Æschylos Tragedies and Fragments. Aeschylus
fast, that he
May learn, though sharp, that he than Zeus is duller.
Heph. No one but he could justly blame my work.
Strength. Now drive the stern jaw of the adamant wedge
Right through his chest with all the strength thou hast.
Heph. Ah me! Prometheus, for thy woes I groan.
Strength. Again, thou'rt loth, and for the foes of Zeus
Thou groanest: take good heed to it lest thou
Ere long with cause thyself commiserate.
Heph. Thou see'st a sight unsightly to our eyes.
Strength. I see this man obtaining his deserts:
Nay, cast thy breast-chains round about his ribs.
Heph. I must needs do it. Spare thine o'er much bidding;
Go thou below and rivet both his legs.141
Strength. Nay, I will bid thee, urge thee to thy work.
Heph. There, it is done, and that with no long toil.
Strength. Now with thy full power fix the galling fetters:
Thou hast a stern o'erlooker of thy work.
Heph. Thy tongue but utters words that match thy form.142
Strength. Choose thou the melting mood; but chide not me
For my self-will and wrath and ruthlessness.
Heph. Now let us go, his limbs are bound in chains.
Strength. Here then wax proud, and stealing what belongs
To the Gods, to mortals give it. What can they
Avail to rescue thee from these thy woes?
Falsely the Gods have given thee thy name,
Prometheus, Forethought; forethought thou dost need
To free thyself from this rare handiwork.
Prom. 143 Thou firmament of God, and swift-winged winds,
Ye springs of rivers, and of ocean waves
That smile innumerous! Mother of us all,
O Earth, and Sun's all-seeing eye, behold,
I pray, what I a God from Gods endure.
Behold in what foul case
I for ten thousand years
Shall struggle in my woe,
In these unseemly chains.
Such doom the new-made Monarch of the Blest
Hath now devised for me.
Woe, woe! The present and the oncoming pang
I wail, as I search out
The place and hour when end of all these ills
Shall dawn on me at last.
What say I? All too clearly I foresee
The things that come, and nought of pain shall be
By me unlooked-for; but I needs must bear
My destiny as best I may, knowing well
The might resistless of Necessity.
And neither may I speak of this my fate,
Nor hold my peace. For I, poor I, through giving
Great gifts to mortal men, am prisoner made
In these fast fetters; yea, in fennel stalk144
I snatched the hidden spring of stolen fire,
Which is to men a teacher of all arts,
Their chief resource. And now this penalty
Of that offence I pay, fast riveted
In chains beneath the open firmament.
Ha! ha! What now?
What sound, what odour floats invisibly?145
Is it of God or man, or blending both?
And has one come to the remotest rock
To look upon my woes? Or what wills he?
Behold me bound, a God to evil doomed,
The foe of Zeus, and held
In hatred by all Gods
Who tread the courts of Zeus:
And this for my great love,
Too great, for mortal men.
Ah me! what rustling sounds
Hear I of birds not far?
With the light whirr of wings
The air re-echoeth:
All that draws nigh to me is cause of fear.146
Chor. Nay, fear thou nought: in love
All our array of wings
In eager race hath come
To this high peak, full hardly gaining o'er
Our Father's mind and will;
And the swift-rushing breezes bore me on:
For lo! the echoing sound of blows on iron
Pierced to our cave's recess, and put to flight
My shamefast modesty,
And I in unshod haste, on winged car,
To thee rushed hitherward.
Prom. Ah me! ah me!
Offspring of Tethys blest with many a child,
Daughters of Old Okeanos that rolls
Round all the earth with never-sleeping stream,
Behold ye me, and see
With what chains fettered fast,
I on the topmost crags of this ravine
Shall keep my sentry-post unenviable.
Chor. I see it, O Prometheus, and a mist
Of fear and full of tears comes o'er mine eyes,
Thy frame beholding thus,
Writhing on these high rocks
In adamantine ills.
New pilots now o'er high Olympos rule,
And with new-fashioned laws
Zeus reigns, down-trampling right,
And all the ancient powers He sweeps away.
Prom. Ah! would that 'neath the Earth, 'neath Hades too,
Home of the dead, far down to Tartaros
Unfathomable He in fetters fast
In wrath had hurled me down:
So neither had a God
Nor any other mocked at these my woes;
But now, the wretched plaything of the winds,
I suffer ills at which my foes rejoice.
Chor.
The words indicate that the effigy of Prometheus, now nailed to the rock, was, as being that of a Titan, of colossal size.
The touch is characteristic as showing that here, as in the
The silence of Prometheus up to this point was partly, as has been said, consequent on the conventional laws of the Greek drama, but it is also a touch of supreme insight into the heroic temper. In the presence of his torturers, the Titan will not utter even a groan. When they are gone, he appeals to the sympathy of Nature.
The legend is from Hesiod (
The ocean nymphs, like other divine ones, would be anointed with ambrosial unguents, and the odour would be wafted before them by the rustling of their wings. This too we may think of as part of the “stage effects” of the play.
The words are not those of a vague terror only. The sufferer knows that his tormentor is to come to him before long on wings, and therefore the sound as of the flight of birds is full of terrors.
By the same stage mechanism the Chorus remains in the air till verse 280, when, at the request of Prometheus, they alight.