to those of good society.
"You find Brooklyn a pleasant place to live, no doubt," said Millard, taking it for granted that Phillida was from Brooklyn, because of her friendship for the Hilbroughs.
"I liked it when we lived there. I like New York very well. My relatives all live on this side of East River, and so I am rather more at home here."
"Then you don't find New York lonesome," said Millard, with a falling cadence, seeking to drop the conversation.
"Oh, no! I live near Stuyvesant Square, and I have an aunt in Washington Square of whom I am very fond."
"I am often at the Gouverneurs, on the north side of the Square. I like Washington Square very much," said Millard, getting on solid ground again.
"We visit at the same house. Mrs. Gouverneur is my aunt," said Phillida.
Millard was a little stunned at this announcement. But his habitual tact kept him from disclosing his surprise at finding Miss Callender's affiliations better than he could have imagined. He only said with unaffected pleasure in his voice:
"The Gouverneurs are the best of people and my best friends."
Mr. Hilbrough looked in amusement at his wife, who was manifestly pleased to find that in Phillida she was entertaining an angel unawares. Millard's passion for personal details came to his relief.
"Mrs. Gouverneur," he said, "had a brother and two sisters. You must be the daughter of one of her sisters. One lives, or used to live, in San Francisco, and the other married a missionary."
"I am the missionary's daughter," said Phillida.
Millard felt impelled to redeem his default by saying something to Miss Callender about the antiquity and excellence of her mother's family. If he had been less skillful than he was he might have given way to this impulse; but with the knack of a conversational artist he contrived in talking chiefly to Mrs. Hilbrough to lead the conversation to Miss Callender's distinguished great-grandfather of the Revolutionary period, who was supposed to shed an ever-brightening luster all the way down the line of his family, and Millard added some traditional anecdotes of other ancestors of her family on the mother's side who had played a conspicuous part in the commercial or civic history of New York. All of which was flattering to Miss Callender, the more that it seemed to be uttered in the way of general conversation and with no particular reference to her.
Hilbrough listened with much interest to this very creditable account of Phillida's illustrious descent, and longed for the time when he should have the fun of reminding his wife that he had held the opinion from the beginning that Phillida Callender was good enough for anybody.
Mrs. Hilbrough took Phillida and left the table, Mr. Hilbrough rising as the ladies passed out, as he had been instructed. When he and Millard had resumed their seats the cigars were brought, but when Millard saw that his host did not smoke he did not see why he should punish himself with a cigar and a tête-à-tête with Hilbrough, whom he could see any day at the bank. So by agreement the sitting was soon cut short, and the gentlemen followed the ladies to the drawing-room. Mrs. Hilbrough had planned a conversation with Millard about her reception while Phillida should be left to talk with Mr. Hilbrough. But Phillida's position had been changed during dinner. Mrs. Hilbrough found a new card in her hand. She drew Miss Callender into the talk about the reception, leaving her husband to excuse himself, and to climb the stairs to the third floor, as was his wont, to see that the children had gone to bed well and were not quarreling, and to have a few cheery words with Jack and the smaller ones before they went to sleep. Receptions were nothing to him: the beds on the third floor contained the greater part of the world.
Millard was relieved to find that Mrs. Hilbrough proposed nothing more ambitious than an evening reception. He commended her for beginning in new surroundings in this way.
"You see, Mrs. Hilbrough," he said, "a reception seems to me more flexible than a ball. It is, in a sense, more democratic. There are many good people – people of some position – who do not care to attend a ball, who would be out of place at a ball, indeed, which should be a very fashionable assembly. The party with dancing can come after."
This commendation had an effect opposite to that intended. Mrs. Hilbrough hadn't thought of a ball, and she now suspected that she was going wrong. In proposing a reception she was imitating Mrs. Masters, and she had fancied herself doing the most proper thing of all. To have a reception called democratic, and treated as something comparatively easy of achievement, disturbed her.
"If you think a reception is not the thing, Mr. Millard, I will follow your advice. You see I only know Brooklyn, and if a reception is going to compromise our position in the future I wish you would tell me. I am afraid I can hardly accomplish even that."
But Millard again said that a reception was a very proper thing to begin with. By degrees he drew out a statement of Mrs. Hilbrough's resources for a reception, and he could not conceal from her the fact that they seemed