Artists and Arabs; Or, Sketching in Sunshine. Blackburn Henry
background of all this is superb: a calm sunlit sea, white sails glittering and flashing, and far to the eastward a noble bay, with the Kabyle mountains stretching out their arms towards the north.
At four o'clock the band plays on the Place, and as we sit and watch the groups of Arabs and Moors listening attentively to the overture to 'William Tell,' or admiringly examining the gay uniforms and medals of the Chasseurs d'Afrique – as we see the children of both nations at high romps together – as the sweet sea-breeze that fans us so gently, bears into the newly constructed harbour together, a corvette of the Imperial Marine and a suspicious-looking raking craft with latteen sails – as Marochetti's equestrian statue of the Duke of Orleans, and a mosque, stand side by side before us – we have Algiers presented to us in the easiest way imaginable, and (without going through the ordeal of studying its history or statistics) obtain some idea of the general aspect of the place and of the people, and of the relative position of conquerors and conquered.
As our business is principally with the Moorish, or picturesque side of things, let us first look at the great Mosque which we glanced at as we entered the harbour, and part of which we have sketched for the reader.
Built close to the water's edge, so close that the Mediterranean waves are sapping its foundations – with plain white shining walls, nearly destitute of exterior ornament, it is perhaps 'the most perfect example of strength and beauty, and of fitness and grace of line, that we shall see in any building of this type.3 It is thoroughly Moorish in style, although built by a Christian, if we may believe the story, of which there are several versions; how the Moors in old days took captive a Christian architect, and promised him his liberty on condition of his building them a mosque; how he, true to his own creed, dexterously introduced into the ground plan the form of a cross; and how the Moors, true also to their promise, gave him his liberty indeed, but at the cannon's mouth through a window, seaward.
The general outline of these mosques is familiar to most readers, the square white walls pierced at intervals with quaint-shaped little windows, the flat cupola or dome, and the square tower often standing apart from the rest of the structure as in the little vignette on our title-page, like an Italian campanile. Some of these towers are richly decorated with arabesque ornamentation,' and glitter in the sun with colour and gilding, but the majority of the mosques are as plain and simple in design as shown in our large sketch.
Here, if we take off our shoes, we may enter and hear the Koran read, and we may kneel down to pray with Arabs and Moors; religious tolerance is equally exercised by both creeds. Altogether the Mahommedan places of worship seem by far the most prominent, and although there is a Roman Catholic church and buildings held by other denominations of Christians, there is none of that predominant proselytizing aspect which we might have expected after thirty years' occupation by the French! At Tetuan, for instance, where the proportion of Christians to Mahommedans is certainly smaller, the 'Catholic church' rears its head much more conspicuously.
In Algiers the priestly element is undoubtedly active, and Soeurs de Charité are to be seen everywhere, but the buildings that first strike the eye are not churches but mosques; the sounds that become more familiar to the ear than peals of bells, are the Muezzin's morning and evening salutation from the tower of a mosque, calling upon all true believers to —
'Come to prayers, come to prayers,
It is better to pray than to sleep.'
The principal streets in Algiers lead east and west from the Place to the principal gates, the Bab-Azoun and the Bab-el-Oued. They are for the most part French, with arcades like the Rue de Rivoli in Paris; many of the houses are lofty and built in the style perhaps best known as the 'Haussman.' Nearly all the upper town is still Moorish, and is approached by narrow streets or lanes, – steep, slippery, and tortuous,4 which we shall examine by-and-bye.
The names of some of the streets are curious, and suggestive of change. Thus we see the 'Rue Royale,' the 'Rue Impériale there is, or was until lately, a 'Place Nationale,' and one street is still boldly proclaimed to be the 'Rue dé la Révolution'!
In passing through the French quarter, through the new wide streets, squares and inevitable boulevards, the number of shops for fancy goods and Parisian wares, especially those of hairdressers and modistes, seems rather extraordinary; remembering that the entire European population of Algeria, agricultural as well as urban, is not much more than that of Brighton. In a few shops there are tickets displayed in different languages, but linguists are rare, and where there are announcements of the labels have generally a perplexing, composite character, like the inscription on a statue at the Paris Exhibition of 1867, which ran thus 'Miss Ofelia dans Amlet.'
Before we proceed further, let us glance at the general mode of living in Algiers, speaking first of the traveller who goes to the hotels.
The ordinary visitor of a month or two will drop down pleasantly enough into the system of hotel life in Algiers; and even if staying for the winter he will probably find it more convenient and amusing to take his meals in French fashion at the hotels, ringing the changes between three or four of the best, and one or two well-known cafés, There is generally no table-d'hôte, but strangers can walk in and have breakfast or dine very comfortably at little tables 'a part,' at a fixed hour and at a moderate price. The rooms are pleasant, cool, and airy, with large windows open to the sea.
Everything is neatly and quietly served, the menu is varied enough, with good French dishes and game in abundance; the hosts being especially liberal in providing those delicious little birds that might be larks or quails, – which in Algiers we see so often on the table and so seldom on the wing.
Half the people that are dining at the 'Hôtel d'Orient' to-day are residents or habitués; they come in and take their accustomed places as cosily, and are almost as particular and fastidious, as if they were at their club.
There is the colonel of a cavalry regiment dining alone, and within joking distance, five young officers, whose various grades of rank are almost as evident from their manner as from the number of stripes on their bright red kepis ranged on the wall of the salon. A French doctor and his wife dine vis-à-vis, at one table, a lady solitaire at another; some gentlemen, whose minds are tuned to commerce, chatter in a corner by themselves; whilst a group of newly-arrived English people in the middle of the room, are busily engaged in putting down the various questions with which they intend to bore the viceconsul on the morrow, as if he were some good-natured house-agent, valet-de-place, and interpreter in one, placed here by Providence for their especial behoof. But it is all very orderly, sociable, and comfortable, and by no means an unpleasant method of living for a time.
There is the cercle, the club, at which we may dine sometimes; there are those pretty little villas amongst the orange-trees at Mustapha Supérieure, where we may spend the most delightful evenings of all; and there are also the Governor's weekly balls, soirées at the consulate, and other pleasant devices for turning night into day, in Algiers as everywhere else – which we shall be wise if we join in but sparingly. And there are public amusements, concerts, balls, and the theatre – the latter with a company of operatic singers with weak lungs, but voices as sweet as any heard in Italy; and there are the moonlight walks by the sea, to many the greatest delight of all.
The ordinary daily occupations are decidedly social and domestic; and it may be truly said that for a stranger, until he becomes accustomed to the place, there is very little going on.
You must not bathe, for instance, on this beautiful shelving shore. 'Nobody bathes, it gives fever,' was the invariable answer to enquiries on this subject, and though it is not absolutely forbidden by the faculty, there are so many restrictions imposed upon bathers that few attempt it; moreover, an Englishman is not likely to have brought an acrobatic suit with him, nor will he easily find a 'costume de bain' in Algiers.
There is very little to do besides wander about the town, or make excursions in the environs or into the interior (in which latter case it is as well to take a fowling-piece, as there is plenty of game to be met with); and altogether we may answer a question often asked about Algiers as to its attractions for
This beautiful architectural feature of the town has not escaped the civilizing hand of the Frank; the last time we visited Algiers we found the oval window in the tower gone, and in its place an illuminated French clock!
It may be interesting to artists to learn that in this present year 1868, most of the quaint old Moorish streets and buildings are intact – neither disturbed by earthquakes nor 'improved' out of sight.